November 20Netflix has quietly dropped a crime drama that deserves far more attention than it’s getting, and if you’re someone who lives for the slow burn of a well-crafted detective story, you need to stop what you’re doing and add MR MERCEDES to your queue immediately. Originally airing on the now-defunct Audience Network back in 2017, this adaptation of Stephen King’s Bill Hodges trilogy has finally found its way to streaming, bringing with it a 91 percent Rotten Tomatoes score and the kind of dark, methodical tension that makes truly great detective fiction unforgettable. At its core, MR MERCEDES follows retired detective Bill Hodges, a man who should be enjoying his golden years but instead finds himself psychologically terrorized by the one case he couldn’t close. A serial killer begins sending him letters and emails, taunting him about a horrific crime in which a stolen Mercedes was deliberately driven into a crowd of innocent people. What starts as psychological warfare soon escalates into something far more dangerous, forcing Hodges out of retirement and into a crusade that blurs the line between justice and obsession. The Netflix description puts it simply but effectively: a retired detective haunted by a deadly unsolved crime hunting for the merciless killer behind an intentional act of mass violence. What elevates MR MERCEDES beyond standard crime procedural fare is its cast, a collection of actors who bring genuine weight to material that could easily veer into melodrama in lesser hands. Brendan Gleeson, fresh off his acclaimed performance in THE BANSHEES OF INISHERIN, anchors the series as Hodges, delivering the kind of lived-in, weary performance that makes you believe every mistake and regret etched into his character’s past. Opposite him, Harry Treadaway from PENNY DREADFUL takes on the role of Brady Hartsfield, the killer whose cat-and-mouse game with Hodges forms the show’s dark heart. Holland Taylor, known for her work in TWO AND A HALF MEN, appears as Ida Silver, while Justine Lupe, who would later gain recognition in SUCCESSION, plays Holly Gibney, a character King fans will recognize as one of his most enduring creations. Stephen King adaptations are notoriously hit or miss, with Hollywood’s track record ranging from the sublime to the unwatchable, but MR MERCEDES belongs firmly in the former category. The series understands what makes King’s crime writing work, the way he burrows into the psychology of both hunter and hunted, the unglamorous reality of detective work, and the toll that violence takes on everyone it touches. This isn’t a show about flashy forensics or last-minute twists, though it has its share of shocking moments. Instead, it’s about obsession, guilt, and the impossible question of whether you can ever really leave your work behind when your work involves staring into the darkest corners of human nature. For anyone who’s been craving something with more substance than the typical Netflix true crime docuseries or formulaic procedural, MR MERCEDES offers something richer and more unsettling. It’s a show that takes its time, that lets tension build in the spaces between conversations, that trusts its audience to stay invested even when the pace slows to a crawl. The fact that it comes from King’s source material is almost a bonus, what matters is that it’s simply excellent television that somehow slipped under the radar during its original run and now deserves a second chance to find the audience it should have had all along. Instagram Youtube [...]
November 18Gabriel Byrne commands attention the moment he enters a room, and when he settled into THE LATE LATE SHOW studio fresh from Cork’s International Film Festival, the 75-year-old actor brought with him three decades of gravitas earned since THE USUAL SUSPECTS catapulted him into cinema’s permanent consciousness. Before heading west to the Dingle Literary Festival, Byrne sat down to discuss everything from American politics to the Irish soul, delivering the kind of passionate, unfiltered commentary that has defined his extraordinary career. Politics ignited the conversation immediately. His criticism of Donald Trump has been well documented, but on this Friday night, he channeled his hopes into Zohran Mamdani, who he insists represents genuine hope for ordinary Americans. “It’s time for the old guard in the Democratic Party to move on,” Byrne declared. “The reality is, I think they have lost, did quite a long time ago, lost touch with the American working class, who are really disillusioned.” Mamdani, in Byrne’s view, stands against the bankers, billionaires, captured politicians, and Silicon Valley titans who wield unprecedented power over our lives. When host Patrick Kielty produced a 1989 photograph showing Byrne campaigning alongside Michael D. Higgins, the actor’s face softened with admiration. “I think we were absolutely blessed in having such a magnificent President, a representative of our country, a poet, a public intellectual, a campaigner,” he said. Of Ireland’s new president, Catherine Connolly, Byrne praised her empathy, compassion, and intelligence. “We’ve been very lucky, really, in terms of the presidents that we’ve had, Mary McAleese, Mary Robinson,” he reflected, before adding, “sometimes I wish we’d vote that way when it came to the general elections.” Would he himself ever consider entering politics? Byrne’s answer revealed something fundamental about the independence that has shaped his life. “I could never belong to a party. The older I get, the more I value independence.” That independence has served him well across his remarkable body of work, which continues to expand with vigor. Having portrayed Samuel Beckett in DANCE FIRST (2023), capturing Ireland’s most enigmatic literary genius, Byrne went on to appear as Enzo Ferrari in LAMBORGHINI: THE MAN BEHIND THE LEGEND (2023), starred in the romantic Irish drama FOUR LETTERS OF LOVE (2024), and took on a role in this year’s BALLERINA, set within the JOHN WICK universe. These recent projects sit alongside earlier work like his chilling turn in HEREDITARY and MURDER AT YELLOWSTONE CITY, demonstrating an actor who refuses to be confined by genre or expectation. But it was when the conversation turned to storytelling and Irish culture that Byrne truly came alive. The actor traced a direct line from Ireland’s colonial past to its present creative power, arguing that oppression paradoxically strengthened the nation’s imaginative capacity. “I think, you know, because of colonialism, our culture was suppressed, buried, denied, and we went underground, and we went into an oral tradition where poems were passed from one person to another, stories were told around the fireside,” he explained. “That was a form of theatre. And what was in play there was the imagination.” “We’ve always retained this power of imagination and the power to tell a story,” Byrne continued. “When Irish people are on their game and you get a good storyteller, there’s nobody quite like them.” He invoked Oscar Wilde’s claim that the Irish are the greatest storytellers since the Greeks, calling it Ireland’s “soft power” that radiates outward to touch the entire world. “We’re a nation that people look to and respect and admire, and we have so much to offer.” Then came the challenge, the moment when Byrne’s passion crystallized into something approaching a manifesto. “Retain the Irish character,” he urged. “Speak our own language.” He identified one of colonialism’s cruelest legacies: the shame it instills in the colonized, making them feel their own culture is something to hide rather than celebrate. But something has shifted, Byrne insisted. “I think we are coming into a place now where we are beginning to—at last—embrace the richness and the power of our own culture, and we don’t have to look anywhere else to get it.” Three decades after THE USUAL SUSPECTS, Gabriel Byrne remains as committed to the power of storytelling as ever. He stands as living proof of what Irish culture can produce when given the space to flourish: artists who refuse to compromise, who value independence above all else, and who understand that the most powerful act is simply telling the truth about who you are and where you come from. Instagram Youtube [...]
November 14For more than two decades, Domhnall Gleeson has carved out one of the most diverse and compelling careers in contemporary cinema. The Irish actor has moved seamlessly between fantasy blockbusters and intimate character studies, between comedy and horror, between the familiar warmth of time-traveling romance and the cold brutality of frontier survival. In a recent episode of “For the Record,” Gleeson opened up about the experiences that have defined his journey, from the magic of the HARRY POTTER set to the punishing shoot of THE REVENANT, offering rare glimpses into what it takes to inhabit such wildly different worlds. Then came STAR WARS: THE FORCE AWAKENS, and with it, General Hux, a character that would become one of the sequel trilogy’s most memorable antagonists. Gleeson brought a seething intensity to the First Order’s fanatical young general, a true believer in authoritarianism whose barely controlled rage made him both ridiculous and genuinely threatening. His delivery of Hux’s Nuremberg-style rally speech remains one of the trilogy’s most chilling moments, a reminder that evil often announces itself with theatrical conviction. The role required him to embrace villainy without camp, to find the human pettiness and ambition beneath the Nazi-inspired uniform, and he did so with magnetic commitment across multiple films. Perhaps his most physically demanding role came with THE REVENANT, where he joined Leonardo DiCaprio, Tom Hardy, and director Alejandro González Iñárritu in one of the most grueling productions in recent film history. Shot in brutal natural conditions using only natural light, the film tested everyone involved, and Gleeson has been candid about the challenges of working in freezing temperatures, the endless takes, and the uncompromising vision that drove Iñárritu’s approach. Playing Captain Andrew Henry, the pragmatic leader trying to guide his men through a hostile wilderness while navigating the moral complexities of frontier justice, Gleeson held his own alongside some of cinema’s most intense performers. The film’s commitment to authenticity meant real cold, real exhaustion, real discomfort, all in service of creating something visceral and unforgettable. In recent years, Gleeson has continued to demonstrate his versatility across both television and film. His turn as Sam Fortner, a serial killer, in the FX psychological thriller series THE PATIENT opposite Steve Carell earned him Golden Globe and Critics Choice nominations, showcasing his ability to inhabit deeply disturbing characters with nuance and complexity. He followed that with a portrayal of John Dean in the satirical political miniseries WHITE HOUSE PLUMBERS, bringing his talents to the realm of historical drama and political satire.  Instagram Youtube [...]
