Andrew Scott has never been one to take the easy path. This past spring, while most actors were content with single-character roles, Scott spent two months at New York’s intimate Lucille Lortel Theatre performing all eight characters in a one-man adaptation of Chekhov’s Uncle Vanya. Night after night, he transformed seamlessly between lovelorn romantics and debonair cynics, executing solo love scenes and emotional breakdowns with the kind of theatrical virtuosity that leaves audiences breathless. The production, directed by Sam Yates, had already conquered London with sold-out performances and critical acclaim before making its way to the barely 300-seat New York venue.
“On the last day, the crew came to the theater dressed as me, and each played one of the characters,” Scott recalls with characteristic humor. “I thought, Jesus, there are loads of people in this play, no wonder I’m exhausted.” It’s a moment that perfectly captures both his humility and the sheer magnitude of what he accomplished on that stage.
This theatrical tour de force represents just one facet of Scott’s remarkable recent trajectory. The Irish actor has spent the past decade crafting a career that defies easy categorization, moving fluidly between stage and screen with an intensity that few performers can match. Following his star-making turn as the maddeningly irresistible priest in FLEABAG, Scott has chosen projects that showcase his range while maintaining his commitment to emotionally complex storytelling.
His 2023 performance opposite Paul Mescal in ALL OF US STRANGERS delivered one of the year’s most devastating portrayals of grief and connection. The film’s exploration of loss and desire allowed Scott to channel his trademark vulnerability into something profound and universal. He followed this with his chilling interpretation of Tom Ripley in 2024’s moody Patricia Highsmith adaptation RIPLEY, proving his ability to inhabit darkness with the same authenticity he brings to tenderness.
Between these screen triumphs, Scott continued his stage work, earning a Laurence Olivier Award and cementing his reputation as one of the few actors equally commanding in both mediums. His friend Josh O’Connor, who first witnessed Scott’s magnetic stage presence at London’s Royal Court while still a theater student, has long admired this balance. “You’ve managed to balance film and theater, but I find it really hard,” O’Connor admits. “If you keep avoiding it, it becomes a monster in your mind.”
Both actors share an affinity for independent films that probe the psychological complexities of human experience, the kind of intimate character studies that generate festival buzz and critical acclaim. However, their recent collaboration in WAKE UP DEAD MAN: A KNIVES OUT MYSTERY marks a departure from these smaller-scale projects into blockbuster territory. For Scott, the timing provided necessary comic relief during a particularly challenging period; he was simultaneously grieving his mother’s death while filming Richard Linklater’s BLUE MOON, set for release later this year.
The friendship between Scott and O’Connor, built on mutual respect and relentless teasing, reflects a shared understanding of the craft’s demands. O’Connor had just completed work on his forthcoming drama THE HISTORY OF SOUND and was preparing for Kelly Reichardt’s THE MASTERMIND when they began the KNIVES OUT shoot. Early glimpses of the film reveal O’Connor channeling his own version of Scott’s most iconic creation: the hot priest. Rather than imitation, it feels like homage between artists who understand each other’s work intimately.
Scott’s recent career choices reveal an actor unafraid of emotional extremes, whether channeling Chekhov’s melancholy on stage or exploring contemporary trauma on screen. His ability to move between mediums without losing his essential authenticity speaks to a rare kind of artistic integrity. In an industry often driven by commercial considerations, Scott continues to prioritize the depth of human experience, creating performances that resonate long after the curtain falls or the credits roll. His exhaustion after those eight-character performances wasn’t just physical; it was the inevitable result of an actor who refuses to hold anything back.
🎬 HAMNET has officially overtaken Paul Thomas Anderson`s ONE BATTLE AFTER ANOTHER as the Oscar frontrunner!
Chloé Zhao`s Shakespeare-inspired drama now leads with a 96.8% chance of nomination, fueled by its Telluride buzz and Toronto People`s Choice win.
More at irishfilmtv.com.
The DERRY GIRLS creator is back with HOW TO GET TO HEAVEN FROM BELFAST — and it`s the show Lisa McGee says she`s always wanted to make. 🍀
Three childhood friends. One mysterious death. A wake that goes sideways. Eight episodes of chaos, secrets, and arguments about eyelash extensions.
More at irishfilmtv.com.
Pierce Brosnan trades his 007 tuxedo for raw, devastating drama in CURTAIN CALL—arriving on digital November 10.
