Louis Paxton’s debut feature THE INCOMER arrives at Sundance 2026 as a welcome palate cleanser, blending Scottish folklore with gentle comedy in a story about isolation, grief, and the collision between old and new worlds. On a remote Scottish island, siblings Isla and Sandy live according to their late father’s teachings, fishing and honoring seagull rituals in blissful disconnection from modern life. Their solitude shatters when Daniel, a mainland bureaucrat played by Domhnall Gleeson, arrives with eviction papers from the Northeastern Scottish Council. Isla’s response? She knocks him out cold with a rock.
What follows is a tender, funny exploration of fear and change. Isla clings to her father’s warnings about the mythical Fin Man lurking in the waters, using folklore to justify her resistance to leaving. Her terror masks deeper wounds from losing both parents, while her brother Sandy grows increasingly curious about Daniel’s tales of Wi-Fi and supermarkets. The film finds its sweetness in these exchanges, as Daniel becomes an accidental hostage to siblings torn between honoring the past and embracing possibility.
Paxton keeps the tone light despite weighty themes of grief and anxiety. Gleeson excels as the bewildered city dweller navigating bizarre customs, while Grant O’Rourke’s Sandy radiates childlike wonder and Gayle Rankin makes Isla’s stubbornness both frustrating and heartbreaking. Their chemistry transforms what could feel contrived into something genuinely warm. When Daniel eventually dons a homemade seagull costume for a ritual ceremony, the film earns its emotional payoffs through absurdity rather than sentiment.
THE INCOMER works because it trusts its performances and never overexplains its metaphors. It’s a cozy, eccentric character study that understands how mythology can both comfort and imprison us.
Tea, reflection, and a very different kind of classroom drama βπ¬
Saoirse Ronan opens up on A MUG OF LIFE about presence, growth, and calm β then goes full dark comedy in BAD APPLES, in UK cinemas from September 18.
Watch now via ποΈ in bio.
Meet Liam Neeson, the producer!
Enraged by a 2017 New York Times investigation into the Tuam mother and baby home scandal, Neeson has backed THE LOST CHILDREN OF TUAM, in Irish theatres on Sep 25.
Full details via link in bio ποΈ
Andrew Scott could make Oscar history π
His performance in ELSINORE β as an actor giving everything to one final role while his body fails him β is the kind you don`t shake off.
Watch Andrew`s @tiff_net "In Conversation" via ποΈ in bio.
Domhnall told Taylor "I`ll do it for the dance".
THE PAPER star spills the tea on how he ended up starring in Taylor Swift`s "Opalite" video β jumpsuits, a talking cactus, zero-star judges, and a night of panicked dance rehearsals with the one and only Mandy.
Watch now via irishfilmtv.com.
By order of The Peaky Blinders π«π€
Cillian Murphy is heading back to Birmingham β but this time he`s calling the shots from behind the camera.
Netflix and the BBC have just confirmed a two-season PEAKY BLINDERS sequel, with Murphy stepping in as executive producer alongside creator Steven Knight.
Full details via ποΈ in bio.
All smiles at the MOBLAND S2 London premiere π
Pierce Brosnan, Tom Hardy and Helen Mirren brought serious star power to Leicester Square as the Harrigans turn on each other from the inside while rival gangs circle their north London empire.
Full details via link in bio ποΈ
π IRELAND MEETS THE WEST END π
CiarΓ‘n Hinds and Paul Mescal are joining forces for a landmark co-production of Tom Murphy`s A WHISTLE IN THE DARK, staged jointly by the @abbeytheatredublin and London`s @nationaltheatre!
Full details and ticket info via ποΈ in bio.
Go behind the scenes of PRESSURE!
Veteran Karl Lambert sits down with Andrew Scott, Damian Lewis, writer David Haig and director Anthony Maras to talk making the film β and how history was decided by a weather report. π
Watch now via ποΈ in bio.
A new trailer has landed for THE LOST CHILDREN OF TUAM β and it`s every bit as devastating as expected π
Directed by @frankberryfilm (MICHAEL INSIDE) and written by @rlenkiewicz1968 (THE SALT PATH), the film is based on @danbarry1958`s New York Times article.
Watch now via ποΈ in bio.