November 11The adaptation of Co Down author Louise Kennedy’s bestselling novel has arrived as one of 2025’s most anticipated television events, bringing together the filmmaking team behind BROOKLYN and AN EDUCATION to craft a forbidden romance set against the violent backdrop of Northern Ireland’s Troubles. The four-part drama TRESPASSES, which completed filming in Belfast this past December, tells the story of Cushla, a young Catholic schoolteacher worn down by the monotony of her daily existence in a small town outside Belfast, who finds herself drawn into a dangerous affair with Michael, an older Protestant barrister she meets while working shifts at her family’s pub. Lola Petticrew, who previously appeared in SAY NOTHING, brings intensity to the role of Cushla, while Tom Cullen of MY SON portrays her conflicted lover, with the cast rounded out by Barry Ward from BAD SISTERS and Lisa Dwyer Hogg of THE FALL. Gillian Anderson, serving as executive producer while also appearing onscreen as Cushla’s perpetually combative mother described as a “glorious wreck,” has helped shepherd this passion project to completion. Screenwriter Ailbhe Keogan, earning her first lead writing credit after contributing to BAD SISTERS and RUN & JUMP, adapted Kennedy’s debut novel, which earned a Women’s Prize for Fiction shortlisting, with the author herself praising both Keogan’s “ear-perfect, sexy script” and director Dawn Shadforth’s “gorgeously melancholic aesthetic vision” for bringing an authentic version of her work to television. Channel 4 describes the series as a forbidden love story unfolding amid the sectarian violence that defined the era, and Keogan promises viewers a narrative that manages to be political, cinematic, sensual, and moving while maintaining hope despite the heartbreak woven throughout. The production represents a deeply personal triumph for Kennedy, who expressed gratitude that exceptional care was taken to honor the world and characters she created, particularly the unforgettable inhabitants of Cushla and Michael’s Belfast. TRESPASSES premieres Sunday night on Channel 4 at 9pm, offering audiences a richly textured portrait of desire and danger in a divided society. Instagram Youtube [...]
November 10THE IRIS AFFAIR arrives as a tense Sky Original that transforms the Italian landscape into a sprawling battlefield of intellect and survival, where two exceptional minds collide in a chase thriller that refuses to let up. This is Neil Cross territory—the mastermind behind LUTHER returns as writer, creator, and showrunner, bringing his signature psychological intensity to a story that begins with puzzles and ends with everything at stake. Enigmatic genius Iris Nixon solves what others cannot, cracking a string of complex online puzzles that lead her to a sun-drenched piazza in Florence. There she encounters Cameron Beck, a charismatic entrepreneur whose invitation seems like opportunity incarnate: come work for him, unlock a powerful piece of top-secret technology, change everything. Her curiosity is both her greatest asset and her fatal flaw, and she accepts, drawn into Cameron’s orbit by the promise of something extraordinary. But when Iris discovers the dangerous potential lurking within the device she’s been recruited to activate, she makes a choice that transforms her from collaborator into fugitive. She steals the journal containing the activation sequence and disappears into the Italian countryside. What follows is a relentless pursuit that sprawls across one of Europe’s most visually stunning countries, shot on location in Sardinia during the summer of 2024. From a remote cabin where silence becomes suffocating to the bustling chaos of Rome’s streets where every face could be enemy or ally, Iris runs while Cameron hunts. This is a high-stakes game where trust is the most dangerous currency of all, where every decision carries weight, and where failure means catastrophe. Cross understands that the best thrillers aren’t just about the chase—they’re about what the chase reveals, the way desperation strips away pretense and forces brilliant people to show who they truly are when everything is on the line. THE IRIS AFFAIR, previously titled IRIS before its evolution, delivers exactly that kind of escalating tension, a cinematic experience that uses Italy not just as backdrop but as character, a country of beauty and shadows where two people play out a deadly game of hide and seek that only one of them can win. Instagram Youtube [...]
November 4When Lisa McGee, the creative mind behind DERRY GIRLS, tells you she’s made the show she’s always wanted to make, you listen. HOW TO GET TO HEAVEN FROM BELFAST is her answer to a question nobody knew they needed to ask, and it arrives in February 2026 as an eight-episode comedy-thriller that promises to drag three estranged friends through a mystery neither they nor the audience will see coming. McGee describes it as a mash-up of her two favorite genres, mystery and comedy, designed to keep viewers both guessing and laughing in equal measure. She reunited the creative team from DERRY GIRLS to pull off this wild Irish odyssey, bringing together Roísín Gallagher as Saoirse, Sinéad Keenan as Robyn, and Caoilfhionn Dunne as Dara—three women in their late thirties whose friendship has endured since school but is about to be tested in ways none of them anticipated. The premise sounds deceptively simple: clever but chaotic TV writer Saoirse, glamorous and perpetually stressed mother-of-three Robyn, and dependable yet inhibited carer Dara receive an email announcing the death of the estranged fourth member of their childhood gang. What follows at her wake is a series of eerie events that launch them on a dark, dangerous, and hilarious journey through Ireland and beyond as they attempt to piece together the truth about their shared past. McGee promises twists, turns, and arguments about eyelash extensions, which tells you everything you need to know about the tonal tightrope this series intends to walk. She’s in awe of the cast’s talent, timing, and chemistry, and praises director Michael Lennox’s work as simply stunning. Netflix, she says, has been incredibly supportive of their mad vision, encouraging viewers to get ready to piece this puzzle together while remembering one crucial rule: a good friend keeps your secrets, but a great friend helps you bury them. Each of the eight hour-long episodes will unravel another layer of mystery, another revelation about what these three women thought they knew about themselves and each other. McGee’s invitation to join Saoirse, Robyn, and Dara on their wild, weird adventure feels less like a casual viewing suggestion and more like a dare. HOW TO GET TO HEAVEN FROM BELFAST isn’t just asking whether you can get from Belfast to heaven—it’s asking what you’re willing to dig up along the way, and whether friendship can survive the excavation. The journey begins in February 2026, and if McGee’s track record is anything to go by, it’s going to be one hell of a ride. Instagram Youtube [...]
October 21Netflix has officially announced “KENNEDY,” an eight-episode drama series that will star Michael Fassbender as Joe Kennedy Sr., marking a significant addition to the actor’s increasingly selective television portfolio. Based on Fredrik Logevall’s acclaimed biography “JFK: Coming of Age in the American Century, 1917-1956,” the series promises to peel back the mythological veneer surrounding America’s most storied political dynasty and reveal the raw human ambition, struggle, and tragedy that defined them. For Fassbender, this represents a notable shift in his recent career trajectory. After dominating the big screen with intense performances in films like STEVE JOBS, ALIEN: COVENANT, and THE SNOWMAN, the German-Irish actor has been more discerning about his projects in recent years. His appearance in David Fincher’s THE KILLER in 2023 signaled his willingness to embrace streaming platforms for the right material, and “KENNEDY” appears to be another carefully chosen vehicle that allows him to sink his teeth into a complex, morally ambiguous patriarch. The role of Joe Kennedy Sr., the controversial businessman and political operator who orchestrated his family’s rise to power through a combination of wealth, cunning, and ruthless determination, seems tailor-made for Fassbender’s ability to portray charismatic yet deeply flawed men. The series will launch in the 1930s, chronicling Joe and Rose Kennedy’s improbable journey from ambitious strivers to American royalty, following their nine children including the rebellious Jack Kennedy, who would struggle to emerge from the shadow of his older brother Joe Jr. Showrunner Sam Shaw describes the Kennedy saga as existing somewhere between Shakespeare and THE BOLD AND THE BEAUTIFUL, a deliberately provocative framing that acknowledges both the family’s genuine historical significance and the soap operatic quality of their endless cycles of triumph and disaster. The assassinations of JFK and Robert Kennedy, the tragic death of JFK Jr. alongside his wife and sister-in-law in that 1999 plane crash, and the countless other misfortunes that gave birth to whispers of a Kennedy curse have all contributed to a narrative that feels almost too dramatically perfect to be real. Shaw’s vision, drawing from Logevall’s nuanced biography, aims to strip away the mythology and expose the human strivings and burdens underneath, using the Kennedy story as a lens through which to examine not just mid-century American ambition but our current moment and how we arrived here. It’s an ambitious undertaking that will need Fassbender’s considerable talents to anchor it, and if his recent choices are any indication, he wouldn’t have signed on unless the material warranted the commitment. The series has no release date yet but stands apart from Ryan Murphy’s upcoming “American Love Story,” which will focus specifically on JFK Jr., suggesting that Netflix is betting heavily on America’s endless fascination with the family that came closest to establishing a modern political dynasty before fate intervened. Instagram Youtube [...]
