Saoirse Ronan’s PAPER PLANE

Saoirse Ronan's PAPER PLANE

Saoirse Ronan

Saoirse Ronan's PAPER PLANE

Saoirse Ronan’s journey reads like a masterclass in artistic evolution, and 2026 marks the moment she steps decisively into uncharted territory. After more than two decades of captivating audiences—from her television debut in RTÉ’s THE CLINIC at just nine years old to her Oscar-nominated turn in ATONEMENT at thirteen—the Carlow-born actress is ready to redefine her relationship with cinema by stepping behind the camera. Her directorial debut, a short film titled PAPER PLANE for which she’s also credited as the primary writer, arrives at a pivotal crossroads in her life, one she’s been contemplating with the kind of introspection that has always distinguished her work from mere performance.

When Ronan spoke to Deadline about her decision to pull back from the relentless pace of acting, she articulated something rarely admitted in an industry that prizes constant visibility: the need to protect the purity of her craft. After over twenty years in the business, she explained, there’s a fork in the road where she must ensure her work doesn’t become stale, that the simplicity and authenticity she brought to her earliest roles—that childlike approach many former child actors struggle to preserve—remains intact. This isn’t about retreating from the spotlight for its own sake but about safeguarding something deeply personal. She does this work for herself, not for external validation, and the moment that internal compass shifts, she’s prepared to chart a different course. It’s a philosophy born from experience, from understanding that longevity in this profession requires more than talent—it demands conscious choices about when to push forward and when to step sideways into new creative challenges.

The timing feels particularly resonant given that Ronan recently welcomed her first child, a life event that naturally invites reflection on priorities and legacy. Her recent filmography includes BAD APPLES in 2025, and her next acting commitment places her alongside Paul Mescal in an upcoming Beatles biopic series where she’ll portray Linda McCartney opposite his Paul McCartney—a pairing that promises both dramatic heft and the kind of chemistry audiences have come to expect from Ireland’s most celebrated exports. But PAPER PLANE represents something entirely different, a chance for Ronan to translate her accumulated knowledge as a performer into the language of direction and storytelling from a new vantage point.

With four Oscar nominations already under her belt and a career that has moved seamlessly from I COULD NEVER BE YOUR WOMAN in 2007 through countless projects that have showcased her range and depth, Ronan isn’t simply adding another credit to an already impressive résumé. She’s listening to that internal voice that has guided her from THE CLINIC to Hollywood’s brightest stages, the one insisting that true artistic fulfillment sometimes means letting go of what you know best to discover what you might become. Screen Ireland’s confirmation of her involvement in PAPER PLANE offers few details about plot or scope, but with Ronan’s name attached as both director and writer, expectations are understandably sky-high—this is an artist who has never settled for the easy path, and her transition from in front of the lens to behind it promises to be as thoughtful and compelling as everything she’s given us before.

Liam Neeson returns to theatres in COLD STORAGE - the kind of film that makes you laugh, makes your skin crawl, and then makes you laugh again!

A 1979 NASA cover-up. An alien fungus sealed in a government vault. And two underpaid warehouse workers who just became humanity's last hope.

Sharp. Funny. Genuinely unsettling. More Liam at irishfilmtv.com.

...

Brendan Gleeson returns to THE WEIR as cameras roll in Ireland, bringing Conor McPherson's haunting stage masterpiece to the screen.

Fresh off a five-star West End run that WhatsOnStage called "staggeringly good," the entire acclaimed cast is back to capture the magic of this modern Irish classic.

More Brendan at irishfilmtv.com.

...

When Emerald Fennell texted @alisonjoliver about joining WUTHERING HEIGHTS, the answer was immediate: yes. 

"I just love her so much that I would do anything she was doing," Oliver says about reuniting with Fennell after SALTBURN. 

The film is now in theatres, more at irishfilmtv.com.

...

Barry Keoghan has arrived.

The Dublin actor who made us unable to look away in SALTBURN is now going head-to-head with Chris Hemsworth, Mark Ruffalo, and Halle Berry in CRIME 101 — and he's not just keeping up, he's stealing scenes.

This isn't just another role—this is Keoghan proving he belongs among Hollywood's heaviest hitters, taking his Love/Hate juice straight to LA and reminding everyone that sometimes the hungriest actor in the room is the most dangerous one. 

More Barry at irishfilmtv.com.

...

