Pat O’Connor’s 1984 Northern Irish film CAL stands as a testament to the power of restraint in storytelling, proving that the most profound emotions often emerge from the quietest moments. Adapted by Bernard MacLaverty from his own novel, this remarkable work transcends the typical treatment of the Troubles, offering instead a deeply human meditation on guilt, love, and the impossible weight of secrets.
Helen Mirren’s Cannes-winning performance anchors the film as Marcella, a Catholic woman whose Protestant police officer husband has been murdered by the IRA. The killer’s reluctant accomplice was Cal, played with gaunt intensity by John Lynch in what would become his breakout role. This devastating irony forms the film’s emotional core: Cal, haunted by his complicity in destroying Marcella’s life, finds himself inexorably drawn to the very woman he has wronged.
The film’s genius lies in its patience. In an era of explosive action and melodrama, CAL moves with the deliberate rhythm of grief itself. Cal and his gentle father, beautifully portrayed by Donal McCann, are forced from their Protestant neighborhood by loyalist gangs, leaving them adrift in a landscape of perpetual threat. When Cal finds work at Marcella’s farm and shelter in her outbuilding, the stage is set for a romance that unfolds with almost unbearable tension.
What emerges is a love story unlike any other, where the principals don’t share so much as a kiss until more than an hour into the film. This restraint serves the story brilliantly, building an atmosphere of suppressed longing that makes every glance, every moment of proximity, electric with possibility and dread. The Protestant family members who take pity on Cal, played with exceptional skill by Ray McAnally and Catherine Gibson, add layers of complexity to what could have been a simple sectarian narrative.
O’Connor finds dark humor in the bleakest circumstances, particularly in scenes involving Cal’s manipulative friend Crilly and the local republican hardman Skeffington. A sequence where Cal reluctantly serves as getaway driver for a cinema robbery during a screening of SUPERMAN III provides both comic relief and a reminder of how ordinary people become trapped in extraordinary circumstances. The film’s attention to period detail is remarkable, from Sinn Féin posters featuring Martin McGuinness to the authentic texture of rural Irish life in the 1980s.
The countryside becomes almost a character itself, echoing the pastoral tradition of Thomas Hardy as Cal works the potato fields alongside other laborers. These sequences ground the film’s romantic elements in physical reality, suggesting that love, like farming, requires both patience and faith in uncertain outcomes. The contrast between the brutal urban violence of the Troubles and the timeless rhythms of agricultural work creates a powerful counterpoint to the central relationship.
When Mirren and Lynch finally come together, their love scene stands as a masterclass in depicting intimacy with honesty and dignity. Nothing feels exploitative or gratuitous; instead, we witness two damaged souls finding temporary solace in each other’s arms, even as the audience knows their connection is built on a foundation of terrible deception. Mirren brings to Marcella a complexity that goes far beyond the typical grieving widow, while Lynch invests Cal with a vulnerability that makes his impossible situation genuinely tragic.
The film’s lasting power comes from its refusal to offer easy answers or false hope. Cal’s love for Marcella is real and transformative, but it cannot erase his guilt or change the fundamental impossibility of their situation. This moral complexity elevates CAL above simple melodrama, creating instead a work that honors both the reality of political violence and the persistence of human connection in the face of overwhelming odds.
Nearly four decades after its original release, CAL remains a pinnacle of British and Irish cinema, a film that trusts its audience to engage with difficult emotions and moral ambiguity. Its rerelease offers contemporary viewers a chance to experience a work of rare maturity and compassion, one that finds profound beauty in the most unlikely circumstances while never minimizing the cost of violence or the weight of conscience.
CAL is in UK and Irish cinemas from 13 June.
** NEW TRAILER ALERT **
Roadside Attractions has unveiled the first trailer for H IS FOR HAWK, and it`s breathtaking. Brendan Gleeson appears as the father whose absence shapes everything, bringing his signature depth to a role that haunts the entire film.
Watch now at irishfilmtv.com.
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Chloé Zhao`s Shakespeare-inspired drama now leads with a 96.8% chance of nomination, fueled by its Telluride buzz and Toronto People`s Choice win.
