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In his recent work, Cillian Murphy has increasingly gravitated towards roles that demand nuanced, introspective performances. SMALL THINGS LIKE THESE, a historical drama set in 1985 New Ross, Ireland, exemplifies Murphy’s approach to character portrayal – a method he describes as “acting in repose.”

In the film, Murphy plays Bill Furlong, a coal merchant confronting the systemic abuse within a local convent. His performance is a masterclass in restrained emotion, with Murphy conveying profound internal conflict through minimal dialogue and powerful, understated expressions.

Murphy’s insights into the character reveal a deep understanding of Irish masculinity during a repressive era. “These men retreated into themselves,” he explains, highlighting the cultural context of emotional suppression. The film’s exploration of the Magdalene laundries – institutions that housed and exploited women until 1996 – resonates deeply with Murphy, who was a child during this period of Irish social transformation.

Shot entirely on location in New Ross, the film embraces authenticity. Murphy and his longtime collaborator Eileen Walsh portray a married couple, with the production using real houses and existing convent exteriors. This approach mirrors Murphy’s acting philosophy of creating space for audience interpretation.

While this film represents a significant recent work, Murphy’s recent filmography has been marked by similarly nuanced performances. His portrayal of J. Robert Oppenheimer in Christopher Nolan’s OPPENHEIMER further demonstrated his ability to embody complex historical figures with remarkable depth and restraint.

Murphy’s career trajectory shows a consistent commitment to roles that require profound internal exploration, whether in period dramas, biographical films, or his long-standing collaboration with directors like Nolan in the PEAKY BLINDERS series.

The actor’s approach to performance continues to challenge traditional narrative conventions, prioritizing emotional subtlety over verbal exposition and inviting audiences to engage more deeply with character psychology.