One man. Eight characters. Pure theatrical magic. ✨

Andrew Scott's VANYA won Best Play Revival at the WhatsOnStage Awards after its triumphant West End run at the Duke of York's Theatre and now tops the list of best one-man shows of recent times.

More Andrew at irishfilmtv.com.

...

HOW TO GET TO HEAVEN FROM BELFAST drops Feb 12 on Netflix.

DERRY GIRLS star Saoirse Monica Jackson has been talking about the new series and her excitement is absolutely contagious.

Landing on Galentine's Day feels perfect for this kind of ladies-celebrating-ladies energy.

Watch now at irishfilmtv.com.

...

Jamie Dornan is about to make you forget every role you thought defined him. 

THE WORST, a pitch-black British comedy, casts him as Danny, a talent agent so pathologically addicted to self-promotion that he can't stop name-dropping even as the dinner party around him combusts into spectacular social carnage.

More Jamie at irishfilmtv.com.

...

Taylor Swift just dropped the OPALITE music video and it's giving major Irish vibes ☘️✨

The nearly 6-minute visual sees Domhnall Gleeson starring as Taylor's love interest, playing two lonely souls who find each other. But here's where it gets even better: eagle-eyed Swifties spotted cameos from Cillian Murphy and Graham Norton, making this a full-on Irish affair.

Want the full breakdown of this transatlantic collaboration? Head to our blog for all the details on how this stunning video came together. Link in bio! 🔗

...

Irish Film

Ronan joins Beatles biopic

Ronan joins Beatles biopic

Ronan joins Beatles biopic

Saoirse Ronan, fresh off her powerful performance in THE OUTRUN and her striking turn in Steve McQueen’s BLITZ, is reportedly set to take on one of the most intriguing supporting roles in what promises to be cinema’s most ambitious musical undertaking in years. Multiple sources have confirmed to Deadline that the four-time Oscar nominee will portray Linda McCartney in Sam Mendes’ audacious THE BEATLES – A FOUR-FILM CINEMATIC EVENT, reuniting her with Paul Mescal, her co-star from the sci-fi drama FOE, who will play Paul McCartney himself. Though Sony has remained tight-lipped about official confirmations, the casting represents a fascinating continuation of Ronan’s recent trajectory through increasingly complex, layered women who defy simple categorization.

The timing couldn’t be more intriguing for Ronan, who has been on a remarkable creative tear following her career-defining work in LITTLE WOMEN and LADY BIRD. She recently led the dark comedy BAD APPLES, which premiered at the Toronto Film Festival to strong notices, and has already lined up another major project with Austin Butler in DEEP CUTS, a music drama adapted from Holly Brickley’s debut novel. Taking on Linda McCartney allows Ronan to inhabit yet another woman who existed at the intersection of art, activism, and intense public scrutiny, a photographer turned musician turned animal rights crusader who met Paul in 1967 and remained his partner until her death from cancer in 1998. Linda’s evolution from behind-the-camera artist to member of Wings to vegetarian cookbook author and successful food entrepreneur offers Ronan the kind of multidimensional character she’s consistently gravitated toward throughout her career.

Mendes has been obsessed with cracking the Beatles story for years, finally landing on the revolutionary concept of four separate films, each following a different band member’s perspective on the same seismic cultural moment. Barry Keoghan will embody Ringo Starr, Joseph Quinn takes on George Harrison, and Harris Dickinson, riding high from acclaim for his directorial debut URCHIN, has called the prospect of playing John Lennon “frightening” in interviews. Ringo Starr himself has been involved in the process, meeting with Mendes to request script changes and recently stating he’s now “much more satisfied with how he’s depicted,” suggesting the project has the blessing of the surviving Beatles. The scripts are being crafted by a powerhouse trio of writers: Jez Butterworth, Peter Straughan, and Jack Thorne, each bringing their own distinctive sensibility to what Mendes has described as an epic story that still has “plenty left to explore” for a new generation. For Ronan, stepping into Linda’s world means portraying not just a musician’s wife but a creative force in her own right, someone who shaped Paul’s post-Beatles life as profoundly as the band shaped music itself.

Liam Neeson returns to theatres in COLD STORAGE - the kind of film that makes you laugh, makes your skin crawl, and then makes you laugh again!

A 1979 NASA cover-up. An alien fungus sealed in a government vault. And two underpaid warehouse workers who just became humanity's last hope.

