When the opening scene of the latest GAME OF THRONES spinoff shows a lumbering oaf taking a dump behind a tree, you know something has shifted in Westeros. This isn’t the bloody intrigue of the original series or the dragon-heavy courtly drama of HOUSE OF THE DRAGON. A KNIGHT OF THE SEVEN KINGDOMS occupies its own strange territory, chronologically sandwiched between those two juggernauts but tonally adrift in uncharted waters where comedy and bleakness converge in ways this franchise has never quite attempted before.
That oaf eventually gets a name: Dunk. He’s a knight, technically, though of the hedge variety, a lower-status category whose members cannot afford proper lodging and sleep under trees like vagrants. The show wastes no time reminding us that any knight can make a knight simply by dubbing them, a lack of gatekeeping that has created a rigid class system where highborn warriors scorn their ignoble brethren as knights in name only, and only just. There’s nothing just about any of it, of course, but the show trusts us to see the cruelty embedded in these hierarchies without underlining it.
The plot is deceptively simple on the surface. Dunk journeys to a tourney, a jousting competition where he hopes to prove himself worthy, and we follow his fumbling attempts to get on the ballot given his nondescript lineage. He falls for a girl, participates in a tug-of-war, muddles through various humiliations. He’s both hampered and assisted by his new squire, Egg, a bald pubescent boy who latches onto him at an inn and refuses to leave. Their dynamic carries the show, two misfits stumbling through a world that has no clear place for either of them, trying to manufacture dignity from the scraps they’ve been handed.
What makes A KNIGHT OF THE SEVEN KINGDOMS glorious is precisely what makes it a risk. This is GAME OF THRONES as grossout comedy, embracing bodily functions and base humor while maintaining the franchise’s visual splendor and attention to detail. It’s the series at its best because it remembers that even in a world of dragons and prophecies, most people are just trying to survive with some shred of honor intact, however that word gets defined by those with nothing else to their names. The show finds its heart in that struggle, in the gap between what Dunk aspires to be and what the world keeps telling him he is, and it plays that gap for both pathos and laughs without ever losing sight of the fundamental human dignity at stake.
Domhnall Gleeson is being honored with an Oscar Wilde Award!
Twenty years ago, a theater audience first glimpsed his gift. Today, his filmography reads like a masterclass in selecting roles that matter. HARRY POTTER. STAR WARS. THE REVENANT. ABOUT TIME. BROOKLYN. CATASTROPHE.
More Domhnall at irishfilmtv.com.
✦ EXCLUSIVE INTEL FOR THE INITIATED ✦
Steven Knight just gave us the inside scoop. Before THE IMMORTAL MAN drops Mar 6, there are three episodes every true fan needs to re-watch.
These aren`t random picks—they`re the episodes that define Tommy Shelby`s entire journey. The moment that reveals who he really is. The turning point where he chooses life. The goodbye that haunts every frame before his return.
More at irishfilmtv.com.
BAFTA winner. Red carpet royalty. 🎬
Fresh off her latest accolade, Jessie Buckley hone at the World Premiere of THE BRIDE!
Directed by Maggie Gyllenhaal and starring Buckley alongside Christian Bale, Jake Gyllenhaal, and Penélope Cruz, this is the gothic crime romance you didn`t know you needed.
Arriving in cinemas March 6. ✨
WALK THE BLUE FIELDS is adapting Claire Keegan`s devastating short story into a film that`s already drawing serious talent including Andrew Scott (FLEABAG, RIPLEY), Emily Blunt (OPPENHEIMER) and Ciarán Hinds (IS THIS THING ON?)
Set in Ireland, this is a romance about impossible choices, buried secrets, and the moment everything changes.
Link in bio to read more about what promises to be one of the year`s most emotionally powerful films.
One week. Two brothers. One dead. But which one?
THE UNDERTOW is the psychological thriller that will have you questioning everything—and everyone.
Jamie Dornan delivers a career-defining dual performance as identical twins Adam and Lee, embodying two completely different men while suggesting the psychological unraveling beneath.
More Jamie at irishfilmtv.com.
Colin Farrell`s THE SLIGHTEST TOUCH is a documentary about friendship, resilience, and refusing to accept limitations.
It`s the story of two people who`ve built their lives around each other, and one extraordinary day that proves what`s possible when someone truly shows up for you.
Directed by Rachel Fleit (BAMA RUSH), the film premieres at the 2026 Dublin International Film Festival before coming to HBO and HBO Max globally later this year.
More Colin at irishfilmtv.com.
50 years, GAME OF THRONES, BELFAST, an Oscar nomination and now a lifetime achievement award!
Ciarán Hinds doesn`t look back. He looks ahead. He lives in the moment. And when asked to reflect on five decades of extraordinary work, his response was simply—"It`s kind of shocking."
More Ciaran at irishfilmtv.com.
Some ghosts don`t stay buried.
Cillian Murphy returns as Tommy Shelbyun THE IMMORTAL MAN - older, greyer, and facing the legacy he left behind.
His son runs the Blinders now. His past won`t let him rest. One choice will change everything. 👑💔
Cinemas March 6 • Netflix March 20
More at irishfilmtv.com.
✨ EXCLUSIVE: Eve Hewson is heading back to Dublin.
Joining forces with acclaimed director Lenny Abrahamson, the Irish actress is set to star in a stunning new period drama that transports us to 1970s Dublin—a city pulsing with cultural complexity and untold stories.
The film will explore the vibrant Jewish community of the era, with Hewson joined by acclaimed English actor Tom Burke and breakthrough talent Shane Meagher. A reunion of Abrahamson`s trusted collaborators (hello, NORMAL PEOPLE magic ✨), this ensemble promises something truly special.
More Eve at irishfilmtv.com.
