Cillian Murphy has never been one to chase the spotlight, but lately, the spotlight refuses to let him go. Fresh off his Academy Award win for OPPENHEIMER, the Irish actor is already deep into his next transformation, this time as a struggling teacher in Netflix’s reform school drama STEVE. It’s a deliberately unglamorous role, the kind Murphy gravitates toward when everyone else expects him to capitalize on his newfound Hollywood heat with something flashier, more commercial, more obvious.
Murphy’s approach to his craft has always been about stripping away rather than adding on. Even after the cultural earthquake that was OPPENHEIMER, a film that dominated conversations from red carpets to college campuses and turned a three-hour historical drama about theoretical physics into an unlikely box office juggernaut, he remains fundamentally unchanged. That Christopher Nolan collaboration, their sixth together spanning over two decades, didn’t just earn Murphy his first Oscar; it cemented a creative partnership that has become one of modern cinema’s most fascinating ongoing experiments in trust and transformation.
The director-actor relationship between Nolan and Murphy is built on something rare in an industry obsessed with brands and franchises: genuine artistic curiosity. From Murphy’s early days playing Scarecrow in BATMAN BEGINS to the haunted soldier in DUNKIRK, Nolan has consistently seen past the piercing blue eyes and sharp cheekbones to find something darker, more complex, more interesting. OPPENHEIMER was simply the fullest expression of that vision, giving Murphy the space to inhabit J. Robert Oppenheimer’s brilliance and moral anguish in ways that felt both intimate and epic.
Now, with STEVE, Murphy returns to smaller-scale storytelling, playing an educator navigating the chaos and heartbreak of a last-chance British reform school. It’s the kind of role that asks him to be human-sized again, to find drama in classrooms and corridors rather than in the fate of nations. For an actor who started his journey in Cork, Ireland, dreaming of music careers before stumbling into theater, this oscillation between the monumental and the modest feels entirely natural. Murphy has never forgotten that acting, at its core, is about connection, about finding the universal in the specific, whether you’re playing the father of the atomic bomb or a teacher trying to reach troubled kids.
The OPPENHEIMER phenomenon was something else entirely, though, a reminder that sometimes the right film arrives at exactly the right moment. It became more than a movie; it was a cultural event that sparked debates about science, morality, and responsibility, that had people reading biographies and revisiting history, that proved audiences still hunger for ambitious, intelligent cinema. Murphy rode that wave with characteristic grace, accepting his Oscar with quiet gratitude, never letting the noise distort who he is or what he values.
What makes Murphy’s recent trajectory so compelling is his refusal to be defined by any single success. The Oscar sits on a shelf somewhere, sure, but he’s already moved on, already searching for the next character who will demand something different from him. STEVE represents that search, a deliberate pivot away from prestige and toward the messy, unglamorous work of portraying ordinary lives under extraordinary pressure. It’s Murphy reminding everyone that the work matters more than the recognition, that transformation is the point, not the podium.
In an era when most actors leverage an Academy Award into franchises and paydays, Murphy is doing something quietly radical: he’s staying curious, staying hungry, staying true to the instincts that brought him from Cork music venues to Hollywood’s biggest stages. The partnership with Nolan will likely continue; their creative chemistry is too rare to abandon. But Murphy isn’t waiting around for the next prestige project to validate him. He’s already in the classroom with STEVE, already finding new ways to disappear into someone else’s skin, already proving that the best response to extraordinary success is simply to keep working, keep searching, keep becoming.
** NEW TRAILER ALERT **
Roadside Attractions has unveiled the first trailer for H IS FOR HAWK, and it`s breathtaking. Brendan Gleeson appears as the father whose absence shapes everything, bringing his signature depth to a role that haunts the entire film.
Watch now at irishfilmtv.com.
🎬 HAMNET has officially overtaken Paul Thomas Anderson`s ONE BATTLE AFTER ANOTHER as the Oscar frontrunner!
Chloé Zhao`s Shakespeare-inspired drama now leads with a 96.8% chance of nomination, fueled by its Telluride buzz and Toronto People`s Choice win.
More at irishfilmtv.com.
The DERRY GIRLS creator is back with HOW TO GET TO HEAVEN FROM BELFAST — and it`s the show Lisa McGee says she`s always wanted to make. 🍀
Three childhood friends. One mysterious death. A wake that goes sideways. Eight episodes of chaos, secrets, and arguments about eyelash extensions.