Sharp. Funny. Genuinely unsettling. More Liam at irishfilmtv.com.

...

Brendan Gleeson returns to THE WEIR as cameras roll in Ireland, bringing Conor McPherson's haunting stage masterpiece to the screen.

Fresh off a five-star West End run that WhatsOnStage called "staggeringly good," the entire acclaimed cast is back to capture the magic of this modern Irish classic.

More Brendan at irishfilmtv.com.

...

When Emerald Fennell texted @alisonjoliver about joining WUTHERING HEIGHTS, the answer was immediate: yes. 

"I just love her so much that I would do anything she was doing," Oliver says about reuniting with Fennell after SALTBURN. 

The film is now in theatres, more at irishfilmtv.com.

...

Barry Keoghan has arrived.

The Dublin actor who made us unable to look away in SALTBURN is now going head-to-head with Chris Hemsworth, Mark Ruffalo, and Halle Berry in CRIME 101 — and he's not just keeping up, he's stealing scenes.

This isn't just another role—this is Keoghan proving he belongs among Hollywood's heaviest hitters, taking his Love/Hate juice straight to LA and reminding everyone that sometimes the hungriest actor in the room is the most dangerous one. 

More Barry at irishfilmtv.com.

...

One man. Eight characters. Pure theatrical magic. ✨

Andrew Scott's VANYA won Best Play Revival at the WhatsOnStage Awards after its triumphant West End run at the Duke of York's Theatre and now tops the list of best one-man shows of recent times.

More Andrew at irishfilmtv.com.

...

HOW TO GET TO HEAVEN FROM BELFAST drops Feb 12 on Netflix.

DERRY GIRLS star Saoirse Monica Jackson has been talking about the new series and her excitement is absolutely contagious.

Landing on Galentine's Day feels perfect for this kind of ladies-celebrating-ladies energy.

Watch now at irishfilmtv.com.

...

Jamie Dornan is about to make you forget every role you thought defined him. 

THE WORST, a pitch-black British comedy, casts him as Danny, a talent agent so pathologically addicted to self-promotion that he can't stop name-dropping even as the dinner party around him combusts into spectacular social carnage.

More Jamie at irishfilmtv.com.

...

Taylor Swift just dropped the OPALITE music video and it's giving major Irish vibes ☘️✨

The nearly 6-minute visual sees Domhnall Gleeson starring as Taylor's love interest, playing two lonely souls who find each other. But here's where it gets even better: eagle-eyed Swifties spotted cameos from Cillian Murphy and Graham Norton, making this a full-on Irish affair.

Want the full breakdown of this transatlantic collaboration? Head to our blog for all the details on how this stunning video came together. Link in bio! 🔗

...

Irish Film

Ronan stars in TALKING HEADS music video

Ronan stars in TALKING HEADS music video

Ronan stars in Talking Heads music video

Fifty years after Talking Heads first took the stage at CBGB, opening for the Ramones in 1975, the seminal band has chosen to mark this milestone with something remarkable: the first-ever music video for “PSYCHO KILLER,” their 1977 classic that helped define an era. What makes this celebration particularly striking is the collaboration at its heart—acclaimed filmmaker Mike Mills directing four-time Oscar nominee Saoirse Ronan in a performance that transforms our understanding of the song itself.

Ronan, fresh off her powerhouse performances in FOE and THE OUTRUN, brings an extraordinary range to what could have been a straightforward concept. Playing an office worker navigating her daily routine, she delivers a masterclass in physical storytelling, dancing, squirming, shuddering, and screaming through the mundane reality of modern existence. Mills captures her moving through the full spectrum of human emotion, including those feelings that can only be expressed through what he might call “a weird little dance.”

The video operates in cycles—sun rises, Ronan dons a new outfit, wears a new emotion on her face, copes with coworkers and boyfriends, commits to going through the motions until moonrise resets everything for another day. It’s Mills’s signature exploration of repetitive mundanity, the same keen eye that made BEGINNERS, 20TH CENTURY WOMEN, and C’MON C’MON such resonant examinations of how we actually live our lives.

For Ronan, this project represents something deeply personal. “To simply be mentioned in the same breath as Talking Heads is hands down one of the coolest things that has ever happened to me,” she said, “let alone making a video with the singular Mike Mills to accompany one of their most iconic songs. I have grown up listening to their music, so this truly is a childhood/teenage/lifelong dream come true.”

