RUN AWAY on Netflix
When RUN AWAY arrives on screen, adapted from Harlan Coben’s 2019 novel by his frequent collaborator Danny Brocklehurst alongside Tom Farrelly and Amanda Duke, it signals something of a shift in the streaming thriller landscape that Coben has come to dominate with algorithmic precision. This is one of his less bombastic efforts, trading in the usual baroque plot gymnastics for something more harrowing, more grounded in the kind of parental nightmare that doesn’t require secret societies or buried corpses to feel genuinely unsettling.
At its center is James Nesbitt as Simon, a father whose daughter Paige has vanished into the undertow of drug addiction, and while the role doesn’t break new ground for an actor who has made a career of playing tormented everymen, it serves as a sharp reminder that few inhabit that particular emotional territory with quite his weathered authenticity. What elevates the proceedings beyond standard missing-person melodrama is the supporting cast, particularly Tracy-Ann Oberman as Jessica, Simon’s lawyer, who brings a magnificently terrifying energy to every scene, and Ruth Jones as private investigator Elena Ravenscroft, all iron fist wrapped in velvet glove, radiating a faint but beautifully calibrated unease that lingers long after she exits the frame.
The machinery of plot unfolds across eight episodes in increasingly convoluted but surprisingly well-oiled grooves, each twist engineered to open fresh avenues of intrigue and ensure you’ll return for the next installment, which is precisely how these things are built to function in the streaming era even if we pretend we’ve been unshackled from the tyranny of appointment television. Simon, against the wishes of his wife Ingrid, played by a woefully underused Minnie Driver who spends much of the series comatose in an ICU bed while dialogue so hackneyed it would disgrace CASUALTY plays out above her inert form, continues his secret search for Paige despite the official wisdom that addicts must hit rock bottom before they can be saved.
The first episode closes with the kind of calculated revelation that defines Coben’s approach: Paige’s brother at university with her busking guitar stashed in his room, Elena discovering that Henry’s last Instagram post before his alleged two-week holiday came from Paige herself, all those familiar notes of dum-dum-dah that once would have kept us waiting seven days and now simply keep us clicking through to the next hour. We mock the formula even as we submit to it, because Coben has perfected the art of the ratings banker, the dependable machine that converts recognizable faces and competent craft into engagement metrics, and RUN AWAY, for all its modest ambitions and occasionally creaky dialogue, delivers exactly what it promises: a sleek, functional thriller that understands the difference between innovation and reliability, and has long since chosen the latter.
Netflix is expanding the TOP BOY universe 🎬
Oscar nominee Barry Keoghan steps into the role of Irish gangster Jonny McGee in JONNY BOY, a five-episode prequel.
Both begin filming in 2027 - Irish talent leading the charge in one of TV`s most gripping crime sagas 🔥
Full details via link in bio 🔗︎
Galway`s own @nicolacoughlan is trading Derry classrooms for something darker 👀
She`s joining Naomi Scott, Dominic West and Imelda Staunton in Netflix`s new drama pulling from the short stories Roald Dahl wrote for ADULTS — think conmen, adulterers, murderous mothers and a couple trying to outrun their own fate in a faded seaside town 🌊🔪
Full details via link in bio 🔗︎
Two Northern Irish friends. One ceasefire summer.
SKINTOWN just won the £50,000 Sean Connery Prize at Edinburgh International Film Festival 🏆 — beating nine other world premieres to take the top feature prize, voted by festival audiences themselves.
Directed by @kieron3016, this is 1994 Northern Ireland like you haven`t seen it on screen: hopeful, restless, and searching for a way out.
Full details via link in bio 🔗︎
Saoirse Ronan, the Bond girl?
The Irish actress says her dream role is a Bond villain, now husband Jack Lowden is reportedly in the running to be the next 007 - could 2026 give us Bond`s first husband-and-wife pairing?
We`re here for it. 🎬🖤
He came, he saw, he conquered!
Brendan Gleeson just landed on the 2026 Stage Debut Awards shortlist for THE WEIR - public voting for Best West End Debut Performer closes 13 September, winners announced 27 September in London.
Get your votes in for one of Ireland`s acting treasures!
Full details via link in bio 🔗︎
🏝️ Domhnall Gleeson is on an absolute roll — and THE INCOMER might be his most charming turn yet!
Gleeson`s performance in THE INCOMER is earning rave reviews - another win for one of Ireland`s most versatile actors right now🎬
Full details via link in bio 🔗︎
Colin Farrel just became the voice of @f1 `s biggest campaign of the year!
FIVE LIGHTS, a 90-second cinematic film narrated by Farrell and set to UNKLE`s Reign, launches F1`s return from summer break ahead of the Dutch Grand Prix, and it`s a perfect pairing given how well known his love of racing is.
Full details via 🔗︎ in bio!
Caitríona Balfe has joined Disney`s live-action TANGLED as Queen Arianna, Rapunzel`s long-lost mother.
She joins a growing cast that includes Teagan Croft, Milo Manheim, Kathryn Hahn with the film set for cinemas on March 31, 2028.
Full details via 🔗︎ in bio!
He`s baaaack!
@piercebrosnanofficial returns in MOBLAND season two with Helen Mirren and everyone`s favourite bad boy, Tom Hardy, premiering Sep 18 only on @paramountplus.
Watch now via link in bio 🔗︎