More at irishfilmtv.com.
Pierce Brosnan trades his 007 tuxedo for raw, devastating drama in CURTAIN CALL—arriving on digital November 10.
Starring opposite Jessica Lange, Brosnan continues his brilliant pivot from action hero to serious character actor, exploring the heartbreaking reality of dementia in the theatre world.
Watch trailer on irishfilmtv.com.
Colin Farrell`s latest is dividing audiences, but everyone agrees on one thing: his performance is absolutely magnetic ✨
The Oscar-nominated Irish actor stars as Lord Doyle, a spiraling gambler in neon-soaked Macao searching for redemption.
Don`t miss Farrell at his destructive best, now on @netflix!
Daniel Day-Lewis is BACK and we`re not ready for how devastating ANEMONE is 😭
After 7 years away from the screen, Day-Lewis returns in this quiet Irish masterpiece directed by his son Ronan. It`s not a flashy comeback—it`s something far more powerful. A meditation on isolation, guilt, and the human connections we can`t outrun, no matter how far we go.
ANEMONE is now on Prime!
Barry Keoghan goes blonde and badass for CRIME 101! 🎬
The Irish star trades blows with Chris Hemsworth and Mark Ruffalo in this high-stakes crime thriller, playing Orman, a thief whose methods are as disturbing as they are effective. With Detective Lou Lubesnick (Ruffalo) closing in and rival criminal Davis (Hemsworth) in his way, this heist is about to get messy.
More at irishfilmtv.com.
When Colin Farrell had to choose between a guaranteed paycheck on a hit TV show and a one-in-a-million shot at Hollywood, everyone told him he was insane. His friends said don`t do it. His family couldn`t understand it. He did it anyway.
Now in BALLAD OF A SMALL PLAYER (in select UK/Ireland cinemas Oct 17, Netflix Oct 29), he plays a man who understands risk better than anyone. Because Farrell`s been there. He bet everything on himself when he had nothing, and that decision changed everything.
Sometimes the craziest move is the only one worth making. 🎬
More at irishfilmtv.com.
Andrew Scott`s hot streak continues 🔥
From the Hot Priest in FLEABAG to his heartbreaking turn in ALL OF US STRANGERS, he`s now bringing that signature intensity to BLUE MOON as composer Richard Rodgers.
The film hits theaters Friday, more at irishfilmtv.com.
Michael Fassbender is trading the big screen for Netflix royalty!
The Irish-German powerhouse is set to play Joe Kennedy Sr. in KENNEDY, an 8-episode drama diving deep into America`s most mythologized family. No release date yet, but with Fassbender leading, this one`s already on our watchlist. 👑
More at irishfilmtv.com.
🔥 The feud that stopped a nation.
SAIPAN brings the explosive 2002 World Cup confrontation between Roy Keane and Mick McCarthy to the big screen—and it`s not about football glory, it`s about ego, standards, and two men whose rivalry became bigger than the game itself.
Watch the new trailer at irishfilmtv.com.
Pierce Brosnan is trading martinis for mountains.
The legendary Irish actor stars in the CLIFFHANGER reboot as Ray Cooper, a seasoned mountaineer running a luxury chalet in the Dolomites with his daughter.
More at irishfilmtv.com.
Brendan Gleeson is bringing all the feels in H IS FOR HAWK 🎬🦅
Playing the beloved father in this beautiful 2025 drama based on Helen Macdonald`s bestselling memoir, Gleeson delivers a performance that`s both tender and powerful.
More at irishfilmtv.com.
Netflix`s BALLAD OF A SMALL PLAYER has an amazing new trailer!
Colin Farrell plays an Irish fugitive hiding in Macau`s neon underworld as "Lord Doyle," gambling desperately to outrun his past.
The film opens in theaters Oct. 15 and starts streaming Oct. 29 on Netflix.
Watch now via link in bio.
Saoirse Ronan is heading back to the `60s! 🎸
The four-time Oscar nominee is reportedly set to play Linda McCartney in Sam Mendes` wildly ambitious THE BEATLES project—four separate films, each following a different Beatle.
She`ll star opposite Paul Mescal (her FOE co-star) as Paul McCartney, with Barry Keoghan as Ringo, Joseph Quinn as George, and Harris Dickinson as John.
More at irishfilmtv.com.