Mills, whose enviable creative career spans graphic design for Supreme and Sonic Youth to music videos for Air and The National, found particular meaning in this collaboration. Talking Heads’ debut album “literally changed what was possible in life for me,” he explained. “To get to play with the subversive, uncategorizable beauty of Talking Heads, and to play with Saoirse who brought so much surprise, power, vulnerability and mischief to the party, it’s one of the best things I ever got to be a part of—still can’t believe it actually happened.”

What emerges is something that deliberately subverts expectations. Rather than lean into the morbid implications of the song’s title, Mills and Ronan create a sympathetic interpretation that finds the human vulnerability beneath the surface. As the band noted, “This video makes the song better. We LOVE what this video is NOT—it’s not literal, creepy, bloody, physically violent or obvious.”

This video arrives at a moment when Ronan continues to cement her position as one of cinema’s most compelling young performers. Her recent work has shown an actress unafraid to take risks, whether in period dramas or contemporary pieces, and her collaboration with Mills suggests an artist eager to explore new creative territories. The pairing feels natural—both Mills and Ronan share an ability to find profound meaning in seemingly ordinary moments, to locate the extraordinary within the everyday.

The timing coincides with Talking Heads announcing a Super Deluxe Edition reissue of their second album, More Songs About Buildings and Food, set for release on July 25, suggesting this video is just the beginning of their 50th anniversary celebrations. But it’s hard to imagine they’ll top this particular collaboration—a meeting of minds that transforms a classic song into something entirely new while honoring everything that made it timeless in the first place.

Liam Neeson returns to theatres in COLD STORAGE - the kind of film that makes you laugh, makes your skin crawl, and then makes you laugh again!

A 1979 NASA cover-up. An alien fungus sealed in a government vault. And two underpaid warehouse workers who just became humanity's last hope.

Sharp. Funny. Genuinely unsettling. More Liam at irishfilmtv.com.

...

Brendan Gleeson returns to THE WEIR as cameras roll in Ireland, bringing Conor McPherson's haunting stage masterpiece to the screen.

Fresh off a five-star West End run that WhatsOnStage called "staggeringly good," the entire acclaimed cast is back to capture the magic of this modern Irish classic.

More Brendan at irishfilmtv.com.

...

When Emerald Fennell texted @alisonjoliver about joining WUTHERING HEIGHTS, the answer was immediate: yes. 

"I just love her so much that I would do anything she was doing," Oliver says about reuniting with Fennell after SALTBURN. 

The film is now in theatres, more at irishfilmtv.com.

...

Barry Keoghan has arrived.

The Dublin actor who made us unable to look away in SALTBURN is now going head-to-head with Chris Hemsworth, Mark Ruffalo, and Halle Berry in CRIME 101 — and he's not just keeping up, he's stealing scenes.

This isn't just another role—this is Keoghan proving he belongs among Hollywood's heaviest hitters, taking his Love/Hate juice straight to LA and reminding everyone that sometimes the hungriest actor in the room is the most dangerous one. 

More Barry at irishfilmtv.com.

...

One man. Eight characters. Pure theatrical magic. ✨

Andrew Scott's VANYA won Best Play Revival at the WhatsOnStage Awards after its triumphant West End run at the Duke of York's Theatre and now tops the list of best one-man shows of recent times.

More Andrew at irishfilmtv.com.

...

HOW TO GET TO HEAVEN FROM BELFAST drops Feb 12 on Netflix.

DERRY GIRLS star Saoirse Monica Jackson has been talking about the new series and her excitement is absolutely contagious.

Landing on Galentine's Day feels perfect for this kind of ladies-celebrating-ladies energy.

Watch now at irishfilmtv.com.

...

Jamie Dornan is about to make you forget every role you thought defined him. 

THE WORST, a pitch-black British comedy, casts him as Danny, a talent agent so pathologically addicted to self-promotion that he can't stop name-dropping even as the dinner party around him combusts into spectacular social carnage.

More Jamie at irishfilmtv.com.

...

Taylor Swift just dropped the OPALITE music video and it's giving major Irish vibes ☘️✨

The nearly 6-minute visual sees Domhnall Gleeson starring as Taylor's love interest, playing two lonely souls who find each other. But here's where it gets even better: eagle-eyed Swifties spotted cameos from Cillian Murphy and Graham Norton, making this a full-on Irish affair.

