Domnhall Gleeson on TAKE THE BISCUIT

For nine seasons, from 2005 to 2013, THE OFFICE became a cultural phenomenon that extended far beyond its initial television run. The series thrived in syndication, found new life on streaming platforms, and spawned countless memes and cultural references. Its influence on subsequent workplace comedies cannot be overstated—the mockumentary format became a standard approach, and the idea that office mundanity could be comedy gold inspired numerous imitators.

The series concluded in 2013 with a satisfying finale that tied up loose ends and provided closure for characters viewers had followed for nearly a decade. A finale special followed two years later, seemingly putting a definitive end to the Scranton branch’s story. The paper company had finally closed its doors, metaphorically speaking, and fans were left with memories and endless rewatching opportunities.

Now THE PAPER arrives on Peacock as something between sequel and spiritual successor. With an almost entirely new cast of characters but maintaining that familiar mockumentary workplace format, the series represents both continuity and evolution. It’s THE OFFICE returning without being THE OFFICE, a continuation of format and sensibility rather than character and location. The challenge facing this new iteration is substantial: how do you capture the magic of something beloved without simply repeating it?

The streaming landscape of 2025 is vastly different from the network television environment that nurtured the original American THE OFFICE. Audiences have shorter attention spans, more viewing options, and different expectations for workplace comedy. The mockumentary format, once fresh and innovative, has become familiar territory. THE PAPER must prove that the format still has stories worth telling and that workplace comedy can evolve while maintaining its essential appeal.

The lineage from Slough to Scranton to streaming represents more than just adaptation and continuation—it reflects television’s remarkable ability to reinvent itself while honoring what came before. Each iteration has built upon its predecessor while responding to its own cultural moment. The British THE OFFICE emerged from a specific time and place, capturing post-millennial British workplace culture with surgical precision. The American version expanded and Americanized those themes, creating something that honored the original while speaking to different cultural sensibilities.

THE PAPER now faces the challenge of proving that this format has more to offer, that workplace comedy can continue evolving and finding new ways to make us laugh at our professional lives while recognizing the humanity in our daily struggles. Whether it succeeds will determine not just its own fate but the future of a format that has already proven remarkably resilient and adaptable across cultures and decades.

Pierce Brosnan trades his 007 tuxedo for raw, devastating drama in CURTAIN CALL—arriving on digital November 10.

Starring opposite Jessica Lange, Brosnan continues his brilliant pivot from action hero to serious character actor, exploring the heartbreaking reality of dementia in the theatre world.

Watch trailer on irishfilmtv.com.

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Colin Farrell's latest is dividing audiences, but everyone agrees on one thing: his performance is absolutely magnetic ✨

The Oscar-nominated Irish actor stars as Lord Doyle, a spiraling gambler in neon-soaked Macao searching for redemption. 

Don't miss Farrell at his destructive best, now on @netflix!

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Daniel Day-Lewis is BACK and we're not ready for how devastating ANEMONE is 😭

After 7 years away from the screen, Day-Lewis returns in this quiet Irish masterpiece directed by his son Ronan. It's not a flashy comeback—it's something far more powerful. A meditation on isolation, guilt, and the human connections we can't outrun, no matter how far we go.

ANEMONE is now on Prime!

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Barry Keoghan goes blonde and badass for CRIME 101! 🎬

The Irish star trades blows with Chris Hemsworth and Mark Ruffalo in this high-stakes crime thriller, playing Orman, a thief whose methods are as disturbing as they are effective. With Detective Lou Lubesnick (Ruffalo) closing in and rival criminal Davis (Hemsworth) in his way, this heist is about to get messy.

More at irishfilmtv.com.

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When Colin Farrell had to choose between a guaranteed paycheck on a hit TV show and a one-in-a-million shot at Hollywood, everyone told him he was insane. His friends said don't do it. His family couldn't understand it. He did it anyway.

Now in BALLAD OF A SMALL PLAYER (in select UK/Ireland cinemas Oct 17, Netflix Oct 29), he plays a man who understands risk better than anyone. Because Farrell's been there. He bet everything on himself when he had nothing, and that decision changed everything.

Sometimes the craziest move is the only one worth making. 🎬

More at irishfilmtv.com.

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Andrew Scott's hot streak continues 🔥

From the Hot Priest in FLEABAG to his heartbreaking turn in ALL OF US STRANGERS, he's now bringing that signature intensity to BLUE MOON as composer Richard Rodgers. 

The film hits theaters Friday, more at irishfilmtv.com.

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Michael Fassbender is trading the big screen for Netflix royalty! 

The Irish-German powerhouse is set to play Joe Kennedy Sr. in KENNEDY, an 8-episode drama diving deep into America's most mythologized family. No release date yet, but with Fassbender leading, this one's already on our watchlist. 👑

More at irishfilmtv.com.

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🔥 The feud that stopped a nation. 

SAIPAN brings the explosive 2002 World Cup confrontation between Roy Keane and Mick McCarthy to the big screen—and it's not about football glory, it's about ego, standards, and two men whose rivalry became bigger than the game itself.

Watch the new trailer at irishfilmtv.com.

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Pierce Brosnan is trading martinis for mountains. 

The legendary Irish actor stars in the CLIFFHANGER reboot as Ray Cooper, a seasoned mountaineer running a luxury chalet in the Dolomites with his daughter.

More at irishfilmtv.com.

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Brendan Gleeson is bringing all the feels in H IS FOR HAWK 🎬🦅

Playing the beloved father in this beautiful 2025 drama based on Helen Macdonald's bestselling memoir, Gleeson delivers a performance that's both tender and powerful. 

More at irishfilmtv.com.

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Netflix's BALLAD OF A SMALL PLAYER has an amazing new trailer!

Colin Farrell plays an Irish fugitive hiding in Macau's neon underworld as "Lord Doyle," gambling desperately to outrun his past. 

The film opens in theaters Oct. 15 and starts streaming Oct. 29 on Netflix.

Watch now via link in bio.

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Saoirse Ronan is heading back to the '60s! 🎸

The four-time Oscar nominee is reportedly set to play Linda McCartney in Sam Mendes' wildly ambitious THE BEATLES project—four separate films, each following a different Beatle. 

She'll star opposite Paul Mescal (her FOE co-star) as Paul McCartney, with Barry Keoghan as Ringo, Joseph Quinn as George, and Harris Dickinson as John.

More at irishfilmtv.com.

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Cillian Murphy just confirmed THE IMMORTAL MAN drops in 2026 and Tommy Shelby is coming back with a vengeance. 🔥

Fresh off STEVE hitting Netflix, Murphy spilled the tea on The Graham Norton Show that the Peaky Blinders film has wrapped.

Watch now at irishfilmtv.com.

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Graham Norton isn't going anywhere!

The BBC has locked in three more series of THE GRAHAM NORTON SHOW - with 2.9 million viewers tuning in and clips going viral weekly, Norton continues to prove why he's the gold standard for celebrity interviews. 

More at irishfilmtv.com.

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Cillian Murphy isn't chasing blockbusters—he's back in the classroom.

The Irish actor's latest role in Netflix's STEVE sees him playing a struggling teacher at a last-chance reform school, proving once again that he's more interested in transformation than validation.

Watch Cillian's TODAY interview via link in bio.

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