For more than two decades, the franchise that began with 28 DAYS LATER has occupied a unique space in horror cinema, one that refuses the comfort of genre conventions. These films were never content to be mere survival thrillers or infection narratives. They were excavations of collapse itself—watching as systems, moralities, and identities crumbled under the weight of crisis. Now, with 28 YEARS LATER: THE BONE TEMPLE, produced by Cillian Murphy, the series appears ready to confront its most challenging and essential question: what happens when the apocalypse stops being an emergency and becomes simply the past?
The power of a sequel set decades after catastrophe lies in its relationship to memory. 28 YEARS LATER: THE BONE TEMPLE will inevitably feature two generations living side by side, separated not by age alone but by experience itself. There are those who remember the world before the collapse, who carry the weight of what was lost, and there are those born into ruin, for whom devastation is not tragedy but baseline reality. This divide is not philosophical abstraction. It is the foundation for conflict that feels profoundly human, the kind that emerges not from monsters but from irreconcilable perspectives on what survival even means.
What makes 28 YEARS LATER: THE BONE TEMPLE so compelling is its implicit maturity. This is not a story about running. It is about staying. It is about the stubborn, unglamorous work of building something that might last in a world defined by impermanence. Where 28 DAYS LATER gave us the shock of societal collapse and 28 WEEKS LATER showed us the cruelty of failed reconstruction, this film seems positioned to explore something quieter and perhaps more unsettling: the mundane horror of adaptation. The film does not need to escalate violence or spectacle to justify its existence. Its strength may lie instead in introspection, in examining what it costs to rebuild and whether that rebuilding ever truly constitutes healing.
Much about 28 YEARS LATER: THE BONE TEMPLE remains deliberately opaque, but its promise is clear. It offers evolution rather than escalation, depth rather than volume. In a genre saturated with endings, with final stands and last survivors, THE BONE TEMPLE dares to ask what comes after. It asks whether humanity, having been given a second chance at beginning, actually deserves it. If the film delivers on this thematic ambition, it could stand not merely as another installment but as one of the franchise’s most thoughtful and resonant entries—a film brave enough to suggest that the real horror might not be the infection at all, but what we become when we try to move on from it.
DERRY GIRLS darling @nicolacoughlan returns to our TVs in I AM HELEN.
This critically acclaimed BAFTA-winning anthology series pairs Coughlan with PEAKY BLINDERS star Joe Cole!
Watch new trailer now via 🔗︎ in bio!
BROOKLYN fans, this one is for you 🎬
Caitríona Balfe is back in a Colm Tóibín adaptation, and A LONG WINTER lands in cinemas this January 2027. Based on Tóibín’s 2006 short story, the film casts Caitríona as Louise, a mother at the heart of a stark, emotional drama.
More details via 🔗︎ in bio!
Mayo`s own @philippa.dunne is pure joy!
On this week`s @latelaterte, Philippa shares childhood memories of growing up in Mayo that shaped her, and what it’s really like to bring unforgettable characters to life on screen.
If you love Irish screen stories told by the people who live them, watch now via 🔗︎ in bio!
Everyone`s favourite Andrew returns to the @britishfilminstitute London Film Festival with his new film ELSINORE.
Few actors of the stage and screen have attracted as much acclaim in recent years as Andrew Scott, both for the emotional depth of his performances and for the subtlety and nuance he brings to them.
Watch now via 🔗︎ in bio!
Like father, like son!
Aran Murphy is following in his father Cillian`s footsteps with a major role in the new @sharonhorgan show YOUTH.
The 19-year-old is relatively new to the acting world but has had a very busy few months as of late, stepping out on red carpets and giving plenty of interviews for his first roles.
Let`s hear it for Ireland`s next wave of amazing acting talent!
Colin Farrell hit the @thegrahamnortonshowofficial couch this weekend!
Farrell reveals a new haircut (!) and how he was initially reluctant to take accept his role in the classic IN BRUGES.
Watch now via 🔗︎ in bio!
One question that has haunted Ireland for decades ⚖️
In RE-CREATION, the new film from Jim Sheridan, the story is built on the real 1996 murder of Sophie Toscan Du Plantier, and Colm Meaney never hands you a verdict. The veteran actor trusts you to argue it out yourself 🎬
More details via 🔗︎ in bio!
“This is the Ireland I always believed existed.”
July 13, 1985. Two stadiums. One mission. Queen, U2, Bowie, Elton John, Madonna, McCartney, all on one day to fight famine in Ethiopia. And five Irish women who wanted to donate their wedding rings!
More details of Bob Geldof`s LATE LATE SHOW appearance via 🔗︎ in bio!
Let’s hear it for Jamie Dornan 👏
He’s back as an American career criminal, always one step ahead, in 12 12 12 on Apple TV, going toe to toe with Anthony Mackie in a cat-and-mouse game across Europe. And this time he’s also an executive producer, helping shape the story as well as starring in it.
NEW trailer via 🔗︎ in bio!
