The Irish-language film KNEECAP has made history at the 27th British Independent Film Awards (BIFA), securing seven prestigious awards, including the coveted Best British Independent Film. The film, which dominated the ceremony at London’s Roundhouse, arrived with an impressive 14 nominations and emerged as the night’s standout success.

The movie, based on a semi-fictionalised account of the west Belfast rap trio’s formation, garnered additional accolades including Best Debut Screenwriter for Rich Peppiatt and Best Joint Lead for the trio’s members Liam Óg Ó Hannaidh, Naoise Ó Cairealláin, and JJ Ó Dochartaigh.

Originally formed in 2017 by three friends using stage names Mo Chara, Móglaí Bap, and DJ Próvaí, the group has been known for their politically-charged lyrics and controversial approach. The film’s origin traces back to 2019 when director Rich Peppiatt was inspired after watching the group perform in Belfast.

Set in west Belfast in 2019, KNEECAP offers a dramatised, comedic exploration of the group’s beginnings, with Peppiatt describing it as “definitely more controversial than the usual movies that come out of Northern Ireland.”

The film’s multiple BIFA wins represent a significant milestone for Irish-language cinema and the group’s artistic journey.

In a landmark legal victory, Irish-language rap group Kneecap has triumphed in their discrimination case against former Conservative minister Kemi Badenoch, challenging her decision to deny them an arts grant. The controversy began when the group was initially shortlisted for a £14,250 grant from the Music Export Growth Scheme, which Badenoch blocked when she was business secretary.

The proceedings took a theatrical turn when band member DJ Próvaí arrived at the courthouse in a repurposed RUC Land Rover, adorned with Palestinian and Irish flags, wearing his trademark tricolour balaclava. The UK’s Department of Business and Trade ultimately conceded that the original decision was “unlawful and procedurally unfair.”

For Kneecap, the victory was never about the money. As the band stated, “This was an attack on artistic culture, an attack on the Good Friday Agreement itself, and on our way of expressing ourselves.” In a gesture of community solidarity, they announced they would donate the entire grant to two Belfast organizations: Glór na Móna and R-City Belfast.

Known for their provocative and politically charged music, Kneecap has consistently challenged political narratives. Their band name references the Troubles-era paramilitary tactic of “knee-capping,” while their music often subverts republican tropes and criticizes British rule in Ireland.
The case highlights tensions surrounding cultural expression and funding in Northern Ireland. The band argues that their music represents a cross-community belief that political institutions often ignore the needs of working-class communities on both sides of the divide.

“They don’t like that we oppose British rule,” the band stated. “We believe that England doesn’t serve anyone in Ireland, and the working classes on both sides deserve better—deserve funding, appropriate mental health services, and the freedom to celebrate music and art.”

Kneecap’s legal victory is more than a personal triumph. It’s a powerful affirmation of artistic freedom, cultural expression, and the principles of equality enshrined in the Good Friday Agreement.