Guy Ritchie’s latest action-adventure film for Apple TV+ takes viewers on an ambitious globe-trotting quest that feels familiar yet undeniably entertaining.
The film’s secret weapon proves to be Domhnall Gleeson as Owen Carver, the dying billionaire financing their adventures. Gleeson, whose recent career has showcased remarkable range across genres from STAR WARS to EX MACHINA to ABOUT TIME, brings nuanced complexity to what could have been a thankless role. His Carver is far more than the typical wealthy benefactor, revealing layers that keep audiences guessing about his true motivations. Gleeson navigates the character’s mysterious depths with the same intelligence and subtle humor that has made him one of the most compelling actors of his generation.
Ritchie demonstrates his mastery of action choreography throughout, particularly in standout sequences like the Lusitania rescue and an unexpectedly whimsical knife fight in the Austrian National Library. The director injects his signature humor into the relentless pacing, creating moments of levity that prevent the film from taking itself too seriously.
While FOUNTAIN OF YOUTH treads familiar ground in the treasure-hunting adventure genre, its commitment to practical locations and elaborate set-pieces creates genuine spectacle. The film embraces its streaming platform origins while delivering action sequences that would undoubtedly dazzle on the big screen. Its exotic locales and glossy production values mark it as the sort of entertaining escapism perfectly suited for Apple TV+’s growing roster of original content.
The story concludes with the inevitable hints at potential sequels, positioning itself as a potential franchise starter for the streaming service. Whether audiences will embrace another globe-trotting adventure series remains to be seen, but FOUNTAIN OF YOUTH certainly provides enough thrills and visual splendor to make the journey worthwhile. In an era of streaming content that often prioritizes quantity over spectacle, Ritchie has crafted something that genuinely feels cinematic in scope and ambition.
When Emerald Fennell texted @alisonjoliver about joining WUTHERING HEIGHTS, the answer was immediate: yes.
"I just love her so much that I would do anything she was doing," Oliver says about reuniting with Fennell after SALTBURN.
The film is now in theatres, more at irishfilmtv.com.
Barry Keoghan has arrived.
The Dublin actor who made us unable to look away in SALTBURN is now going head-to-head with Chris Hemsworth, Mark Ruffalo, and Halle Berry in CRIME 101 — and he`s not just keeping up, he`s stealing scenes.
This isn`t just another role—this is Keoghan proving he belongs among Hollywood`s heaviest hitters, taking his Love/Hate juice straight to LA and reminding everyone that sometimes the hungriest actor in the room is the most dangerous one.
More Barry at irishfilmtv.com.
One man. Eight characters. Pure theatrical magic. ✨
Andrew Scott`s VANYA won Best Play Revival at the WhatsOnStage Awards after its triumphant West End run at the Duke of York`s Theatre and now tops the list of best one-man shows of recent times.
More Andrew at irishfilmtv.com.
HOW TO GET TO HEAVEN FROM BELFAST drops Feb 12 on Netflix.
DERRY GIRLS star Saoirse Monica Jackson has been talking about the new series and her excitement is absolutely contagious.
Landing on Galentine`s Day feels perfect for this kind of ladies-celebrating-ladies energy.
Watch now at irishfilmtv.com.
Jamie Dornan is about to make you forget every role you thought defined him.
THE WORST, a pitch-black British comedy, casts him as Danny, a talent agent so pathologically addicted to self-promotion that he can`t stop name-dropping even as the dinner party around him combusts into spectacular social carnage.
More Jamie at irishfilmtv.com.
The awards season darling you`ve been hearing about is finally streaming.
Chloé Zhao`s HAMNET—the haunting exploration of grief, love, and the creation of Shakespeare`s HAMLET—brings together Paul Mescal and Jessie Buckley in performances that have kept both firmly in the Oscar conversation.
If you missed it theatrically, now`s your chance to see what the buzz is about before Oscar night. This is the kind of film that reminds you why cinema matters.
More HAMNET at irishfilmtv.com.
Taylor Swift just dropped the OPALITE music video and it`s giving major Irish vibes ☘️✨
The nearly 6-minute visual sees Domhnall Gleeson starring as Taylor`s love interest, playing two lonely souls who find each other. But here`s where it gets even better: eagle-eyed Swifties spotted cameos from Cillian Murphy and Graham Norton, making this a full-on Irish affair.
Want the full breakdown of this transatlantic collaboration? Head to our blog for all the details on how this stunning video came together. Link in bio! 🔗
The creator of DERRY GIRLS just dropped a murder mystery set at an Irish wake, and honestly? It`s the genre mashup we didn`t know we needed 🕵️♀️
Lisa McGee is back with HOW TO GET TO HEAVEN FROM BELFAST on Netflix, and if you loved how she found humor in the Troubles (Protestants! Toasters! Cupboards!), you`re going to eat this up.
Three friends reunite for their childhood bestie`s funeral, only to realize her death isn`t what it seems. Cue an eerie adventure across Ireland that`s equal parts creepy and hilarious.
More at irishfilmtv.com.
British Vogue just put Jessie Buckley on their February cover and it`s not just a magazine shoot—it`s a coronation.
Shot by Jack Davison on the windswept Norfolk coast near her home, these images are pure cinema. Sky, sea, and a woman at the exact moment her entire life is about to change.
She`s the frontrunner for Best Actress. HAMNET is destroying audiences. She`s a new mother standing at the edge of the kind of fame that alters everything.
And Vogue captured it all—the grit, the greatness, the quiet mastery that got her here.
More Jessie at irishfilmtv.com.