Want the full breakdown of this transatlantic collaboration? Head to our blog for all the details on how this stunning video came together. Link in bio! 🔗

...

Irish Music

Saoirse Ronan in DEEP CUTS

Saoirse Ronan in DEEP CUTS

Saoirse Ronan in DEEP CUTS

In the ever-evolving landscape of cinema, a new adaptation promises to capture the heart of early 2000s music culture. DEEP CUTS, based on Holly Brickley’s debut novel, is set to bring a poignant love story to life with two of Hollywood’s most captivating stars, Saoirse Ronan and Austin Butler.

The film, which will be helmed by Sean Durkin of THE IRON CLAW and THE NEST fame, transports viewers to the year 2000 – a time of boy bands, pop princesses, and the magical world of CD players and music discovery. Set against the backdrop of UC Berkeley, the story follows Percy Marks and Joe Morrow, two twentysomethings whose connection blossoms through their shared passion for music.

Ronan, who will not only star in but also produce the film, continues to demonstrate her remarkable versatility. Fresh from her recent award-winning performances in BLITZ and THE OUTRUN, she brings her exceptional talent to this nostalgic narrative. Butler, known for his transformative roles, joins her in what promises to be an intimate exploration of love, ambition, and musical obsession.

Brickley’s novel captures a specific moment in cultural history – a time when music felt more intentional and personal. As she reflects, technology then seemed to connect rather than distract, with the iPod representing a perfect balance of musical access and personal space. The story pays homage to legendary Canadian artists like Leonard Cohen, Neil Young, and especially Joni Mitchell, whom Brickley describes as a “once-in-a-generation absolute genius.”

The adaptation aims to stay true to the original narrative, exploring the delicate dance between personal passion and romantic connection. Set in a Friday night campus bar with Hall and Oates playing in the background, the story promises to be both a love letter to music and a nuanced portrait of early adulthood.

A24, known for their groundbreaking independent films, joins the project, further cementing the film’s potential for artistic excellence. With Durkin’s direction, Ronan and Butler’s chemistry, and a story steeped in musical nostalgia, DEEP CUTS is poised to be a remarkable cinematic experience that will resonate with millennials and music lovers alike.

Irish Film

THE OUTRUN on Netflix Mar 18

THE OUTRUN on Netflix Mar 18

THE OUTRUN on Netflix Mar 18

A quiet revolution is happening on Netflix this March as Nora Fingscheidt’s stunning adaptation of Amy Liptrot’s 2016 novel THE OUTRUN makes its streaming debut. This critically acclaimed indie film, Certified Fresh on RottenTomatoes, will arrive on Netflix in both the UK and US through different pay-1 streaming deals, marking its first appearance on any streaming platform following its theatrical run.

Saoirse Ronan delivers what many critics call a career-defining performance as Rona, a 29-year-old returning to her childhood home in the Orkney Islands after a decade in London. The film’s emotional resonance is heightened by excellent supporting turns from Saskia Reeves, Stephen Dillane, Lauren Lyle, and Paapa Essiedu. As MovieWeb’s Julian Roman noted, “Saoirse Ronan stuns as a shattered alcoholic trying to rebuild her life on a remote Scottish island. THE OUTRUN chronicles a disturbing descent to rock bottom and the heartbreaking climb to sobriety.”

The film’s journey to Netflix showcases the complex landscape of modern film distribution. In the US, where Sony Pictures Classics holds distribution rights, the film will stream for 18 months beginning March 18th, 2025, part of Netflix’s ongoing first-window deal with Sony.

Irish Film

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Ronan wins big at London Critics’ Circle Film Awards

Ronan wins big at London Critics’ Circle Film Awards

In a remarkable testament to her enduring talent, Saoirse Ronan has once again captured the spotlight at the 45th London Critics’ Circle Film Awards, securing the prestigious British/Irish Performer of The Year award for her compelling performances in BLITZ and THE OUTRUN. Her portrayal in BLITZ sees her embodying Rita, a working-class single mother navigating the harrowing challenges of World War II alongside her 9-year-old son George, played by newcomer Elliott Heffernan, as they become separated during the German bombing campaign against the UK. In THE OUTRUN, adapted from Amy Liptrot’s poignant memoir, Ronan not only stars as a woman reconstructing her life after a decade-long battle with addiction but also took on a producer role alongside Sarah Brocklehurst, Dominic Norris, and Jack Lowden, showcasing her expanding influence in the industry.

