WOKEN on Mubi

There’s something deeply unsettling about waking up to faces you don’t recognize, in a place you’ve never been, carrying a child you can’t remember conceiving. This is the nightmare that greets Anna in Alan Friel’s debut feature WOKEN, and for much of its runtime, the film mines this premise for genuine psychological terror.

Friel, who cut his teeth directing commercials and shorts including CAKE with Maxine Peake, understands the power of atmosphere. His windswept Irish island, filmed across County Clare and County Limerick, becomes a character unto itself—all howling winds, dripping cottage roofs, and flickering candlelight that casts dancing shadows on walls that seem to hold secrets. This is a world stripped of modern conveniences, where paraffin lamps replace electricity and wood-burning stoves fight against an endless chill. The absence of phones, televisions, or any connection to the outside world feels deliberate, calculated even.

Anna awakens to this pre-digital purgatory after what she’s told was a terrible fall, though we’ve witnessed something far more disturbing—her desperate flight toward a cliff edge, pursued by unseen forces. Screen Star of Tomorrow Erin Kellyman, known from SOLO: A STAR WARS STORY, brings a raw vulnerability to Anna that makes her confusion and growing paranoia palpable. She’s surrounded by people who claim to love her—her supposed husband James, played with careful ambiguity by Ivanno Jeremiah, and the nurturing Helen, embodied by Peake with just the right balance of maternal warmth and underlying menace.

Friel demonstrates a keen eye for the sinister potential lurking within the mundane. The rhythmic hammering of crab shells during dinner becomes a percussion of dread. A collection of identical yellow baby jackets, hand-knitted with obsessive care, transforms from touching preparation into something deeply unsettling. Even the arrival of strangers on a absurdly incongruous swan-shaped pedalo manages to feel threatening rather than whimsical.

The director skillfully plants seeds of doubt about everything Anna encounters. Are the photo albums and home movies genuine memories or elaborate fabrications? Is Helen’s cardigan-clad concern authentic or performance? The whispered conversations Anna overhears, the glimpses of hidden firearms, the growing certainty that escape from this island sanctuary might be impossible—all contribute to a mounting sense of paranoia that keeps both Anna and the audience off balance.

Watch WOKEN now on Mubi.

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