October 7The BBC has secured three more series of THE GRAHAM NORTON SHOW in a deal that ensures the beloved chatshow will remain a cornerstone of British television through 2026 and beyond. The agreement with Norton and his production company So Television begins with series 34, cementing the show’s position as one of the most successful entertainment programmes on British screens. What started as a BBC Two venture in 2007 has evolved into a cultural phenomenon that not only commands impressive viewing figures but also dominates social media conversations long after each episode airs. The show’s enduring appeal lies in Norton’s unique ability to attract genuine A-list talent and create an atmosphere where even the most guarded celebrities let down their defenses. Taylor Swift’s recent appearance exemplified this perfectly when she chose Norton’s sofa for her first television interview to promote THE LIFE OF A SHOWGIRL, timing it to coincide with the album’s release day. That kind of exclusive access speaks volumes about the respect Norton has cultivated within the entertainment industry and the trust that major stars place in him as an interviewer. The latest series averaged 2.9 million viewers per episode, impressive numbers in an era of fragmented viewing habits, but the show’s reach extends far beyond traditional broadcast metrics as clips regularly achieve viral status across social media platforms. After making the jump to BBC One following two series on BBC Two, THE GRAHAM NORTON SHOW has become synonymous with Friday night entertainment in Britain. The formula remains deceptively simple yet endlessly entertaining, bringing together unlikely combinations of guests who might never otherwise share a stage, letting their stories and personalities collide in unpredictable ways. Norton himself expressed his continued enthusiasm for the role, describing hosting his own chatshow as both a huge pleasure and a privilege, adding that he’s thrilled the BBC is allowing him to continue for another three years and that his whole team looks forward to bringing the world’s brightest stars into the homes of the great British public. Kalpna Patel-Knight, the BBC’s head of entertainment, emphasized that Norton sets the gold standard for celebrity interviews and continues to attract the best global talent to his sofa, which explains why the show remains so beloved by audiences. THE GRAHAM NORTON SHOW airs on BBC One on Fridays at 10.40pm, with upcoming guests including Julia Roberts and Colin Farrell, proving once again that Norton’s magnetic appeal shows no signs of diminishing. Instagram Youtube [...]
September 25In the ever-evolving landscape of Irish talent making waves internationally, Niamh McCormack stands as a compelling force whose time has truly arrived. The Dublin-born actress has been steadily building an impressive portfolio since launching her career in 2010, but it’s her recent trajectory that’s capturing attention across the industry. McCormack’s recent work reads like a masterclass in genre diversity. Her appearance in THE WITCHER showcased her ability to inhabit fantasy worlds with authenticity, while her role in DUNGEONS AND DRAGONS demonstrated her command of adventure narratives. Her performance in EVERYTHING NOW further proved her versatility, tackling contemporary drama with the same skill she brings to period pieces. Each project has served as a stepping stone, building toward what promises to be her most significant role yet. Now, with Netflix’s HOUSE OF GUINNESS set to premiere on September 25th, McCormack is poised to deliver what could be her breakthrough performance. As Ellen Cochrane, sister to Fenian leader Patrick Cochrane, she embodies a character that writer Stephen Knight has crafted with remarkable depth and historical significance. “Ellen represents hundreds of women who have been written out of history,” McCormack explains with evident passion. “She is a modern woman ahead of her time, really representing the working class in this time period which has not been done before.” This isn’t just another period drama for McCormack—it’s deeply personal. The discovery that her own great-grandfather served as a lieutenant in the Irish Republican Brotherhood adds profound weight to her portrayal. Learning of this family connection after filming wrapped felt like destiny revealing itself. “It means so much to me to be given the privilege to tell a story of our people,” she reflects, her voice carrying the weight of ancestral pride. The timing of HOUSE OF GUINNESS couldn’t be more perfect for McCormack’s career trajectory. After years of building her craft across various genres and platforms, she’s ready for the spotlight that comes with a major Netflix production. Her recent work has demonstrated range, commitment, and an innate understanding of storytelling that positions her perfectly for this moment. McCormack embodies the current generation of Irish actors who refuse to be confined by geographic boundaries while remaining deeply connected to their cultural roots. Her journey from 2010’s early career beginnings through recent standout performances in THE WITCHER, DUNGEONS AND DRAGONS, and EVERYTHING NOW has led to this pivotal moment where personal history, professional preparation, and perfect timing converge. HOUSE OF GUINNESS isn’t just McCormack’s next project—it’s her declaration that she belongs among Ireland’s premier acting talents, ready to carry forward the stories that define who we are. Instagram Youtube [...]
September 12Netflix has assembled a powerhouse cast for their upcoming adaptation of Marian Keyes’ bestselling novel GROWN UPS and the excitement is palpable as cameras roll across Dublin’s streets. This eight-part drama series promises to deliver the perfect blend of Irish wit, family dysfunction, and heartbreaking authenticity that made Keyes’ novel such a sensation. The story centers on the Casey clan, a boisterous Irish family whose lives are held together by an intricate tapestry of love, loyalty, old grudges, and shared memories. But when their foundation crumbles with the unexpected death of the family’s golden child, everything they thought they knew about themselves gets turned upside down. What follows is a year of reckoning that’s equal parts devastating and absurd, as the Caseys navigate grief while confronting the uncomfortable truth that despite their age and responsibilities, they’re still figuring out how to be adults. Leading this stellar ensemble is Sarah Greene, fresh from her acclaimed performance in BAD SISTERS, taking on the complex role of Jessie. Barry Ward, who captivated audiences in both BAD SISTERS and THE END OF THE F***ING WORLD, steps into Johnny’s shoes with his trademark intensity. Aisling Bea brings her sharp comedic timing from THIS WAY UP to the role of Cara, while Robert Sheehan channels the charismatic energy that made him a standout in THE UMBRELLA ACADEMY and MISFITS as Liam. The supporting cast reads like a who’s who of Irish and British talent. Adrian Dunbar, beloved for his no-nonsense presence in LINE OF DUTY and RIDLEY, takes on Canice, while veteran actress Sinéad Cusack, known for her powerful work in MARCELLA and MOTHERFATHERSON, embodies Rose. Amy-Leigh Hickman from YOU and OUR GIRL joins as Nell, alongside German actress Karin Hanczewski from CALL MY AGENT: BERLIN bringing international flair as Ed. What makes this adaptation particularly special is its commitment to authenticity. Strauss insisted from the beginning that the series be filmed in Ireland, capturing not just the setting but the soul of Irish family life that permeates Keyes’ work. The result is a production that feels genuinely rooted in its Dublin locations, with every frame breathing the atmosphere that made the novel so compelling. As filming continues across County Dublin, anticipation builds for a series that promises to capture both the humor and heartbreak of modern family life. With its combination of established talent and fresh faces, all guided by a creative team that clearly understands the source material’s emotional core, GROWN UPS is shaping up to be Netflix’s next must-watch drama. The Casey family’s chaotic journey through grief, growth, and the messy business of being human is exactly the kind of storytelling that reminds us why great novels deserve great adaptations. Instagram Youtube [...]
September 10For nine seasons, from 2005 to 2013, THE OFFICE became a cultural phenomenon that extended far beyond its initial television run. The series thrived in syndication, found new life on streaming platforms, and spawned countless memes and cultural references. Its influence on subsequent workplace comedies cannot be overstated—the mockumentary format became a standard approach, and the idea that office mundanity could be comedy gold inspired numerous imitators. The series concluded in 2013 with a satisfying finale that tied up loose ends and provided closure for characters viewers had followed for nearly a decade. A finale special followed two years later, seemingly putting a definitive end to the Scranton branch’s story. The paper company had finally closed its doors, metaphorically speaking, and fans were left with memories and endless rewatching opportunities. Now THE PAPER arrives on Peacock as something between sequel and spiritual successor. With an almost entirely new cast of characters but maintaining that familiar mockumentary workplace format, the series represents both continuity and evolution. It’s THE OFFICE returning without being THE OFFICE, a continuation of format and sensibility rather than character and location. The challenge facing this new iteration is substantial: how do you capture the magic of something beloved without simply repeating it? The streaming landscape of 2025 is vastly different from the network television environment that nurtured the original American THE OFFICE. Audiences have shorter attention spans, more viewing options, and different expectations for workplace comedy. The mockumentary format, once fresh and innovative, has become familiar territory. THE PAPER must prove that the format still has stories worth telling and that workplace comedy can evolve while maintaining its essential appeal. The lineage from Slough to Scranton to streaming represents more than just adaptation and continuation—it reflects television’s remarkable ability to reinvent itself while honoring what came before. Each iteration has built upon its predecessor while responding to its own cultural moment. The British THE OFFICE emerged from a specific time and place, capturing post-millennial British workplace culture with surgical precision. The American version expanded and Americanized those themes, creating something that honored the original while speaking to different cultural sensibilities. THE PAPER now faces the challenge of proving that this format has more to offer, that workplace comedy can continue evolving and finding new ways to make us laugh at our professional lives while recognizing the humanity in our daily struggles. Whether it succeeds will determine not just its own fate but the future of a format that has already proven remarkably resilient and adaptable across cultures and decades. Instagram Youtube [...]
