Andrew Scott has never been one to take the easy path. This past spring, while most actors were content with single-character roles, Scott spent two months at New York’s intimate Lucille Lortel Theatre performing all eight characters in a one-man adaptation of Chekhov’s Uncle Vanya. Night after night, he transformed seamlessly between lovelorn romantics and debonair cynics, executing solo love scenes and emotional breakdowns with the kind of theatrical virtuosity that leaves audiences breathless. The production, directed by Sam Yates, had already conquered London with sold-out performances and critical acclaim before making its way to the barely 300-seat New York venue.
“On the last day, the crew came to the theater dressed as me, and each played one of the characters,” Scott recalls with characteristic humor. “I thought, Jesus, there are loads of people in this play, no wonder I’m exhausted.” It’s a moment that perfectly captures both his humility and the sheer magnitude of what he accomplished on that stage.
This theatrical tour de force represents just one facet of Scott’s remarkable recent trajectory. The Irish actor has spent the past decade crafting a career that defies easy categorization, moving fluidly between stage and screen with an intensity that few performers can match. Following his star-making turn as the maddeningly irresistible priest in FLEABAG, Scott has chosen projects that showcase his range while maintaining his commitment to emotionally complex storytelling.
His 2023 performance opposite Paul Mescal in ALL OF US STRANGERS delivered one of the year’s most devastating portrayals of grief and connection. The film’s exploration of loss and desire allowed Scott to channel his trademark vulnerability into something profound and universal. He followed this with his chilling interpretation of Tom Ripley in 2024’s moody Patricia Highsmith adaptation RIPLEY, proving his ability to inhabit darkness with the same authenticity he brings to tenderness.
Between these screen triumphs, Scott continued his stage work, earning a Laurence Olivier Award and cementing his reputation as one of the few actors equally commanding in both mediums. His friend Josh O’Connor, who first witnessed Scott’s magnetic stage presence at London’s Royal Court while still a theater student, has long admired this balance. “You’ve managed to balance film and theater, but I find it really hard,” O’Connor admits. “If you keep avoiding it, it becomes a monster in your mind.”
Both actors share an affinity for independent films that probe the psychological complexities of human experience, the kind of intimate character studies that generate festival buzz and critical acclaim. However, their recent collaboration in WAKE UP DEAD MAN: A KNIVES OUT MYSTERY marks a departure from these smaller-scale projects into blockbuster territory. For Scott, the timing provided necessary comic relief during a particularly challenging period; he was simultaneously grieving his mother’s death while filming Richard Linklater’s BLUE MOON, set for release later this year.
The friendship between Scott and O’Connor, built on mutual respect and relentless teasing, reflects a shared understanding of the craft’s demands. O’Connor had just completed work on his forthcoming drama THE HISTORY OF SOUND and was preparing for Kelly Reichardt’s THE MASTERMIND when they began the KNIVES OUT shoot. Early glimpses of the film reveal O’Connor channeling his own version of Scott’s most iconic creation: the hot priest. Rather than imitation, it feels like homage between artists who understand each other’s work intimately.
Scott’s recent career choices reveal an actor unafraid of emotional extremes, whether channeling Chekhov’s melancholy on stage or exploring contemporary trauma on screen. His ability to move between mediums without losing his essential authenticity speaks to a rare kind of artistic integrity. In an industry often driven by commercial considerations, Scott continues to prioritize the depth of human experience, creating performances that resonate long after the curtain falls or the credits roll. His exhaustion after those eight-character performances wasn’t just physical; it was the inevitable result of an actor who refuses to hold anything back.
Netflix`s BALLAD OF A SMALL PLAYER has an amazing new trailer!
Colin Farrell plays an Irish fugitive hiding in Macau`s neon underworld as "Lord Doyle," gambling desperately to outrun his past.
The film opens in theaters Oct. 15 and starts streaming Oct. 29 on Netflix.
Watch now via link in bio.
Saoirse Ronan is heading back to the `60s! 🎸
The four-time Oscar nominee is reportedly set to play Linda McCartney in Sam Mendes` wildly ambitious THE BEATLES project—four separate films, each following a different Beatle.
She`ll star opposite Paul Mescal (her FOE co-star) as Paul McCartney, with Barry Keoghan as Ringo, Joseph Quinn as George, and Harris Dickinson as John.
More at irishfilmtv.com.
Cillian Murphy just confirmed THE IMMORTAL MAN drops in 2026 and Tommy Shelby is coming back with a vengeance. 🔥
Fresh off STEVE hitting Netflix, Murphy spilled the tea on The Graham Norton Show that the Peaky Blinders film has wrapped.
