When RUN AWAY arrives on screen, adapted from Harlan Coben’s 2019 novel by his frequent collaborator Danny Brocklehurst alongside Tom Farrelly and Amanda Duke, it signals something of a shift in the streaming thriller landscape that Coben has come to dominate with algorithmic precision. This is one of his less bombastic efforts, trading in the usual baroque plot gymnastics for something more harrowing, more grounded in the kind of parental nightmare that doesn’t require secret societies or buried corpses to feel genuinely unsettling.
At its center is James Nesbitt as Simon, a father whose daughter Paige has vanished into the undertow of drug addiction, and while the role doesn’t break new ground for an actor who has made a career of playing tormented everymen, it serves as a sharp reminder that few inhabit that particular emotional territory with quite his weathered authenticity. What elevates the proceedings beyond standard missing-person melodrama is the supporting cast, particularly Tracy-Ann Oberman as Jessica, Simon’s lawyer, who brings a magnificently terrifying energy to every scene, and Ruth Jones as private investigator Elena Ravenscroft, all iron fist wrapped in velvet glove, radiating a faint but beautifully calibrated unease that lingers long after she exits the frame.
The machinery of plot unfolds across eight episodes in increasingly convoluted but surprisingly well-oiled grooves, each twist engineered to open fresh avenues of intrigue and ensure you’ll return for the next installment, which is precisely how these things are built to function in the streaming era even if we pretend we’ve been unshackled from the tyranny of appointment television. Simon, against the wishes of his wife Ingrid, played by a woefully underused Minnie Driver who spends much of the series comatose in an ICU bed while dialogue so hackneyed it would disgrace CASUALTY plays out above her inert form, continues his secret search for Paige despite the official wisdom that addicts must hit rock bottom before they can be saved.
The first episode closes with the kind of calculated revelation that defines Coben’s approach: Paige’s brother at university with her busking guitar stashed in his room, Elena discovering that Henry’s last Instagram post before his alleged two-week holiday came from Paige herself, all those familiar notes of dum-dum-dah that once would have kept us waiting seven days and now simply keep us clicking through to the next hour. We mock the formula even as we submit to it, because Coben has perfected the art of the ratings banker, the dependable machine that converts recognizable faces and competent craft into engagement metrics, and RUN AWAY, for all its modest ambitions and occasionally creaky dialogue, delivers exactly what it promises: a sleek, functional thriller that understands the difference between innovation and reliability, and has long since chosen the latter.
DERRY GIRLS darling @nicolacoughlan returns to our TVs in I AM HELEN.
This critically acclaimed BAFTA-winning anthology series pairs Coughlan with PEAKY BLINDERS star Joe Cole!
Watch new trailer now via 🔗︎ in bio!
BROOKLYN fans, this one is for you 🎬
Caitríona Balfe is back in a Colm Tóibín adaptation, and A LONG WINTER lands in cinemas this January 2027. Based on Tóibín’s 2006 short story, the film casts Caitríona as Louise, a mother at the heart of a stark, emotional drama.
More details via 🔗︎ in bio!
Mayo`s own @philippa.dunne is pure joy!
On this week`s @latelaterte, Philippa shares childhood memories of growing up in Mayo that shaped her, and what it’s really like to bring unforgettable characters to life on screen.
If you love Irish screen stories told by the people who live them, watch now via 🔗︎ in bio!
Everyone`s favourite Andrew returns to the @britishfilminstitute London Film Festival with his new film ELSINORE.
Few actors of the stage and screen have attracted as much acclaim in recent years as Andrew Scott, both for the emotional depth of his performances and for the subtlety and nuance he brings to them.
Watch now via 🔗︎ in bio!
Like father, like son!
Aran Murphy is following in his father Cillian`s footsteps with a major role in the new @sharonhorgan show YOUTH.
The 19-year-old is relatively new to the acting world but has had a very busy few months as of late, stepping out on red carpets and giving plenty of interviews for his first roles.
Let`s hear it for Ireland`s next wave of amazing acting talent!
Colin Farrell hit the @thegrahamnortonshowofficial couch this weekend!
Farrell reveals a new haircut (!) and how he was initially reluctant to take accept his role in the classic IN BRUGES.
Watch now via 🔗︎ in bio!
One question that has haunted Ireland for decades ⚖️
In RE-CREATION, the new film from Jim Sheridan, the story is built on the real 1996 murder of Sophie Toscan Du Plantier, and Colm Meaney never hands you a verdict. The veteran actor trusts you to argue it out yourself 🎬
More details via 🔗︎ in bio!
“This is the Ireland I always believed existed.”
July 13, 1985. Two stadiums. One mission. Queen, U2, Bowie, Elton John, Madonna, McCartney, all on one day to fight famine in Ethiopia. And five Irish women who wanted to donate their wedding rings!
More details of Bob Geldof`s LATE LATE SHOW appearance via 🔗︎ in bio!
Let’s hear it for Jamie Dornan 👏
He’s back as an American career criminal, always one step ahead, in 12 12 12 on Apple TV, going toe to toe with Anthony Mackie in a cat-and-mouse game across Europe. And this time he’s also an executive producer, helping shape the story as well as starring in it.
NEW trailer via 🔗︎ in bio!