More at irishfilmtv.com.
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Three childhood friends. One mysterious death. A wake that goes sideways. Eight episodes of chaos, secrets, and arguments about eyelash extensions.
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Pierce Brosnan trades his 007 tuxedo for raw, devastating drama in CURTAIN CALL—arriving on digital November 10.
Starring opposite Jessica Lange, Brosnan continues his brilliant pivot from action hero to serious character actor, exploring the heartbreaking reality of dementia in the theatre world.
Watch trailer on irishfilmtv.com.
Colin Farrell`s latest is dividing audiences, but everyone agrees on one thing: his performance is absolutely magnetic ✨
The Oscar-nominated Irish actor stars as Lord Doyle, a spiraling gambler in neon-soaked Macao searching for redemption.
Don`t miss Farrell at his destructive best, now on @netflix!
Daniel Day-Lewis is BACK and we`re not ready for how devastating ANEMONE is 😭
After 7 years away from the screen, Day-Lewis returns in this quiet Irish masterpiece directed by his son Ronan. It`s not a flashy comeback—it`s something far more powerful. A meditation on isolation, guilt, and the human connections we can`t outrun, no matter how far we go.
ANEMONE is now on Prime!
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The Irish star trades blows with Chris Hemsworth and Mark Ruffalo in this high-stakes crime thriller, playing Orman, a thief whose methods are as disturbing as they are effective. With Detective Lou Lubesnick (Ruffalo) closing in and rival criminal Davis (Hemsworth) in his way, this heist is about to get messy.
More at irishfilmtv.com.
When Colin Farrell had to choose between a guaranteed paycheck on a hit TV show and a one-in-a-million shot at Hollywood, everyone told him he was insane. His friends said don`t do it. His family couldn`t understand it. He did it anyway.
Now in BALLAD OF A SMALL PLAYER (in select UK/Ireland cinemas Oct 17, Netflix Oct 29), he plays a man who understands risk better than anyone. Because Farrell`s been there. He bet everything on himself when he had nothing, and that decision changed everything.
Sometimes the craziest move is the only one worth making. 🎬
More at irishfilmtv.com.
Andrew Scott`s hot streak continues 🔥
From the Hot Priest in FLEABAG to his heartbreaking turn in ALL OF US STRANGERS, he`s now bringing that signature intensity to BLUE MOON as composer Richard Rodgers.
The film hits theaters Friday, more at irishfilmtv.com.
Michael Fassbender is trading the big screen for Netflix royalty!
The Irish-German powerhouse is set to play Joe Kennedy Sr. in KENNEDY, an 8-episode drama diving deep into America`s most mythologized family. No release date yet, but with Fassbender leading, this one`s already on our watchlist. 👑
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🔥 The feud that stopped a nation.
SAIPAN brings the explosive 2002 World Cup confrontation between Roy Keane and Mick McCarthy to the big screen—and it`s not about football glory, it`s about ego, standards, and two men whose rivalry became bigger than the game itself.
Watch the new trailer at irishfilmtv.com.
Pierce Brosnan is trading martinis for mountains.
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Brendan Gleeson is bringing all the feels in H IS FOR HAWK 🎬🦅
Playing the beloved father in this beautiful 2025 drama based on Helen Macdonald`s bestselling memoir, Gleeson delivers a performance that`s both tender and powerful.
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Netflix`s BALLAD OF A SMALL PLAYER has an amazing new trailer!
Colin Farrell plays an Irish fugitive hiding in Macau`s neon underworld as "Lord Doyle," gambling desperately to outrun his past.
The film opens in theaters Oct. 15 and starts streaming Oct. 29 on Netflix.
Watch now via link in bio.
Saoirse Ronan is heading back to the `60s! 🎸
The four-time Oscar nominee is reportedly set to play Linda McCartney in Sam Mendes` wildly ambitious THE BEATLES project—four separate films, each following a different Beatle.
She`ll star opposite Paul Mescal (her FOE co-star) as Paul McCartney, with Barry Keoghan as Ringo, Joseph Quinn as George, and Harris Dickinson as John.
More at irishfilmtv.com.
