IRISHFILMTV.COM
your premiere source for Irish talent news
At 72, Liam Neeson stands at a fascinating crossroads in his career. The man who turned “I will find you, and I will kill you” into a cultural phenomenon is now wielding that same gravelly menace in service of something entirely different: comedy. THE NAKED GUN, hitting theaters this Friday, represents more than just another reboot—it’s a potential pivot point for one of cinema’s most unlikely action stars.
Neeson’s journey from dramatic heavyweight to geriatric action hero has been one of Hollywood’s most surprising second acts. After establishing himself as a serious actor in films like SCHINDLER’S LIST, the Irish performer found unexpected late-career gold in TAKEN, transforming himself into an unlikely action star well past the age when most actors retire their leather jackets. But THE NAKED GUN suggests Neeson might be ready for his third act, following in the footsteps of Leslie Nielsen, who famously abandoned dramatic roles to become comedy royalty.
Playing Detective Lieutenant Frank Drebin Jr., son of Nielsen’s iconic character, Neeson delivers what can only be described as his silliest performance yet—and that’s saying something for an actor who recently battled wolves on ice and taken on entire crime syndicates single-handedly. His voice, that rumbly instrument of threat that has launched a thousand memes, now serves punchlines instead of ultimatums. The transition is both jarring and oddly natural, as if all those years of deadpan intensity in increasingly ridiculous action scenarios were merely preparation for this moment.
The film itself, directed by Akiva Schaffer and written by Dan Gregor and Doug Mand, exists in that peculiar space of being a spoof of a spoof, paying homage to the original while updating its targets for contemporary audiences. Where the original NAKED GUN films lampooned the crime dramas and action films of their era, this iteration takes aim at the slick, tech-obsessed thrillers that have dominated the past two decades. Neeson’s Drebin Jr. investigates a death involving a high-tech electric car and its Musk-like inventor, played with appropriate menace by Danny Huston.
But it’s Neeson’s chemistry with Pamela Anderson, playing true-crime novelist Beth, that provides the film’s most surprising element. Their romance unfolds with the kind of absurdist logic that made the original films classics, complete with an extended winter-sports pop video sequence that feels like a fever dream collaboration between Wham! and the Zucker brothers. Anderson, making her own unexpected career pivot, proves a capable comedy partner, matching Neeson’s deadpan delivery with her own perfectly timed reactions.
The most intriguing aspect of Neeson’s performance is how it plays with audience expectations. We’ve become so accustomed to his particular brand of middle-aged vengeance that hearing him deliver ridiculous one-liners while maintaining that same intensity creates an almost surreal viewing experience. It’s method acting applied to parody, and the results are both hilarious and slightly unnerving.
Whether Neeson will follow Nielsen’s path and commit fully to comedy remains to be seen. He certainly has more dramatic credibility to potentially sacrifice than Nielsen did when he made his own transition from FORBIDDEN PLANET to AIRPLANE! But there’s something liberating about watching a performer of Neeson’s stature embrace the ridiculous so completely. In an industry increasingly obsessed with franchise building and cinematic universes, THE NAKED GUN offers something refreshingly simple: an excuse to watch a legendary actor have fun with his own image.
The film may be, as one observer noted, “amiably ridiculous, refreshingly shallow, entirely pointless and guilelessly crass,” but in our current cultural moment, perhaps that’s exactly what we need. Sometimes the most radical thing an actor can do is stop taking themselves so seriously, and Neeson’s willingness to trade gravitas for gags suggests a performer still willing to surprise us, even five decades into his career.
The awards season darling you`ve been hearing about is finally streaming.
Chloé Zhao`s HAMNET—the haunting exploration of grief, love, and the creation of Shakespeare`s HAMLET—brings together Paul Mescal and Jessie Buckley in performances that have kept both firmly in the Oscar conversation.
If you missed it theatrically, now`s your chance to see what the buzz is about before Oscar night. This is the kind of film that reminds you why cinema matters.
More HAMNET at irishfilmtv.com.
Taylor Swift just dropped the OPALITE music video and it`s giving major Irish vibes ☘️✨
The nearly 6-minute visual sees Domhnall Gleeson starring as Taylor`s love interest, playing two lonely souls who find each other. But here`s where it gets even better: eagle-eyed Swifties spotted cameos from Cillian Murphy and Graham Norton, making this a full-on Irish affair.
