When eighteen-year-old Maud’s father dies, she inherits Knowl, a sprawling country estate that should secure her future, except there’s a catch: she won’t truly control it until she turns twenty-one. Until then, someone must serve as her guardian, and her father’s will names the most unlikely candidate imaginable—Uncle Silas, a man whose very name carries the weight of scandal. The rumors that trail him are dark and persistent: gambling debts that ruined him, a dissolute lifestyle that isolated him from respectable society, and whispers of something far worse, something that might involve murder. He’s lived as a pariah for years, and now he’s coming to Knowl, bringing his family with him.
They arrive like a storm cloud: Silas himself, his aimless son Edward, his distracted daughter Emily, and a severe governess who goes only by Madame. What should feel like a house coming alive with new energy instead becomes suffocating, the atmosphere growing heavier with each passing day. Silas presents himself as a kindly uncle at first, all gentle manners and concerned expressions, but the mask doesn’t hold for long. His true agenda crystallizes with chilling clarity—he believes Knowl should be his, that he’s entitled to what his brother left behind, and he has a plan to claim it. The preferred method is simple enough: marry Maud off to Edward, binding the inheritance to the family through matrimony. But there are contingencies, darker options lurking behind his eyes, methods that don’t require anyone’s consent.
As the threats escalate and violence enters the equation, something awakens in Maud. She’s not the passive heroine of a typical gothic tale, waiting to be rescued or resigned to being destroyed. The danger ignites something fierce in her, a determination to fight for what’s rightfully hers, to refuse the fate these men have mapped out for her. Family secrets begin to surface, ugly truths that have been buried for years, and with each revelation, Maud’s resolve hardens. By the time she understands the full scope of their intentions, her fury isn’t just justified—it’s righteous, and it’s unstoppable.
LIES WE TELL takes Sheridan Le Fanu’s classic novel UNCLE SILAS and transforms it into something urgent and vital for our moment. The original gothic framework is still there—the isolated estate, the vulnerable young woman, the menacing male relatives—but the film refuses to let its heroine remain a victim. Instead, it hands her the tools to fight back, to claim not just her inheritance but her agency, her voice, her very right to determine her own future. This is Gothic literature seen through a feminist lens that refuses compromise, a story where the woman in peril becomes the woman who refuses to perish, who takes her fortune and her fate into her own hands and dares anyone to try and stop her.
In a brand-new interview, OUTLANDER star/executive producer, Caitríona Balfe, discusses THAT pivotal Season 8, Episode 3 scene where Claire saves a baby.
A must-watch for OUTLANDER fans!
More at irishfilmtv.com.
✨ Brendan Gleeson just reminded us why he`s one of the greats ✨
Yesterday at the London Standard Theatre Awards, Gleeson took the night for his performance in THE WEIR—and honestly? there`s no one else who could have done it quite like him.
This is an actor who doesn`t perform. he breathes into the role. he becomes it. soul-deep, nuanced, the kind of characterisation that makes you forget you`re watching acting at all.
More at irishfilmtv.com.
* THE IMMORTAL MAN now on Netflix *
This is not a spinoff. This is not a revival. This is Tommy Shelby`s final reckoning—the definitive end to one of the most captivating characters television has ever created.
The gypsy king`s last move is being made. Are you ready?
More PEAKY at irishfilmtv.com.
Fresh from his @iftaacademy LIFETIME ACHIEVEMENT AWARD, Ciaran Hinds returns to Irish theatres in MIDWINTER BREAK.
Hinds and co-star, Leslie Mansville, deliver amazing performances - they move through this film with a kind of choreographed delicacy, two people who have built their relationship on a foundation of interlocking vulnerabilities and mutual evasions. In theatres tomorrow, Mar 20.
More info at irishfilmtv.com.
The best characters aren`t heroes. they`re human.
Andrew Scott doesn`t do safe. from the priest in FLEABAG to tom ripley`s calculated desperation, he chooses roles that make you uncomfortable—and that`s exactly why you can`t look away.
In a new @sxsw interview, Scott gets candid about his most famous roles!
Watch now at irishfilmtv.com.
Happy St. Patrick`s day everyone!☘️
Forget the green beer for a minute and grab your coziest blanket and dive into some of the best Irish movies to watch on St. Patrick`s Day 🎬✨
From epic adventures to heartfelt dramas, there`s something for everyone. Which one`s making your watchlist? 🍿
More at irishfilmtv.com.
She swept the Globes. She swept the BAFTAs. And last night, Jessie Buckley swept the Oscars — becoming the first Irish woman in 98 years of Academy history to win Best Actress 🍀
For a girl from Killarney who started on a TV talent show, this wasn`t just a win. It was a coronation.
More Jessie Buckley Oscar glory at irishfilmtv.com.
✨ From years of hopeful texts to the role of a lifetime ✨
Now he`s playing Cillian Murphy`s son in PEAKY BLINDERS: THE IMMORTAL MAN and audiences are absolutely losing it over his performance.
Barry Keoghan opens up about what it took to land this dream role, reuniting with Cillian (they bonded on DUNKIRK).
More at irishfilmtv.com.
She`s not just a talent—she`s rewriting the rules!
Irish cinema darling Saoirse Ronan just announced something that has the industry buzzing: THREE INCESTUOUS SISTERS, a gothic fever dream directed by Alice Rohrwacher and co-written by Ottessa Moshfegh.
Starring alongside Jessie Buckley for the first time, this Audrey Niffenegger adaptation promises psychological sabotage, dark fairy tales, and everything we didn`t know we needed.
More Saoirse at irishfilmtv.com.