Watch now at irishfilmtv.com.
Graham Norton isn`t going anywhere!
The BBC has locked in three more series of THE GRAHAM NORTON SHOW - with 2.9 million viewers tuning in and clips going viral weekly, Norton continues to prove why he`s the gold standard for celebrity interviews.
More at irishfilmtv.com.
Cillian Murphy isn`t chasing blockbusters—he`s back in the classroom.
The Irish actor`s latest role in Netflix`s STEVE sees him playing a struggling teacher at a last-chance reform school, proving once again that he`s more interested in transformation than validation.
Watch Cillian`s TODAY interview via link in bio.
🖤⚡️ JESSIE BUCKLEY IS COMING BACK TO LIFE! ⚡️🖤
Ireland`s Irish powerhouse transforms into a Gaga-esque flapper brought back to life as the companion of Christian Bale`s creature in Maggie Gyllenhaal`s electrifying new take on THE BRIDE!
New trailer at irishfilmtv.com.
🌟 From THE WITCHER to DUNGEONS AND DRAGONS to EVERYTHING NOW.
Dublin`s @niamhhmccormack_ has been quietly building one of the most impressive portfolios in Irish acting.
Don`t miss her in HOUSE OF GUINNESS, now streaming on @netflix.
More at irishfilmtv.com.
🌊 When Oscar-nominated Stephen Rea (THE CRYING GAME, MICHAEL COLLINS, V FOR VENDETTA) lends his legendary voice to a haunting tale of shipwreck and survival, you know something magical is about to happen.
📍 @irishculturalcentre, Hammersmith
🗓️ November 8-9 ONLY
🎭 Don`t miss this exclusive London run!
More at irishfilmtv.com.
🎬 Cillian Murphy is absolutely unstoppable right now!
Three incredible performances in a row: Oscar winner OPPENHEIMER ✨ SMALL THINGS LIKE THESE 💫 and now STEVE - a powerhouse drama about a school headteacher fighting his own demons while saving troubled kids.
More at irishfilmtv.com.
THE WEIR is haunting London`s Harold Pinter Theatre until 6 Dec, and it`s pure magic. Brendan Gleeson makes his West End debut alongside an incredible cast in Conor McPherson`s modern masterpiece - with the playwright himself directing for the first time!
"It`s already a classic in the canon of world theatre," says Seán McGinley, and honestly? We believe him. Sometimes the most powerful stories happen over a pint, in the space between words, where kindness becomes community.
More at irishfilmtv.com.
🏆 IRISH TALENT TAKES TORONTO!
Jessie Buckley and Paul Mescal just won BIG at TIFF with HAMNET - snagging the People`s Choice Award that`s basically an Oscar crystal ball ✨
More at irishfilmtv.com.
From strolling London`s Highbury Fields to stepping into Paul McCartney`s shoes 🎸✨
Paul Mescal is living proof that staying grounded while reaching for the stars isn`t just possible—it`s the secret sauce. Fresh off HAMNET and deep in rehearsals for Sam Mendes` Beatles biopics, this Irish charmer is redefining what it means to be a modern movie star.
More at irishfilmtv.com.
🔥 When Margot Robbie had a "suspicion" her chemistry with Colin Farrell would work in A BIG BOLD BEAUTIFUL JOURNEY... she was absolutely right! ✨
These two icons dive into Kogonada`s A BIG BOLD BEAUTIFUL JOURNEY where strangers Sarah and David rent mysterious cars that transport them through doorways to their childhood memories. Talk about a wild ride! 🚗💫
More at irishfilmtv.com.
Paul Mescal and Josh O`Connor playing LIE vs LIE is the chaotic energy we didn`t know we needed 😂
These THE HISTORY OF SOUND co-stars swap outrageous stories, questionable audition tales, and awkward fan encounters—and honestly, we can`t tell what`s real anymore 🤷♀️
Watch now at irishfilmtv.com.
Netflix has assembled a powerhouse Irish cast for their upcoming adaptation of Marian Keyes` bestselling novel GROWN UPS.
Sarah Greene (BAD SISTERS) leads alongside Barry Ward, Aisling Bea (THIS WAY UP), Robert Sheehan (UMBRELLA ACADEMY), Adrian Dunbar (LINE OF DUTY) and more incredible talent ✨
This 8-part series follows the chaotic Casey family as they navigate grief, love, and the messy reality of being "grown up".
More at irishfilmtv.com.