September 8The streets of 19th-century Dublin are about to run dark with more than just porter. Netflix’s HOUSE OF GUINNESS, premiering September 25, promises to pour out the untold story of Ireland’s most famous brewing dynasty in a potent blend of family drama, political intrigue, and blood-soaked ambition that could only come from the mind behind PEAKY BLINDERS. Steven Knight, the mastermind who gave us the razor-wielding Shelby family and is currently crafting the next James Bond film, has turned his attention to another empire built on vice and violence. But this time, instead of Birmingham’s smoky backstreets, we’re transported to the cobblestones of Dublin and the bustling avenues of New York, where the Guinness legacy was forged in fire and foam. The saga begins with death, as all great family dramas should. Sir Benjamin Guinness, the architect of the brewery’s extraordinary success, has breathed his last, leaving behind not just barrels of black gold but a powder keg of family tensions ready to explode. His children – Arthur, Edward, Anne, and Ben – suddenly find themselves thrust into a world where business is personal and loyalty is measured in pints and pounds. James Norton steps into the role of Sean Rafferty, while the Guinness heirs come alive through Anthony Boyle, Louis Partridge, Emily Fairn, and Fionn O’Shea. The supporting cast reads like a who’s who of Irish and British talent, with Derva Kirwan, Jack Gleeson, and Niamh McCormack adding their considerable gravitas to what promises to be an ensemble piece of epic proportions. The first trailer alone delivers everything Knight’s fans have come to expect: the reading of Benjamin Guinness’ will becomes a catalyst for chaos, with scenes of violence, gore, and romance bleeding into one another like ingredients in a deadly recipe. This isn’t just the story of how a beverage conquered the world – it’s about the cost of empire, the price of power, and the bitter aftertaste left behind when family becomes business and business becomes war. When HOUSE OF GUINNESS arrives on September 25, viewers won’t just be watching the rise of a brewing empire – they’ll be witnessing the birth of a legend. Instagram Youtube [...]
September 4Twenty years after THE OFFICE first graced our screens, Domhnall Gleeson proves he’s the perfect leading man for television comedy’s most anticipated spin-off. In THE PAPER, Gleeson transforms from the supporting player we’ve watched evolve through films like ABOUT TIME and STAR WARS into a commanding comedic presence who anchors this brilliant new series with both intelligence and heart. Gleeson’s Ned Sampson is a revelation—a newspaper editor who dreamed of being Clark Kent rather than Superman because it seemed “much more noble and much more achievable.” What makes Gleeson’s work in THE PAPER so compelling is how he avoids the trap of simply recreating Steve Carell’s Michael Scott or Ricky Gervais’s David Brent. His Ned is more intelligent, less blundering, yet still endearingly naive—qualities that mirror Gleeson’s own evolution as a performer. The Irish actor brings a warmth and sincerity that transforms what could have been another bumbling boss into someone genuinely worth rooting for. When Ned arrives bright-eyed at The Toledo Truth Teller only to be asked whether he’s there for the newspaper or toilet paper division, Gleeson’s reaction perfectly captures both the character’s optimism and the crushing reality of modern journalism. For Gleeson, THE PAPER represents the culmination of years of steady, intelligent career choices. From his early work in Irish theatre to his breakthrough in ABOUT TIME, from his stint in the STAR WARS galaxy to his memorable turns in films like EX MACHINA, he’s built a reputation as one of the most reliable and versatile actors of his generation. THE PAPER allows him to synthesize all of that experience into a performance that feels effortless while carrying the weight of an entire series. Domnhall sat down with SNL legend Seth Myers on his late show to discuss the new series. THE PAPER is streaming now on Peacock. Instagram Youtube [...]
September 3Irish Film and Television Academy award-winning actress Bríd Brennan is stepping into the magical world of Hogwarts as Madam Poppy Pomfrey in HBO’s highly anticipated HARRY POTTER television series, marking another significant milestone in a career that has consistently elevated both intimate character studies and grand cinematic narratives. The Belfast-born performer brings decades of acclaimed work to this iconic role, having most recently captivated audiences in the Oscar-shortlisted short film ROOM TAKEN, which was executive produced by Colin Farrell. This latest project showcases Brennan’s continued relevance in contemporary cinema, demonstrating her ability to collaborate with A-list talent while maintaining her reputation for choosing compelling, character-driven stories that resonate with both critics and audiences. Brennan’s recent filmography reflects an artist at the height of her powers, building upon a foundation established through memorable performances in BROOKLYN in 2015, where she brought nuanced depth to Saoirse Ronan’s immigrant story, and the politically charged thriller SHADOW DANCER in 2012. These roles have positioned her as one of Ireland’s most versatile performers, equally comfortable in period pieces and contemporary dramas, always bringing an authenticity that stems from her deep understanding of human complexity. Her casting as the Hogwarts matron represents a fascinating evolution from her breakout role in DANCING AT LUGHNASA back in 1998, where she first demonstrated her ability to inhabit characters with both strength and vulnerability. The transition from playing one of the Mundy sisters in that beloved adaptation to becoming the caring medical authority at wizarding school’s most famous institution speaks to Brennan’s range and the trust that casting directors place in her ability to embody maternal figures who are far more complex than they initially appear. What makes this casting particularly intriguing is how Brennan will reinterpret a role originally brought to life by Gemma Jones in the film series. While Jones established Madam Pomfrey as a competent, no-nonsense healer, Brennan’s proven ability to find unexpected emotional depths in seemingly straightforward characters suggests she will bring new dimensions to the character when the series debuts on HBO and HBO Max in 2027. The HBO series, currently in production under the guidance of writer and executive producer Francesca Gardiner and director Mark Mylod, promises to expand beyond the constraints of the original film adaptations, exploring storylines that the movies couldn’t accommodate. This expanded canvas seems perfectly suited to Brennan’s talents, as her recent work has consistently demonstrated her skill at finding the extraordinary within the ordinary, the profound within the practical. For Brennan, stepping into the halls of Hogwarts represents not just another role, but a testament to a career built on consistent excellence and an unwavering commitment to bringing truth to every character she portrays, whether they exist in the kitchen of a Donegal cottage, the streets of 1950s Brooklyn, or the magical corridors of the world’s most famous wizarding school. Instagram Youtube [...]
September 2The champagne corks are popping in the Cotswolds as Disney+ officially greenlights RIVALS for a second season, with cameras already rolling as of May 2025. Jilly Cooper’s scandalous adaptation proved irresistible to viewers, transforming from a modest eight-episode debut into an expanded twelve-episode sophomore season that promises even more backstabbing, bedroom politics, and British upper-class debauchery. The timing couldn’t be more perfect for the show’s breakout star. After years of bouncing between supporting roles in films like THE GENTLEMEN and television appearances that never quite captured the public imagination, this Cotswolds romp has become the career-defining moment that fans have been waiting for. The razor-sharp wit and aristocratic charm that made him a household name decades ago now feels perfectly calibrated for the ruthless world of 1980s British television, where power brokers circle like sharks in Savile Row suits. Season one’s explosive finale left Lord Tony Baddingham’s fate hanging in the balance, while the simmering tension between Rupert Campbell Black and Taggie O’Hara reached a fever pitch that had viewers refreshing their Disney+ feeds for renewal news. The show’s success lies not just in its lavish period detail or the rolling hills of its countryside setting, but in how it captures the particular brand of cruelty that only the British elite can perfect, wrapped in enough sexual tension to steam up a Bentley’s windows. The casting coup continues with Hayley Atwell and Rupert Everett joining as Helen and Malise Gordon, adding fresh blood to an already intoxicating mix of ambition and betrayal. These aren’t mere additions to fill episode time; they’re strategic moves that promise to deepen the show’s exploration of how power corrupts and how the wealthy play games with other people’s lives as their favorite pastime. What started as a nostalgic trip back to shoulder pads and excess has evolved into something more substantial, a meditation on class, privilege, and the particular way that British society packages its cruelties in good manners and better tailoring. The show understands that behind every perfectly manicured estate lies a web of secrets that could destroy reputations, marriages, and entire empires with a single well-placed whisper at the right dinner party. With filming underway and an early 2026 release window taking shape, RIVALS has positioned itself as the prestige drama that doesn’t apologize for being entertaining, proving that sometimes the most revealing stories about power come wrapped in silk scarves and served with a perfectly chilled glass of champagne. The second season won’t just continue where the first left off; it will dig deeper into the moral quicksand that lies beneath every perfectly pruned hedge in this glittering world where everyone has something to hide. Instagram Youtube [...]
