The Gothic revival is upon us, and Maggie Gyllenhaal is leading the charge with her most ambitious directorial effort yet. Five years after her acclaimed debut THE LOST DAUGHTER established her as a filmmaker to watch, Gyllenhaal returns with THE BRIDE!, a creature feature that promises to breathe new life into Mary Shelley’s immortal creation while exploring entirely uncharted territory in the Frankenstein mythology.
Where countless adaptations have focused on the mad scientist or his monstrous creation, Gyllenhaal’s vision shifts the spotlight to perhaps the most intriguing character of all: the Bride herself. Drawing loose inspiration from James Whale’s 1935 masterpiece BRIDE OF FRANKENSTEIN, this bold reimagining transplants the story to 1930s Chicago, where Frankenstein’s monster seeks out Dr. Euphronious with a desperate request for companionship. The choice of setting is no accident—the Great Depression era provides the perfect backdrop for exploring themes of identity, transformation, and what it means to be human in a world that constantly reshapes itself.
The journey to bring THE BRIDE! to life has been as tumultuous as the story itself. Originally slated for autumn 2025, the film weathered the storm of 2023’s industry-wide strikes, Netflix’s budget concerns, and a studio shuffle that ultimately landed the project at Warner Bros. Yet these delays may have been a blessing in disguise, allowing Gyllenhaal to realize her vision of shooting in New York City and craft what promises to be a more personal, intimate take on the classic tale.
The film’s recently released trailer hints at a story that transcends typical monster movie tropes, suggesting a deeper examination of identity and belonging that resonates with contemporary anxieties. As the Bride awakens to consciousness, her journey of self-discovery mirrors the broader social upheaval of the 1930s, creating a compelling parallel between personal and societal transformation.
With a March 6, 2026 release date now locked in, THE BRIDE! represents more than just another Gothic horror adaptation. It’s Gyllenhaal’s statement that classical literature still has profound things to say about modern life, filtered through the lens of a filmmaker unafraid to challenge both genre conventions and audience expectations. In an era saturated with franchise filmmaking and familiar formulas, THE BRIDE! promises to be that rare creature: something genuinely unexpected.
Barry Keoghan has arrived.
The Dublin actor who made us unable to look away in SALTBURN is now going head-to-head with Chris Hemsworth, Mark Ruffalo, and Halle Berry in CRIME 101 — and he`s not just keeping up, he`s stealing scenes.
This isn`t just another role—this is Keoghan proving he belongs among Hollywood`s heaviest hitters, taking his Love/Hate juice straight to LA and reminding everyone that sometimes the hungriest actor in the room is the most dangerous one.
More Barry at irishfilmtv.com.
One man. Eight characters. Pure theatrical magic. ✨
Andrew Scott`s VANYA won Best Play Revival at the WhatsOnStage Awards after its triumphant West End run at the Duke of York`s Theatre and now tops the list of best one-man shows of recent times.
More Andrew at irishfilmtv.com.
HOW TO GET TO HEAVEN FROM BELFAST drops Feb 12 on Netflix.
DERRY GIRLS star Saoirse Monica Jackson has been talking about the new series and her excitement is absolutely contagious.
Landing on Galentine`s Day feels perfect for this kind of ladies-celebrating-ladies energy.
Watch now at irishfilmtv.com.
Jamie Dornan is about to make you forget every role you thought defined him.
THE WORST, a pitch-black British comedy, casts him as Danny, a talent agent so pathologically addicted to self-promotion that he can`t stop name-dropping even as the dinner party around him combusts into spectacular social carnage.
More Jamie at irishfilmtv.com.
The awards season darling you`ve been hearing about is finally streaming.
Chloé Zhao`s HAMNET—the haunting exploration of grief, love, and the creation of Shakespeare`s HAMLET—brings together Paul Mescal and Jessie Buckley in performances that have kept both firmly in the Oscar conversation.
If you missed it theatrically, now`s your chance to see what the buzz is about before Oscar night. This is the kind of film that reminds you why cinema matters.
More HAMNET at irishfilmtv.com.
Taylor Swift just dropped the OPALITE music video and it`s giving major Irish vibes ☘️✨
The nearly 6-minute visual sees Domhnall Gleeson starring as Taylor`s love interest, playing two lonely souls who find each other. But here`s where it gets even better: eagle-eyed Swifties spotted cameos from Cillian Murphy and Graham Norton, making this a full-on Irish affair.
Want the full breakdown of this transatlantic collaboration? Head to our blog for all the details on how this stunning video came together. Link in bio! 🔗
The creator of DERRY GIRLS just dropped a murder mystery set at an Irish wake, and honestly? It`s the genre mashup we didn`t know we needed 🕵️♀️
Lisa McGee is back with HOW TO GET TO HEAVEN FROM BELFAST on Netflix, and if you loved how she found humor in the Troubles (Protestants! Toasters! Cupboards!), you`re going to eat this up.
Three friends reunite for their childhood bestie`s funeral, only to realize her death isn`t what it seems. Cue an eerie adventure across Ireland that`s equal parts creepy and hilarious.
More at irishfilmtv.com.
British Vogue just put Jessie Buckley on their February cover and it`s not just a magazine shoot—it`s a coronation.
Shot by Jack Davison on the windswept Norfolk coast near her home, these images are pure cinema. Sky, sea, and a woman at the exact moment her entire life is about to change.
She`s the frontrunner for Best Actress. HAMNET is destroying audiences. She`s a new mother standing at the edge of the kind of fame that alters everything.
And Vogue captured it all—the grit, the greatness, the quiet mastery that got her here.
More Jessie at irishfilmtv.com.
Caitriona Balfe has just landed her next major role in THE HOUSEKEEPER.
Set in a grand historic manor against Cornwall`s dramatic landscape, Balfe plays Danni, a housekeeper who falls into a forbidden affair with none other than writer Daphne du Maurier (played by Mackenzi Laird).
While we`re counting down to OUTLANDER`s final season premiere on Mar 6th, Balfe is already proving she`s so much more than Claire Fraser. 🔥
More Caitriona at irishfilmtv.com.
