Richard Linklater’s BLUE MOON is the kind of film that knows exactly who it’s for and makes no attempt to dilute itself for anyone else. Set almost entirely over one night inside Sardi’s restaurant on the opening of OKLAHOMA! in 1943, the film unfolds less like a traditional biopic and more like a rueful, jazz-inflected chamber piece: talky, intimate, deeply literary, and quietly devastating. It’s classic Linklater territory, where time suspends itself and conversation becomes action, where character reveals itself not through plot mechanics but through rhythm, contradiction, and emotional drift.
The supporting cast is uniformly strong, with Andrew Scott offering a coolly contained, subtly cutting Richard Rodgers, a man who understands Hart perhaps too well. Bobby Cannavale brings warmth and grounded humanity as Eddie the bartender, while Margaret Qualley plays Elizabeth Weiland not as a manic pixie fantasy but as a young woman whose kindness and confusion inadvertently sharpen Hart’s despair. Their scenes together are among the film’s most quietly cruel, not because of malice, but because of emotional asymmetry, because two people can occupy the same moment and experience entirely different versions of it. Visually restrained and modest in scale, BLUE MOON resists the temptation to romanticize its subject or its era. Shane F. Kelly’s cinematography keeps us close, almost uncomfortably so, while Graham Reynolds’ score hums gently in the background, never insisting on emotion but allowing it to surface naturally.
This is not a flashy film, nor does it aspire to be. Its pleasures are intellectual, emotional, and deeply human, the kind that linger long after the lights come up, not because they announce themselves but because they accumulate quietly, like regret, like memory, like all the things we say and fail to say when we know time is running out.
BAD SISTERS creator @sharonhorgan is in the @criterioncollection closet.
Sharon`s new show, YOUTH, is now streaming on @hbo and @hbomax.
Who else loves THE PRINCESS BRIDE and THE RED BALLOON 🎈?
Watch now via 🔗︎ in bio!
Congrats to Saoirse Ronan!
PAPER PLANE, her 15-min directorial and screenwriting debut, has just won BIG at @encounterssff.
Despite four Oscar nominations, Saoirse still truly believes in independent film!
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73-year-old @piercebrosnanofficial tells @interviewmag that acting means constantly constructing and destroying a part of yourself to become the character.
From Bond to MOBLAND and everything in between, Brosnan is the real deal.
Full details via link in bio 🔗︎
See you in 2040! 🎬⏳
Richard Linklater just gave the most Linklater progress report imaginable on MERRILY WE ROLL ALONG: nine sections, twenty years, and the fourth one starts filming in a few months. Paul Mescal has been along for the ride since 2019, and the finished film will take eight years longer than BOYHOOD, which already felt like an impossible feat at twelve.
Full details via 🔗︎ in bio!
The first trailer for ELSINORE is here, and it`s a gut punch 🎭
Andrew Scott plays the late Ian Charleson, the actor who chased the performance of his lifetime as Hamlet at the National Theatre while facing impossible odds. Simon Stone (THE DIG) directs, Stephen Beresford (PRIDE) writes, and Olivia Colman stars alongside Scott, who also produced.
Watch new trailer via 🔗︎ in bio!
Colin Farrell, @taylorswift Swift and Dakota Johnson - what a combo!
The BANSHEES OF INISHERIN star is the latest Irish actor to appear in a Swift music video, with PATIENT ZERO premiering tonight at the @vmas.
Visit irishfilmtv.com for more!
Caitríona Balfe has seen it all when it comes to OUTLANDER fans!
The SENSE AND SENSIBILITY star shares the funniest, most unforgettable encounters with the people who`ve followed Claire Fraser`s journey for over a decade 😂
Watch now via 🔗︎ in bio!
BAD SISTERS creator @sharonhorgan strikes gold again!
Her new comedy, YOUTH, about a 50-year-old caught between her college-aged son and her aging parents is now on @hbomax.
Watch trailer via irishfilmtv.com.
She commands every room she walks into 🎭
Siobhán McSweeney, the BAFTA-winning star of DERRY GIRLS, is now the host of THE TRAITORS IRELAND, guiding strangers through a game of trust, suspicion, and deception where a single glance can shift the balance of power.
Watch now via 🔗︎ in bio!