Want the full breakdown of this transatlantic collaboration? Head to our blog for all the details on how this stunning video came together. Link in bio! 🔗
The creator of DERRY GIRLS just dropped a murder mystery set at an Irish wake, and honestly? It`s the genre mashup we didn`t know we needed 🕵️♀️
Lisa McGee is back with HOW TO GET TO HEAVEN FROM BELFAST on Netflix, and if you loved how she found humor in the Troubles (Protestants! Toasters! Cupboards!), you`re going to eat this up.
Three friends reunite for their childhood bestie`s funeral, only to realize her death isn`t what it seems. Cue an eerie adventure across Ireland that`s equal parts creepy and hilarious.
More at irishfilmtv.com.
British Vogue just put Jessie Buckley on their February cover and it`s not just a magazine shoot—it`s a coronation.
Shot by Jack Davison on the windswept Norfolk coast near her home, these images are pure cinema. Sky, sea, and a woman at the exact moment her entire life is about to change.
She`s the frontrunner for Best Actress. HAMNET is destroying audiences. She`s a new mother standing at the edge of the kind of fame that alters everything.
And Vogue captured it all—the grit, the greatness, the quiet mastery that got her here.
More Jessie at irishfilmtv.com.
Caitriona Balfe has just landed her next major role in THE HOUSEKEEPER.
Set in a grand historic manor against Cornwall`s dramatic landscape, Balfe plays Danni, a housekeeper who falls into a forbidden affair with none other than writer Daphne du Maurier (played by Mackenzi Laird).
While we`re counting down to OUTLANDER`s final season premiere on Mar 6th, Balfe is already proving she`s so much more than Claire Fraser. 🔥
More Caitriona at irishfilmtv.com.
After over 20 years of mesmerizing us on screen, Saoirse Ronan is ready to call the shots—literally.
The four-time Oscar nominee is making her directorial debut with PAPER PLANE, an Irish short film she`s also writing, and honestly, this feels like the natural next chapter for someone who`s been acting since she was nine years old.
Details about PAPER PLANE are still under wraps, but with Ronan`s track record, expectations are sky-high. What are you most excited to see from her behind the camera? 🎬
More Saoirse at irishfilmtv.com.
Louis Paxton`s Sundance 2026 debut THE INCOMER stars Domhnall Gleeson, Gayle Rankin, and Grant O`Rourke in a trio that`s equal parts hilarious and heartbreaking.
Think fish-out-of-water meets generational grief, wrapped in the warmth of fireside hot chocolate. Sometimes the scariest thing isn`t a legendary Fin Man—it`s letting go of the past.
Have you ever held onto something because changing felt like betrayal?
More Domhnall at irishfilmtv.com.
🎸 THE BEATLES ARE COMING BACK TO CINEMAS.
Four films. Four perspectives. One legendary band.
Paul Mescal as Paul McCartney. Harris Dickinson as John Lennon. Joseph Quinn as George Harrison. Barry Keoghan as Ringo Starr.
The first look just dropped via postcards hidden around Liverpool`s performing arts campus and honestly?
The hype is REAL. 🔥
Sam Mendes is directing all four films, each told from a different Beatle`s POV, and they`re ALL releasing on the same day—April 7, 2028.
Which Beatle`s story are you most excited to see? 👇
Irish talent is absolutely dominating the 2026 BAFTA nominations! 🇮🇪✨
Jessie Buckley and Paul Mescal both scored major noms for HAMNET, with Buckley up for Leading Actress as Agnes and Mescal recognized for Supporting Actor as William Shakespeare. The film has basically swept the nominations, breaking records left and right.
But that`s just the beginning. Andrew Scott landed on the longlist for BLUE MOON, Robbie Ryan got recognized for his stunning cinematography on BUGONIA, and even Cillian Murphy appears as a producer on the STEVE longlist.
From performers to cinematographers to production companies like Element Pictures and Wild Atlantic Pictures, Irish voices are everywhere in this year`s race.
The ceremony hits London on February 22nd. The world is watching Irish cinema right now, and what a moment to witness. 🎬🔥
#Ireland #Irish #Movies #Film #Television #TV #Cinema #Irishmovies #IrishFilm #IrishCinema #Actor #ActorsLife #IrishActor #BAFTA #BAFTAs #BAFTA2026 #JessieBuckley #PaulMescal #AndrewScott #CillianMurphy #RobbieRyan #Hamnet #AwardsSeason #IrishTalent #FilmTwitter #Filmmaking #IrishProud
