H IS FOR HAWK trailer released

Roadside Attractions has released the first trailer for H IS FOR HAWK, and it arrives like a quiet storm—raw, aching, and deeply human. Directed by Philippa Lowthorpe, whose work on CALL THE MIDWIFE and THE CROWN has demonstrated her gift for intimate storytelling, the film adapts Helen Macdonald’s acclaimed 2014 memoir into something that feels both devastatingly personal and universally resonant. Lowthorpe co-wrote the screenplay with Emma Donoghue, the novelist behind ROOM, bringing together two voices attuned to the ways loss can unmoor us and how we might find our way back to solid ground.

The trailer introduces us to Helen, played with remarkable vulnerability by Claire Foy, in the immediate aftermath of her father’s sudden death. Brendan Gleeson appears as the father whose absence becomes the film’s gravitational center, a presence felt most acutely through his lack. What follows is not a conventional grief narrative but something wilder and more unpredictable. Helen turns to falconry, beginning the arduous process of training a young goshawk she names Mabel. The relationship between woman and bird becomes a mirror for Helen’s internal struggle—both fierce, both untamed, both seeking something that looks like freedom but might actually be survival.

Foy, who has built a career on performances that reveal the complexity beneath surface composure in projects like THE CROWN and WOMEN TALKING, brings that same intensity to Helen’s journey. The supporting cast includes Denise Gough, Sam Spruell, and Lindsay Duncan, each contributing to the ecosystem of Helen’s grief. Produced by Dede Gardner and Jeremy Kleiner, the film premiered at the Telluride Film Festival where it earned praise particularly for its authentic portrayal of falconry—the kind of specific, tactile detail that transforms metaphor into lived experience. After an awards-qualifying run in December, H IS FOR HAWK will open nationwide on January 23, 2026, offering audiences a meditation on how we rebuild ourselves when the center doesn’t hold, one wingbeat at a time.

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