Starring opposite Jessica Lange, Brosnan continues his brilliant pivot from action hero to serious character actor, exploring the heartbreaking reality of dementia in the theatre world.
Watch trailer on irishfilmtv.com.
Colin Farrell`s latest is dividing audiences, but everyone agrees on one thing: his performance is absolutely magnetic ✨
The Oscar-nominated Irish actor stars as Lord Doyle, a spiraling gambler in neon-soaked Macao searching for redemption.
Don`t miss Farrell at his destructive best, now on @netflix!
Daniel Day-Lewis is BACK and we`re not ready for how devastating ANEMONE is 😭
After 7 years away from the screen, Day-Lewis returns in this quiet Irish masterpiece directed by his son Ronan. It`s not a flashy comeback—it`s something far more powerful. A meditation on isolation, guilt, and the human connections we can`t outrun, no matter how far we go.
ANEMONE is now on Prime!
Barry Keoghan goes blonde and badass for CRIME 101! 🎬
The Irish star trades blows with Chris Hemsworth and Mark Ruffalo in this high-stakes crime thriller, playing Orman, a thief whose methods are as disturbing as they are effective. With Detective Lou Lubesnick (Ruffalo) closing in and rival criminal Davis (Hemsworth) in his way, this heist is about to get messy.
More at irishfilmtv.com.
When Colin Farrell had to choose between a guaranteed paycheck on a hit TV show and a one-in-a-million shot at Hollywood, everyone told him he was insane. His friends said don`t do it. His family couldn`t understand it. He did it anyway.
Now in BALLAD OF A SMALL PLAYER (in select UK/Ireland cinemas Oct 17, Netflix Oct 29), he plays a man who understands risk better than anyone. Because Farrell`s been there. He bet everything on himself when he had nothing, and that decision changed everything.
Sometimes the craziest move is the only one worth making. 🎬
More at irishfilmtv.com.
Andrew Scott`s hot streak continues 🔥
From the Hot Priest in FLEABAG to his heartbreaking turn in ALL OF US STRANGERS, he`s now bringing that signature intensity to BLUE MOON as composer Richard Rodgers.
The film hits theaters Friday, more at irishfilmtv.com.
Michael Fassbender is trading the big screen for Netflix royalty!
The Irish-German powerhouse is set to play Joe Kennedy Sr. in KENNEDY, an 8-episode drama diving deep into America`s most mythologized family. No release date yet, but with Fassbender leading, this one`s already on our watchlist. 👑
More at irishfilmtv.com.
🔥 The feud that stopped a nation.
SAIPAN brings the explosive 2002 World Cup confrontation between Roy Keane and Mick McCarthy to the big screen—and it`s not about football glory, it`s about ego, standards, and two men whose rivalry became bigger than the game itself.
Watch the new trailer at irishfilmtv.com.
Pierce Brosnan is trading martinis for mountains.
The legendary Irish actor stars in the CLIFFHANGER reboot as Ray Cooper, a seasoned mountaineer running a luxury chalet in the Dolomites with his daughter.
More at irishfilmtv.com.
Brendan Gleeson is bringing all the feels in H IS FOR HAWK 🎬🦅
Playing the beloved father in this beautiful 2025 drama based on Helen Macdonald`s bestselling memoir, Gleeson delivers a performance that`s both tender and powerful.
More at irishfilmtv.com.
Netflix`s BALLAD OF A SMALL PLAYER has an amazing new trailer!
Colin Farrell plays an Irish fugitive hiding in Macau`s neon underworld as "Lord Doyle," gambling desperately to outrun his past.
The film opens in theaters Oct. 15 and starts streaming Oct. 29 on Netflix.
Watch now via link in bio.
Saoirse Ronan is heading back to the `60s! 🎸
The four-time Oscar nominee is reportedly set to play Linda McCartney in Sam Mendes` wildly ambitious THE BEATLES project—four separate films, each following a different Beatle.
She`ll star opposite Paul Mescal (her FOE co-star) as Paul McCartney, with Barry Keoghan as Ringo, Joseph Quinn as George, and Harris Dickinson as John.
More at irishfilmtv.com.
Cillian Murphy just confirmed THE IMMORTAL MAN drops in 2026 and Tommy Shelby is coming back with a vengeance. 🔥
Fresh off STEVE hitting Netflix, Murphy spilled the tea on The Graham Norton Show that the Peaky Blinders film has wrapped.
Watch now at irishfilmtv.com.