September 1The ancient stones of Slane Castle have witnessed centuries of Irish history, but nothing quite like what unfolded when twenty-four strangers gathered within its walls for THE TRAITORS IRELAND this past Sunday. In a dramatic shift from her beloved role as the sharp-tongued Sister Michael in DERRY GIRLS, BAFTA-winning actress Siobhán McSweeney has traded her nun’s habit for the role of puppet master, orchestrating a game where paranoia reigns supreme and trust is the deadliest currency. McSweeney’s journey to hosting THE TRAITORS IRELAND represents a fascinating evolution in her recent career trajectory. Since January 2021, she has been the presenter on The Great Pottery Throw Down on Channel 4, proving her hosting chops in an entirely different arena where creativity flows through clay rather than deception. The transition from guiding amateur potters through their artistic challenges to overseeing psychological warfare among strangers showcases McSweeney’s remarkable range as a presenter. Her work on THE GREAT POTTERY THROW DOWN, where she nurtures contestants through their creative struggles, provides the perfect counterpoint to her new role presiding over deliberate betrayal and calculated manipulation. McSweeney’s most recent venture, however, has taken her behind the camera. She’s made her directorial debut with Spud (2024), a short comedy film for the BBC, demonstrating her expanding creative ambitions beyond both acting and presenting. This directorial work, combined with her hosting duties and her continued presence in the entertainment landscape, positions her as one of Ireland’s most versatile performers, equally comfortable commanding attention from behind the camera as she is in front of it. The setting itself becomes a character in this Irish edition of the international phenomenon. Slane Castle in County Meath, with its Gothic towers and ancient secrets, provides the perfect backdrop for a game built on hidden identities and midnight eliminations. Within these walls, contestants from across Ireland – from Cork to Donegal, from Dublin to Waterford – must navigate a psychological minefield where the Traitors, chosen in secret during the opening episode, work to systematically eliminate the Faithful while maintaining their cover. The stakes could not be higher, with a prize pot of up to €50,000 awaiting those clever enough to outwit, outlast, and outmaneuver their fellow competitors. But in THE TRAITORS IRELAND, money is secondary to survival, and survival depends entirely on reading the room, interpreting glances, and deciphering whether that friendly smile conceals a knife poised to strike. What makes McSweeney’s casting particularly inspired is how her natural authority, honed through years of commanding stages and television screens, translates perfectly to this role of orchestrating chaos. She brings the same commanding presence that made Sister Michael unforgettable in DERRY GIRLS, but now that authority serves a different purpose – overseeing a game where deception is not just encouraged but essential for victory. The producers’ promise that this Irish edition will deliver all the paranoia, twists, and shocking revelations that have made THE TRAITORS an international sensation feels entirely credible with McSweeney at the helm. As THE TRAITORS IRELAND premiered Sunday evening at 9:30pm on RTÉ One and RTÉ Player, viewers witnessed the beginning of what promises to be a masterclass in psychological manipulation wrapped in the elegant brutality that only Irish storytelling can deliver. The game of lies, loyalty, and lethal betrayals has officially begun, and with Siobhán McSweeney presiding over the proceedings, audiences can expect nothing less than television that cuts as deep as the Irish wit that guides it. Instagram Youtube [...]
August 29At 72, Pierce Brosnan moves between his homes in Hawaii and Malibu with the easy grace of a man who has found his rhythm in life’s later acts. His latest venture brings him to London for THE THURSDAY MURDER CLUB, where he trades the tuxedos and martinis of his Bond years for the cardigans and tea cups of Richard Osman’s beloved cosy crime adaptation. Alongside Helen Mirren, Ben Kingsley, and Celia Imrie, Brosnan embodies a retirement-home sleuth whose weekly hobby of solving cold cases takes a decidedly deadly turn when fresh corpses begin appearing. This career pivot speaks to something remarkable about Brosnan’s enduring appeal. While many actors struggle to escape the shadow of iconic roles, he has embraced reinvention with characteristic charm. His Bond tenure, spanning from the triumphant GOLDENEYE in 1995 to the widely panned DIE ANOTHER DAY in 2002, carried unique weight in the franchise’s evolution. Brosnan’s 007 became the first to grapple seriously with the character’s chauvinistic legacy, balancing classic heroism with moments of necessary humility as the world around Bond—and cinema itself—began demanding accountability from its heroes. The seeds of his Bond connection were planted long before he donned the role, during a childhood cinema trip to see GOLDFINGER at London’s ABC Putney in September 1964. That month marked his reunion with his mother after years living with relatives in Ireland while she completed nursing training in London. In one of those curious coincidences that seem to thread through destiny, Ian Fleming died that same August, just as eleven-year-old Brosnan arrived in the city that would shape his future. When Roger Moore finally stepped down in the late 1980s, the role seemed Brosnan’s for the taking. Instead, contractual obligations to his American television success REMINGTON STEELE—where his portrayal of a charming conman-turned-detective had already showcased the suave sophistication that would define his Bond—kept him bound. Timothy Dalton stepped into the breach, though fate would eventually circle back to give Brosnan his moment. Now, as he strolls through the north London streets where he once cut his teeth as a young actor, Brosnan embodies something increasingly rare in contemporary celebrity: genuine contentment with the passage of time. THE THURSDAY MURDER CLUB represents not a desperate grasp for relevance but a confident actor’s choice to explore new territories. In trading international espionage for genteel English murder mysteries, he demonstrates that true star power lies not in clinging to past glories but in the wisdom to know when to reinvent yourself—and the skill to make that reinvention look effortless. Click here to read the full interview. Instagram Youtube [...]
August 28The documentary cameras that once captured the mundane chaos of Dunder Mifflin are rolling again, but this time they’ve traded paper sales for newspaper headlines. Greg Daniels, the mastermind behind THE OFFICE, has partnered with Michael Koman of NATHAN FOR YOU fame to deliver The Paper, a ten-episode comedy series that promises to recapture the mockumentary magic that made us fall in love with workplace dysfunction. Set to drop all episodes at once on Peacock this September 4th, THE PAPER transports viewers to Toledo, Ohio, where the struggling Truth-Teller newspaper becomes the latest subject of our familiar documentary crew. At the center of this journalistic trainwreck is Ned Sampson, played by Domhnall Gleeson, whose previous work in EX MACHINA and ABOUT TIME showcased his ability to blend vulnerability with determination—qualities that seem perfectly suited for a man tasked with reviving a dying newspaper in America’s heartland. The recently released sneak peek offers a tantalizing glimpse into the series’ comedic DNA. Gleeson’s Ned orchestrates a painfully staged meeting, coaching his bewildered staff on their responses while mysterious suited figures observe through glass conference room walls. It’s a moment that perfectly encapsulates the performative desperation of modern media, where appearances matter more than substance, and everyone’s playing a role they barely understand. What makes THE PAPER particularly intriguing is its stellar ensemble cast, anchored by Tony Award winner Alex Edelman, who not only stars but also writes for the series. Edelman, fresh off his Special Tony Award win for the one-man show Just for Us, brings a sharp comedic sensibility that should complement the series’ satirical edge. The supporting cast reads like a who’s who of character actors: Sabrina Impacciatore, Chelsea Frei, Melvin Gregg, Gbemisola Ikumelo, Ramona Young, and Tim Key, with Oscar Nuñez reprising his beloved role as Oscar Martinez—a delightful bridge connecting this new world to the Scranton we know and love. The guest star roster elevates expectations even higher, featuring Broadway veterans Tracy Letts and Molly Ephraim. Letts, whose Tony-winning work includes AUGUST: OSAGE COUNTY and WHO’S AFRAID OF VIRGINIA WOOLF?, brings gravitas and theatrical timing that could prove essential in grounding the series’ more absurd moments. Ephraim, known for her Broadway turns in INTO THE WOODS and FIDDLER ON THE ROOF, adds another layer of stage-trained precision to the proceedings. Originally planned as a weekly release, Peacock’s decision to drop all episodes simultaneously suggests confidence in the show’s binge-worthy potential. This format allows viewers to fully immerse themselves in the Toledo Truth-Teller’s world without the weekly wait that might disrupt the mockumentary’s naturalistic flow. It’s a smart move that acknowledges how audiences consume comedy today while respecting the show’s narrative rhythm. Instagram Youtube [...]
August 20The foggy streets of Birmingham are behind us now. Steven Knight, the mastermind who gave us PEAKY BLINDERS, is trading razor-blade caps and cigarette smoke for something far more intoxicating: the dark, frothy legacy of Ireland’s most notorious brewing dynasty. When HOUSE OF GUINNESS premieres on Netflix this September 25, audiences won’t just be witnessing another lavish period drama about wealth and power—they’ll be diving headfirst into the shocking true story of a family whose scandals, betrayals, and generational secrets have somehow managed to stay buried beneath centuries of perfectly poured pints. This is the story that Ireland never wanted told, the one that transforms your casual pub visit into something far more sinister. Set against the backdrop of 1860s Dublin and New York, the eight-part series zeroes in on one of the most explosive moments in brewing history: the death of Sir Benjamin Guinness in 1868 and the catastrophic aftermath of his will reading. Benjamin wasn’t just another wealthy industrialist—he was the grandson of Arthur Guinness himself, the visionary who famously signed that audacious 9,000-year lease on St. James’s Gate Brewery in 1759, essentially betting on eternity. Under Benjamin’s iron grip, the family business had evolved from a local Dublin operation into a global empire, their signature black stout flowing through the veins of the British Empire and beyond. But empires built on liquid gold are particularly vulnerable to family poison, and Benjamin’s death ignited a feud that would make the Peaky Blinders look like choirboys. The series follows his four adult children—Arthur, Edward, Anne, and Ben—as they navigate the treacherous waters of inheritance, ambition, and sibling rivalry. Anthony Boyle, Louis Partridge, Emily Fairn, and Fionn O’Shea embody these young heirs who suddenly find themselves custodians of “black gold,” facing the terrifying prospect of either expanding their grandfather’s legacy or watching it crumble under the weight of their own desires. Knight describes his fascination with this “naturally wild” clan, particularly their “zest for life—their lust for life, often literally.” It’s this raw, unapologetic appetite that drives the narrative, transforming what could have been a dry historical chronicle into something visceral and immediate. The recently released photos reveal siblings caught between ecstatic highs and heartbreaking lows, their faces reflecting the intoxicating burden of being born into greatness while simultaneously being capable of destroying it. What makes HOUSE OF GUINNESS particularly compelling is how it illuminates the human cost of building an empire. These aren’t just wealthy heirs playing with their inheritance—they’re young people grappling with impossible expectations, their every decision capable of toppling a dynasty that took generations to build. Knight’s genius lies in recognizing that the most interesting stories aren’t about the creation of empires, but about their potential destruction from within. The series promises to explore not just the family dynamics, but the broader ecosystem that sustained the Guinness phenomenon—the workers, the politicians, the hangers-on, and the countless Dublin characters whose lives became intertwined with the brewery’s success. This is Ireland during a period of massive transformation, when old ways were dying and new opportunities were emerging for those bold enough or ruthless enough to seize them. For Knight, who earned an Oscar nomination for his previous work, this represents a natural evolution from the grimy streets of post-war Birmingham to the equally complex but more opulent world of Victorian Dublin. The themes remain consistent—family loyalty, the corruption of power, the price of ambition—but the stakes feel even higher when your family name is literally synonymous with Ireland itself. HOUSE OF GUINNESS arrives at a moment when audiences are hungry for stories that blend historical authenticity with contemporary relevance. This isn’t just about understanding how a brewery became a global brand; it’s about examining how families navigate the impossible pressure of living up to legendary legacies while dealing with very human flaws and desires. The Guinness name may be on every pub wall across the world, but the family behind it has remained mysteriously private—until now. Instagram Youtube [...]
