When Colin Farrell and Jessie Buckley sit down together, they’re practically strangers, but something shifts in the air almost immediately—the conversation plunges into depths that feel inevitable, as if the weight of what they’ve been carrying on screen demands to be acknowledged. Both Irish, both navigating the kind of roles that leave marks, they find themselves in that rare space where small talk feels impossible and honesty becomes the only currency worth trading.
Farrell has spent his year inhabiting the unraveling psyche of an addict in Edward Berger’s BALLAD OF A SMALL PLAYER, set against the neon-soaked backdrop of Macau, where his character exists in a perpetual state of financial and emotional freefall, grasping at connection with a credit broker played by Fala Chen even as everything else slips through his fingers.
Buckley, meanwhile, has endured something different but equally devastating in Chloé Zhao’s HAMNET, where she embodies Agnes Shakespeare, an imagined version of William’s wife, and walks through the unbearable aftermath of losing her son—her grief made all the more complex and wrenching when she discovers that her husband has transformed their tragedy into his greatest work, turning their private anguish into public art. It’s this tension between suffering and creation, between living through pain and witnessing it transmuted into something that might outlast them both, that seems to hover between Farrell and Buckley as they talk. Agnes is horrified at first, then slowly moved, forced to reckon with the uncomfortable truth that art can be both an act of theft and an act of preservation, that it can feel like betrayal and tribute at once. And perhaps that’s what draws these two actors together despite their unfamiliarity—they both understand, in their bones, what it means to offer yourself up to a story that asks for everything, to let yourself be emptied out in service of something larger, and to trust that there’s power in that emptying, that art really can reach across time and circumstance to touch something true in whoever encounters it.
Caitríona Balfe has joined Disney`s live-action TANGLED as Queen Arianna, Rapunzel`s long-lost mother.
She joins a growing cast that includes Teagan Croft, Milo Manheim, Kathryn Hahn with the film set for cinemas on March 31, 2028.
Full details via 🔗︎ in bio!
He`s baaaack!
@piercebrosnanofficial returns in MOBLAND season two with Helen Mirren and everyone`s favourite bad boy, Tom Hardy, premiering Sep 18 only on @paramountplus.
Watch now via link in bio 🔗︎
Domhnall Gleeson is back in THE PAPER Season 2!
Ned isn`t just central to the newsroom drama anymore, he`s now the editor of the Toledo Truth Teller, steering the team through two major investigations: a fire death and a tornado aftermath.
Full details via link in bio 🔗︎
Martin McDonagh is back 🎬
The Galway and Sligo-rooted writer-director behind IN BRUGES and THE BANSHEES OF INISHERIN has unveiled the trailer for WILD HORSE NINE and is headed to @tiff_net.
In cinemas November 6th. Who`s ready? 👇
Caitríona Balfe is heading back to television 👁️
The OUTLANDER star teams with Oscar winner Alfonso Cuarón for ASCENSION, a psychological horror thriller for Apple TV, playing Rose, a documentary filmmaker probing a mysterious 20th-century cult... only to find something far more sinister waiting beneath its teachings.
Full details via 🔗︎ in bio!
Phoenix rising 🔥🎬
CILLIAN MURPHY and wife Yvonne McGuinness have got the green light to bring Dingle`s beloved Phoenix Cinema back to life — not just as a cinema, but as a full-blown creative hub for west Kerry.
Full details via 🔗︎ in bio!
Aisling Bea is going to Mars 🚀
The Irish actress and BAFTA TV winner has joined the cast of STARMAN, starring alongside Brendan Fraser and Jeff Daniels, playing defiant Irish photographer Julia Hanley opposite Fraser`s stranded astronaut.
Full details via 🔗︎ in bio!
Irish director Lenny Abrahamson (NORMAL PEOPLE, ROOM) is set to direct YOU ARE HERE.
The eight-part screen adaptation of David Nicholls` best-selling novel will star Claire Foy (THE CROWN) and Matthew MacFayden (SUCCESSION)
Full details via link in bio 🔗︎
Barry Keoghan heads back into Irish indie territory with LEMONADE 🍋
First-look images and details have landed for Kim Bartley`s narrative feature debut, a story about first loves, second chances, and the ties that make a family.
Full preview via link in bio 🔗︎