The ceremony also celebrated emerging talent, with Rich Peppiatt earning the Breakthrough British/Irish Filmmaker award for his direction of KNEECAP. The film’s impact resonated throughout the awards, garnering nominations in several major categories including Film of The Year, Foreign-Language Film of The Year, and British/Irish Film of The Year. The momentum continues into the upcoming IFTA Awards, where both Ronan and Peppiatt have secured multiple nominations. Ronan’s dual nominations in the Lead Actress and Supporting Actress categories for THE OUTRUN and BLITZ respectively, along with Peppiatt’s nominations for Director and Script, underscore their significant contributions to cinema. KNEECAP leads the pack with an impressive 17 nominations, including Best Film, setting the stage for what promises to be an exciting ceremony at the Dublin Royal Convention Centre on February 14th, 2025. This latest recognition adds to Ronan’s illustrious career, which has previously seen her acclaimed for performances in BROOKLYN and LOST RIVER, consistently proving her versatility and mastery of her craft.

 

ACTORS ON ACTORS: Ronan and Gomez

ACTORS ON ACTORS: Ronan and Gomez

ACTORS ON ACTORS: Ronan and Gomez

During a recent Variety’s ACTORS ON ACTORS conversation, Saoirse Ronan and Selena Gomez delved into the profound emotional territories of their recent film roles, exploring themes of personal transformation, cultural identity, and the healing power of storytelling.

Audiard’s EMILIA PÉREZ, Gomez immerses herself in a deeply personal narrative. Her character Jessi’s journey of self-discovery after losing her partner becomes a canvas for cultural exploration. By performing in Spanish, Gomez not only honors her roots but discovers an unexpected therapeutic process. The role represents more than just acting for her—it’s a celebration of linguistic and cultural identity, enhanced by the emotional resonance of singing in her heritage language.

Saoirse Ronan takes a bold step in THE OUTRUN, a project that goes beyond traditional storytelling. As both producer and lead actress, she confronts the complex landscape of addiction. “It’s a monster I had to confront,” Ronan candidly reveals, demonstrating her commitment to portraying challenging emotional experiences. The film becomes a personal exploration, allowing her to process and understand addiction’s profound impact.

Her companion film BLITZ further showcases her range, depicting a young mother navigating the tumultuous environment of war-torn London—another testament to Ronan’s ability to embody complex, nuanced characters.

A Shared Artistic Philosophy Both actresses articulate a similar approach to their craft. For them, performance is not just about portrayal but transformation. Ronan eloquently describes this process: “You channel emotions into the performance, and by the end, it’s almost cleansing.” This perspective reveals acting as a deeply introspective and healing experience.

Gomez and Ronan represent a new generation of actors who see their roles as more than entertainment. They are storytellers committed to reflecting lived experiences, challenging societal narratives, and exploring the intricate emotional landscapes that define human existence.

Their conversation in the Variety series becomes a powerful testament to the evolving role of cinema—not just as a medium of entertainment, but as a profound tool for personal and collective understanding.

 

THE OUTRUN now on Prime

THE OUTRUN now on Prime

THE OUTRUN now on Prime

Saoirse Ronan’s latest movie THE OUTRUN is now available to watch from home. Based on a memoir by Amy Liptrot about addiction and recovery, Saoirse Ronan delivers a touching and powerful performance as Rona, a young woman returning home to the Orkney Islands of Scotland attempting to restore her life.

Ronan does not rely on showy exaggeration or wild swings for her craft. Her most acclaimed roles — in FOE  and LITTLE WOMEN — all feel, at least from the outside, as if they tap into some part of her real self. All four are intelligent and perceptive and plucky and just a little innocent, in need of some hard-knock wisdom. Yet they’re all indelible, and all very different from one another: girls and women for whom life is a good, hard mystery to be lived and then understood.

The director Nora Fingscheidt wrote the screenplay for THE OUTRUN with Amy Liptrot, based on Liptrot’s 2016 memoir. In the film, Liptrot has been transformed into Rona, a 29-year-old woman who, when we first meet her, has a black eye, having been nearly defeated by life. She’s from a tiny village in the Orkney Islands, which lie off the northern coast of Scotland. Rona went to London to earn a graduate degree in biology, where she met friends and a man she loved. But a latent propensity for addiction turned into a full-blown alcoholic spiral, and she wrecked her life completely.

Watch THE OUTRUN now!