August 16Cillian Murphy is having a moment. Fresh off his Oscar win for OPPENHEIMER, the Irish actor could easily coast on blockbuster offers and prestige projects. Instead, he’s doubling down on intimate, challenging material that showcases his evolution from magnetic screen presence to thoughtful producer-star committed to meaningful storytelling. His latest venture, STEVE, premieres at the Toronto Film Festival before hitting select theaters September 19 and landing on Netflix October 3. This isn’t your typical post-Oscar victory lap—it’s Murphy leaning into the kind of raw, uncompromising drama that originally caught Christopher Nolan’s attention years before BATMAN BEGINS launched his Hollywood trajectory. Set in the mid-1990s, STEVE follows a pivotal day at a last-chance reform school where Murphy’s titular headteacher battles to save his institution while wrestling with his own deteriorating mental health. The drama unfolds against the backdrop of a documentary crew interviewing students and faculty, creating a voyeuristic tension that mirrors our current obsession with performative authenticity. It’s adapted from Max Porter’s 2023 novella “Shy,” reimagined for the screen by Porter himself—continuing a creative partnership that began when Murphy starred in the stage adaptation of Porter’s “Grief Is the Thing with Feathers.” This collaboration exemplifies Murphy’s current creative strategy: surrounding himself with trusted voices while expanding his influence behind the camera. Through Big Things Films, the production company he founded with partner Alan Moloney, Murphy is curating a distinctly European sensibility that stands apart from Hollywood’s franchise machinery. Their debut feature, SMALL THINGS LIKE THESE, established the company’s commitment to literary adaptations that prioritize character over spectacle. The ensemble Murphy has assembled for STEVE reflects his knack for inspired casting. Tracey Ullman delivers what’s being described as a stunning dramatic turn, while Top Boy’s Simbi Ajikawo and Oscar nominee Emily Watson round out a cast that blends established talent with emerging voices like Jay Lycurgo, who plays the troubled teen Shy. Lycurgo, notably, will also appear in the upcoming PEAKY BLINDERS feature film, suggesting Murphy’s growing influence in shaping the next generation of British talent. Director Tim Mielants brings a visual sensibility honed on PEAKY BLINDERS’ third season and refined through his work with Murphy on SMALL THINGS LIKE THESE. This continuity of collaborators isn’t coincidence—it’s Murphy consciously building a creative ecosystem where trust allows for greater artistic risk-taking. Instagram Youtube [...]
August 8Domhnall Gleeson is stepping into uncharted comedic territory with Peacock’s upcoming workplace series THE PAPER, marking a fascinating pivot in a career that has seen him traverse galaxies far, far away and navigate the corridors of both indie darlings and major studio blockbusters. The Irish actor, who has built a reputation as one of cinema’s most versatile performers, takes on the role of Ned Sampson, the optimistic new editor-in-chief of a failing Ohio newspaper in this quasi-spinoff of THE OFFICE. The casting represents an intriguing choice for Gleeson, whose recent filmography reads like a masterclass in genre diversity. Fresh off his haunting performance in THE PATIENT, where he delivered a career-defining turn as a captive therapist, Gleeson has proven his dramatic chops time and again. His work in FRANK showcased his ability to find humor in darkness, while his roles in the STAR WARS sequel trilogy as General Hux demonstrated his capacity for both menace and unexpected comic relief. More recently, his appearances in RUN and his continued collaboration with directors like Lenny Abrahamson have solidified his status as an actor unafraid to take creative risks. The ensemble surrounding Gleeson includes Sabrina Impacciatore, Chelsea Frei, Melvin Gregg, and THE OFFICE veteran Oscar Nuñez, suggesting the show will blend fresh faces with familiar comedic sensibilities. For Gleeson, this represents his most prominent television role in years, a strategic move that allows him to explore the kind of sustained character development that his film work, while excellent, rarely affords. What’s particularly fascinating about Gleeson’s career trajectory is how he has managed to remain both critically respected and commercially viable without ever seeming to chase trends or make obvious career moves. THE PAPER continues this pattern, offering him the chance to work within an established comedic framework while creating something genuinely new. The trailer’s glimpses of newspaper office dynamics suggest the show will mine humor from the particular pressures of local journalism in an era of media consolidation and digital disruption. For viewers, THE PAPER represents the rare opportunity to see a proven dramatic actor stretch his comedic muscles in an extended format. Gleeson’s natural intensity and emotional intelligence could provide the perfect counterbalance to the mockumentary style that made THE OFFICE such a cultural phenomenon. Whether he can capture lightning in a bottle twice remains to be seen, but his track record suggests he’s exactly the kind of actor who thrives when given the space to surprise audiences with his range and commitment to character. Instagram Youtube [...]
July 29Daryl McCormack is stepping into the elegant world of Regency England as Mr. Bingley in Netflix’s highly anticipated six-part adaptation of PRIDE AND PREJUDICE, marking another significant milestone in the Irish actor’s rapidly ascending career. The casting represents a perfect alignment of McCormack’s established dramatic range with one of literature’s most beloved romantic characters, bringing his nuanced performance style to Jane Austen’s timeless social comedy. Following his breakthrough performance opposite Emma Thompson in GOOD LUCK TO YOU, LEO GRANDE, where he delivered a masterclass in vulnerability and emotional intelligence as a sex worker helping a widow explore her sexuality, McCormack has consistently chosen projects that showcase his ability to navigate complex human relationships with remarkable sensitivity. His portrayal of the charming, wealthy, and genuinely good-hearted Mr. Bingley feels like a natural evolution of his screen persona, allowing him to explore the lighter, more romantic side of his acting repertoire while maintaining the depth that has become his trademark. The Netflix series, written by Dolly Alderton and directed by Euros Lyn, promises to be a faithful yet vibrant reimagining that brings Austen’s sharp social observations and romantic tensions to contemporary audiences. McCormack joins an extraordinary ensemble cast that reads like a who’s who of British talent: Emma Corrin leads as Elizabeth Bennet, with Jack Lowden as the brooding Mr. Darcy and Olivia Colman bringing her distinctive energy to Mrs. Bennet. Fiona Shaw, McCormack’s fellow Irish actor, takes on the formidable Lady Catherine de Bourgh, while the supporting cast includes Rufus Sewell, Louis Partridge, Jamie Demetriou, and Freya Mavor. For McCormack, this role represents a strategic career move that builds on his recent momentum while expanding his range into period drama. His ability to convey genuine warmth and sincerity, qualities that made his performance in GOOD LUCK TO YOU, LEO GRANDE so compelling, will serve him well in bringing Bingley’s openness and optimism to life. Unlike the more tortured romantic leads McCormack has tackled in recent projects, Bingley offers him the opportunity to explore uncomplicated goodness, a character whose joy and enthusiasm provide the perfect counterpoint to Darcy’s initial aloofness. The production, currently filming across the UK, benefits from Alderton’s fresh perspective on Austen’s material, promising to honor the source material while infusing it with contemporary energy. Lyn’s direction, honed on successful series like HEARTSTOPPER, suggests an approach that will resonate with both Austen purists and newcomers to the story. With Corrin also serving as co-producer alongside her starring role, the project demonstrates a collaborative creative vision that should allow McCormack and his fellow cast members to bring new dimensions to these iconic characters. As McCormack continues to build his reputation as one of Ireland’s most promising dramatic actors, his turn as Mr. Bingley positions him perfectly for the kind of romantic leading roles that could define the next phase of his career. With the series expected to premiere in late 2025 or early 2026, audiences won’t have to wait long to see how McCormack’s particular brand of emotional honesty and natural charisma translates to Austen’s world of wit, romance, and social intrigue. Instagram Youtube [...]
