Domhnall Gleeson is stepping into uncharted comedic territory with Peacock’s upcoming workplace series THE PAPER, marking a fascinating pivot in a career that has seen him traverse galaxies far, far away and navigate the corridors of both indie darlings and major studio blockbusters. The Irish actor, who has built a reputation as one of cinema’s most versatile performers, takes on the role of Ned Sampson, the optimistic new editor-in-chief of a failing Ohio newspaper in this quasi-spinoff of THE OFFICE.
The casting represents an intriguing choice for Gleeson, whose recent filmography reads like a masterclass in genre diversity. Fresh off his haunting performance in THE PATIENT, where he delivered a career-defining turn as a captive therapist, Gleeson has proven his dramatic chops time and again. His work in FRANK showcased his ability to find humor in darkness, while his roles in the STAR WARS sequel trilogy as General Hux demonstrated his capacity for both menace and unexpected comic relief. More recently, his appearances in RUN and his continued collaboration with directors like Lenny Abrahamson have solidified his status as an actor unafraid to take creative risks.
The ensemble surrounding Gleeson includes Sabrina Impacciatore, Chelsea Frei, Melvin Gregg, and THE OFFICE veteran Oscar Nuñez, suggesting the show will blend fresh faces with familiar comedic sensibilities. For Gleeson, this represents his most prominent television role in years, a strategic move that allows him to explore the kind of sustained character development that his film work, while excellent, rarely affords.
What’s particularly fascinating about Gleeson’s career trajectory is how he has managed to remain both critically respected and commercially viable without ever seeming to chase trends or make obvious career moves. THE PAPER continues this pattern, offering him the chance to work within an established comedic framework while creating something genuinely new. The trailer’s glimpses of newspaper office dynamics suggest the show will mine humor from the particular pressures of local journalism in an era of media consolidation and digital disruption.
For viewers, THE PAPER represents the rare opportunity to see a proven dramatic actor stretch his comedic muscles in an extended format. Gleeson’s natural intensity and emotional intelligence could provide the perfect counterbalance to the mockumentary style that made THE OFFICE such a cultural phenomenon. Whether he can capture lightning in a bottle twice remains to be seen, but his track record suggests he’s exactly the kind of actor who thrives when given the space to surprise audiences with his range and commitment to character.
Caitríona Balfe graces @tatlermagazine `s October cover!
From modelling for @chanelofficial to OUTLANDER`s Claire Fraser, and now two major literary adaptations on the way: SENSE AND SENSIBILITY and REBECCA. A career built on reinvention, one deliberate step at a time.✨
Full interview via link in bio 🔗︎
Forget everything you know about Fassbender!
In HOPE, he goes full motion-capture as an extraterrestrial invading a remote Korean village, starring alongside real-life wife Alicia Vikander as part of the alien family unleashing chaos.
HOPE hits US theaters Sep 9 🎬
🥊Who`s watching Saturday?
Barry Keoghan just gave Katie Taylor the send-off she deserves ahead of her final fight this Saturday at a sold-out Croke Park.
Watch now via 🔗︎ in bio.
In ELSINORE, Andrew Scott steps into the shoes of Ian Charleson — a gay actor preparing for the role of a lifetime while quietly living with AIDS, at a time when simply being himself could have ended his career.
Scott, who came out publicly in 2013, doesn`t treat this as just another role. It`s personal. It`s full circle. And it`s a tribute to an artist who never got to tell his own story on his own terms.
"I wanted people to understand he was trying to live — it`s not about fetishizing his death."
First look trailer via 🔗︎ in bio.
Aisling Bea is going home. 🇮🇪✨
The beloved Irish comedian steps in front of WHO DO YOU THINK YOU ARE? cameras to trace her roots back through Laois, Limerick and Kerry.
No forced tears. No manufactured melodrama. Just Bea being Bea — sharp, funny, and quietly moved as she digs into her family`s ties to the Easter Rising and the revival of the Irish language.
Watch now via irishfilmtv.com.
Netflix is expanding the TOP BOY universe 🎬
Oscar nominee Barry Keoghan steps into the role of Irish gangster Jonny McGee in JONNY BOY, a five-episode prequel.
Both begin filming in 2027 - Irish talent leading the charge in one of TV`s most gripping crime sagas 🔥
Full details via link in bio 🔗︎
Galway`s own @nicolacoughlan is trading Derry classrooms for something darker 👀
She`s joining Naomi Scott, Dominic West and Imelda Staunton in Netflix`s new drama pulling from the short stories Roald Dahl wrote for ADULTS — think conmen, adulterers, murderous mothers and a couple trying to outrun their own fate in a faded seaside town 🌊🔪
Full details via link in bio 🔗︎
Two Northern Irish friends. One ceasefire summer.
SKINTOWN just won the £50,000 Sean Connery Prize at Edinburgh International Film Festival 🏆 — beating nine other world premieres to take the top feature prize, voted by festival audiences themselves.
Directed by @kieron3016, this is 1994 Northern Ireland like you haven`t seen it on screen: hopeful, restless, and searching for a way out.
Full details via link in bio 🔗︎
Saoirse Ronan, the Bond girl?
The Irish actress says her dream role is a Bond villain, now husband Jack Lowden is reportedly in the running to be the next 007 - could 2026 give us Bond`s first husband-and-wife pairing?
We`re here for it. 🎬🖤