July 28Sarah Bolger is stepping into the dangerous world of 1980s Hell’s Kitchen as she joins the cast of MGM+’s highly anticipated crime series THE WESTIES. The Irish actress, who has been building an impressive resume in recent years through standout performances in MAYANS MC and films like A GOOD WOMAN IS HARD TO FIND, is set to bring her dramatic prowess to this gritty new project from Narcos creator Chris Brancato. The 34-year-old actress will portray Bridget Walsh, a steely and calculating IRA operative with a troubled past who becomes entangled in the violent world of New York’s most notorious Irish gang. Her character serves as the girlfriend of Jimmy Roarke and is described as passionate about saving Ireland from British oppression, adding layers of political complexity to an already volatile narrative. Bolger joins an impressive ensemble cast led by Oscar winner J.K. Simmons, who takes on the role of crime boss Eamonn Sweeney, alongside Tom Brittney, Titus Welliver, and Jessica Frances Dukes. This casting represents a significant career moment for Bolger, who has been steadily ascending in Hollywood’s ranks following her breakout role in Jim Sheridan’s 2002 film IN AMERICA. Her recent work has showcased remarkable range, from her compelling turn as Emily Thomas in the FX series MAYANS MC to her powerful performance in the thriller A GOOD WOMAN IS HARD TO FIND. She’s also demonstrated versatility across genres with appearances in COUNTERPART, ONCE UPON A TIME, INTO THE BADLANDS, and films like DESCENDANT and END OF SENTENCE. Set against the backdrop of early 1980s New York, THE WESTIES explores the true story of Hell’s Kitchen’s infamously brutal Irish gang during a pivotal moment in their history. The construction of the Jacob Javitz Convention Center on their home turf promises unprecedented financial opportunities, but the Westies find themselves navigating treacherous waters. Despite being vastly outnumbered by the Five Families of the Italian Mafia, their legendary brutality and cunning have earned them a place at the table through a fragile détente that threatens to shatter at any moment. The series promises to deliver the same gritty authenticity that made Brancato’s previous work on NARCOS and NARCOS: MEXICO so compelling. Internal conflicts between the old guard and ambitious younger members create a powder keg situation that inevitably draws the attention of federal investigators already deep into probing Italian organized crime. This volatile mix of ambition, loyalty, and power provides the perfect backdrop for Bolger to showcase the dramatic intensity she’s been honing throughout her recent career. For Brancato, who serves as executive producer and showrunner, THE WESTIES represents a passion project years in the making and his third collaboration with MGM+ following the critical success of GODFATHER OF HARLEM and the crime thriller HOTEL COCAINE. The eight-episode series has already begun production in Toronto, positioning itself as another potentially groundbreaking entry in the crime drama genre. Bolger’s involvement in THE WESTIES signals her continued evolution as one of Ireland’s most promising international talents. Her ability to embody complex, morally ambiguous characters has become her calling card, making her an ideal fit for a series that promises to explore the darker corners of Irish-American identity and the brutal realities of organized crime. As she steps into the role of Bridget Walsh, audiences can expect another nuanced performance from an actress who has consistently chosen projects that challenge both herself and viewers’ expectations. Instagram Youtube [...]
July 24The streaming landscape is about to witness a powerful reminder of why Paul Mescal became one of the most compelling actors of his generation. This August, Netflix will welcome NORMAL PEOPLE to its platform, bringing the acclaimed BBC adaptation back into the spotlight just as Mescal’s star continues its meteoric rise through Hollywood. For those who discovered Mescal through his recent powerhouse performances in AFTERSUN and GLADIATOR II, NORMAL PEOPLE offers a fascinating glimpse into the raw talent that first captivated audiences worldwide. The series, which originally aired in 2020, showcases Mescal as Connell Waldron, a sensitive young man navigating the complexities of love, identity, and mental health alongside Daisy Edgar-Jones’s Marianne Sheridan. The story unfolds across the landscapes of Ireland and beyond, following two souls bound by an inexplicable connection despite their vastly different social backgrounds. From the fictional town of Carricklea in County Sligo through the hallowed halls of Trinity College Dublin, we witness a relationship that shifts between friendship and romance, intimacy and distance, understanding and miscommunication. Their journey extends to Sweden during Marianne’s studies abroad and to a sun-drenched Italian villa, each location serving as a backdrop for their evolving dynamic. What makes NORMAL PEOPLE particularly striking is how it captures the universal experience of young love while remaining deeply rooted in its Irish setting. The production team filmed extensively throughout Ireland, using Tubbercurry in County Sligo to represent Carricklea and capturing the wild beauty of Streedagh Point for the series’ memorable beach scenes. The authenticity extends to the university sequences, shot at the actual Trinity College Dublin with real students populating the background, lending an organic quality to the academic environment where much of Marianne and Connell’s relationship develops. The series doesn’t shy away from difficult themes. As Marianne finds herself trapped in abusive relationships and Connell battles anxiety and depression, their connection becomes both a source of comfort and confusion. It’s this emotional honesty that allows NORMAL PEOPLE to transcend typical romantic drama, offering instead a meditation on how we shape and are shaped by the people we love. For Mescal, NORMAL PEOPLE served as the launching pad for a career that has since seen him earn an Oscar nomination for AFTERSUN and take on the iconic role of Lucius in Ridley Scott’s GLADIATOR II. His portrayal of Connell revealed an actor capable of conveying profound vulnerability and strength, often within the same scene. The naturalistic performance style that would later make him such a compelling presence in A24’s intimate character study was already fully formed in this breakout role. The series’ arrival on Netflix couldn’t be more perfectly timed. As Mescal continues to choose projects that challenge both himself and audiences, NORMAL PEOPLE reminds us of the foundation of emotional intelligence and authentic performance that underpins his most celebrated work. Whether you’re discovering it for the first time or revisiting Marianne and Connell’s story, prepare for an experience that will leave you emotionally raw and deeply moved. The production’s attention to detail extends even to the Italian sequences, where the villa Il Casale on Tenuta di Verzano in Lazio doubled for Marianne’s family retreat, creating a dreamlike escape that contrasts beautifully with the more grounded Irish settings. Every location choice serves the story’s emotional arc, creating a visual journey that mirrors the characters’ internal growth. NORMAL PEOPLE stands as more than just the series that introduced Paul Mescal to the world. It’s a masterclass in adaptation, transforming Sally Rooney’s beloved novel into something that feels both literary and cinematic. As audiences prepare to fall in love with Marianne and Connell once again, they’ll also be witnessing the birth of one of contemporary cinema’s most exciting talents. Instagram Youtube [...]
July 16The Irish are coming to Hollywood, and they’re bringing their A-game to the 2025 Emmy Awards. When the nominations were announced this week at a ceremony hosted by Harvey Guillén and Brenda Song, three powerhouse Irish performers found themselves in the running for television’s most coveted prizes. Colin Farrell leads the charge with his transformative performance in THE PENGUIN, earning him a nomination for Lead Actor in a Limited or Anthology Series or Movie. The Castleknock native disappeared completely into the role of Oz Cobb, becoming virtually unrecognizable as he clawed his way to the top of Gotham City’s criminal underworld. This nomination adds to an already impressive collection of accolades for the performance, including an IFTA, SAG Award, Critics’ Choice Award, Golden Globe, and Satellite Award.  Sharon Horgan brings her signature dark brilliance to the Outstanding Lead Actress in a Drama Series category for BAD SISTERS, the critically acclaimed series she both created and stars in. Filmed on Irish soil, the show has captivated audiences worldwide with its blend of black comedy and family drama, showcasing Horgan’s ability to mine humor from the darkest corners of human experience. Her nomination represents not just personal recognition but a triumph for Irish storytelling on the global stage. Completing the Irish trio is Ruth Negga, whose nuanced performance as Barbara Sabich in the legal thriller PRESUMED INNOCENT has earned her a nomination for Outstanding Supporting Actress in a Limited or Anthology Series or Movie. Working alongside Jake Gyllenhaal in the series, Negga demonstrates once again why she’s considered one of the most versatile actors of her generation. Beyond the acting categories, Ireland’s creative influence extends to the technical craft of television, with John Conroy receiving a nomination for Outstanding Cinematography in a Limited or Anthology Series or Movie for his work on ZERO DAY. The filmmaker’s visual storytelling adds another dimension to Ireland’s Emmy presence. The ceremony itself will unfold on September 14 in Los Angeles, where these Irish talents will compete on television’s biggest night. With such a strong showing across multiple categories, from lead performances to supporting roles to behind-the-camera excellence, Irish artists are proving their storytelling prowess translates seamlessly to American television’s highest honors. Whether it’s Farrell’s complete physical transformation, Horgan’s masterful balance of comedy and tragedy, or Negga’s subtle supporting work, each nomination represents the kind of fearless, authentic performance that makes great television unforgettable. Instagram Youtube [...]
July 15Domhnall Gleeson is making a bold leap into American television with Peacock’s upcoming mockumentary series THE PAPER, marking a significant pivot in a career that has masterfully balanced blockbuster franchises with intimate character studies. The Irish actor, who captivated audiences as the conflicted Hux in the recent STAR WARS trilogy and broke hearts as Tim in ABOUT TIME, now finds himself at the center of a comedy series that carries the substantial weight of following in THE OFFICE’s footsteps.Set to premiere September 4 with a generous four-episode drop, THE PAPER represents more than just another streaming series launch—it’s Gleeson’s most prominent foray into the distinctly American art of workplace comedy. The series follows the same documentary crew that immortalized Dunder Mifflin’s Scranton branch as they discover a historic Midwestern newspaper and the publisher desperately trying to revive it. That publisher is Gleeson, stepping into territory that feels both familiar and entirely new for an actor who has spent recent years navigating the complexities of science fiction epics and British period pieces. The timing couldn’t be more intriguing for Gleeson’s career trajectory. Following his memorable turn as the increasingly unhinged General Hux across THE FORCE AWAKENS, THE LAST JEDI, and THE RISE OF SKYWALKER, the actor has been deliberately seeking projects that showcase his range beyond the confines of galactic villainy. His recent work has demonstrated a particular gift for characters caught between ambition and vulnerability—a skill that should serve him well as a newspaper publisher fighting against the tide of modern media. Created by Greg Daniels, who developed the American version of THE OFFICE, and Michael Koman, co-creator of NATHAN FOR YOU, THE PAPER arrives with impressive comedic pedigree. The series promises to capture the lightning-in-a-bottle formula that made THE OFFICE a cultural phenomenon, but with Gleeson’s particular brand of earnest intensity anchoring the proceedings. His ability to find genuine emotion within comedic situations—evident in films like EX MACHINA and FRANK—suggests he’s uniquely positioned to navigate the mockumentary format’s delicate balance between humor and heart. The supporting cast, including Sabrina Impacciatore, Chelsea Frei, and Oscar Nuñez reprising his role from THE OFFICE, creates an ensemble that should allow Gleeson to explore the collaborative comedy style that has become his recent calling card. After years of carrying dramatic weight in films like THE REVENANT and BROOKLYN, this represents a chance for audiences to see a different side of an actor who has consistently chosen projects that challenge both himself and viewer expectations.With new episodes dropping every Thursday through September 25, THE PAPER offers Gleeson the rare opportunity to develop a character across multiple episodes rather than the single-film format that has defined much of his recent work. For an actor who has proven equally capable of commanding the screen in intimate character studies and massive franchise installments, this television venture represents the next logical evolution in a career defined by thoughtful risk-taking and genuine artistic curiosity. Instagram Youtube [...]
July 8When 21-year-old Katie Simpson died unexpectedly in August 2020, the tight-knit showjumping community in County Londonderry, Northern Ireland, accepted what seemed like a tragic but straightforward conclusion: the promising young jockey had taken her own life. But one local journalist wasn’t satisfied with the official narrative, and her persistent questioning would eventually expose a horrifying truth that shattered the veneer of a seemingly perfect sporting world. The new Sky Original documentary DEATH OF A SHOWJUMPER, streaming from July 16, tells the shocking story of Katie’s murder in three gripping 45-minute episodes. What emerges is a disturbing tale of violence, coercive control, and the systematic abuse of a young woman who should have been protected by those closest to her. Katie’s death initially appeared straightforward enough. On August 3, 2020, Jonathan Creswell – an influential champion showjumper, jockey, and horse trainer who was also her sister’s partner – drove an unresponsive Katie partway to Altnagelvin Hospital before transferring her to an ambulance. He told paramedics and police officers that Katie had attempted suicide, explaining the bruising on her body as injuries from a recent fall from a horse. Katie died in hospital seven days later without regaining consciousness. But the local court reporter Tanya Fowles couldn’t shake the feeling that something was wrong. Katie’s case triggered memories of an old story she had covered – one with too many disturbing similarities to ignore. Her suspicions centered squarely on Creswell, whose position of influence within the showjumping community had seemingly protected him from scrutiny. In February, Justice Minister Naomi Long announced an independent review into the case, acknowledging the serious questions raised about how the investigation was initially handled. The documentary arrives at a time when these institutional failures are still being examined and when Katie’s family continues to seek answers about what went wrong. Directed by Niamh Kennedy and produced by Natalie Maynes, DEATH OF A SHOWJUMPER is a Walk On Air and Sky Studios production in association with Northern Ireland Screen. The series serves as both a tribute to Katie Simpson’s memory and a stark reminder of how domestic abuse can flourish in environments where power, privilege, and reputation provide cover for predatory behavior. The three-part series streaming on Sky Documentaries offers viewers a disturbing glimpse into a world where appearances can be fatally deceiving. It’s a story that demands to be told, not just for Katie’s sake, but for all the young women who find themselves trapped in similar situations, hoping someone will finally listen and act before it’s too late. DEATH OF A SHOWJUMPER will premiere July 16 on SKY. Instagram Youtube [...]
July 7On a crisp October evening in 1984, Bob Geldof sat in his London home, preparing for another glittering Mayfair party. The Boomtown Rats frontman had been invited to celebrate the launch of Peter York’s latest book, a glamorous affair promising champagne and the kind of privileged conversation that filled London’s most exclusive circles. But before leaving, Geldof switched on the BBC evening news and witnessed something that would forever alter not just his own trajectory, but the entire landscape of celebrity activism. Michael Buerk’s devastating report from Ethiopia flickered across the screen, revealing images of skeletal children and desperate families caught in the grip of an unimaginable famine. The footage was apocalyptic in its starkness, a vision of human suffering so profound that it seemed to demand immediate action from anyone with a conscience. Geldof, transfixed, absorbed every horrific detail before reluctantly heading to his social engagement. What happened next would become one of the most remarkable moments in the intersection of entertainment and humanitarianism. The recording session on November 25, 1984, brought together virtually every major British pop star of the era but it was the Irish contingent that would prove most crucial to the project’s emotional resonance. Bono, already establishing himself as U2’s charismatic frontman, understood instinctively what the song needed when handed its most challenging lyric. “Well tonight thank God it’s them, instead of you” could have been sung as a throwaway line, a moment of uncomfortable acknowledgment buried in the mix. Instead, Bono elevated it to the top of his register, shifting it up an octave and transforming it into the song’s most devastating moment. His delivery carried the weight of someone who understood suffering not as an abstract concept but as a lived reality passed down through generations of Irish storytelling. Years later, Bono would reflect on this moment with characteristic intensity, speaking of how he and Geldof shared “the folk memory of famine” that connected them viscerally to the Ethiopian crisis. While such statements might seem grandiose, they reveal something deeper about the Irish contribution to LIVE AID: a cultural understanding of hunger and desperation that transcended mere celebrity participation. Geldof himself embodied this connection in ways that went far beyond his organizational genius. His transformation from musician to activist was complete and irreversible, driven by an almost manic energy that colleagues would later describe as both inspiring and exhausting. He confronted world leaders with the same directness he brought to his music, famously ambushing Margaret Thatcher over her government’s insistence on collecting VAT from every record sold. In a moment that could have easily resulted in political embarrassment, Geldof instead delivered a masterclass in moral authority, dismantling her defense of Western inaction with the kind of eloquence that only comes from genuine conviction. But perhaps the most profound moment in this entire saga occurred not on stage but in the Ethiopian desert, where Geldof found himself months later, surveying the very landscape he had committed to helping. As he stood among the refugees and aid workers, his radio crackled to life with the familiar opening notes of “DO THEY KNOW IT’S CHRISTMAS?” The synchronicity was almost too perfect to believe, yet there it was: the song that had emerged from his guilt and determination now soundtrack to the reality it had been created to address. When Bono’s voice emerged from the static, delivering that same octave-shifted line about being grateful it was “them instead of you,” Geldof found himself face-to-face with the actual “them” the song referenced. The emotional impact was overwhelming. Decades later, recounting this moment, the typically composed Geldof would break down entirely, overcome by what he described as “all the rage, all the shame” that had driven him from the beginning. The success of LIVE AID raised over $127 million for Ethiopian famine relief, but its impact extended far beyond mere fundraising. It established a template for celebrity activism that would influence decades of humanitarian efforts, from LIVE 8 to countless other star-studded charity events. More importantly, it demonstrated that artists could leverage their platforms for purposes that transcended entertainment, that the same voices that sold records could also move governments and shift public opinion. The Irish heart of LIVE AID beat strongest in those moments when the gap between performer and cause collapsed entirely. When Geldof broke down in that Ethiopian desert, when Bono transformed a difficult lyric into something transcendent, when both men spoke with the authority of people who understood that hunger and desperation were not distant abstractions but lived realities that demanded immediate response. Their contribution to LIVE AID wasn’t just organizational or artistic; it was spiritual, connecting the suffering of Ethiopia to the broader human experience of vulnerability and resilience. Forty years later, as new documentaries revisit this extraordinary moment in cultural history, the Irish contribution to LIVE AID remains its most emotionally resonant element. Not because Irish artists were more talented or more committed than their British counterparts, but because they brought to the project a particular understanding of what it means to fight for survival in an indifferent world. In channeling that understanding into action, they helped create something that transcended both music and activism, becoming instead a testament to the power of empathy to move mountains, or at least to move enough people to try. LIVE AID AT 40: WHEN ROCK N ROLL TOOK ON THE WORLD is now streaming on the BBC iPLAYER. Instagram Youtube [...]
July 5Andrew Scott continues his remarkable hot streak with a cameo role in Netflix’s upcoming romantic comedy-drama TOO MUCH, cementing his status as one of Britain’s most sought-after actors. The star of ALL OF US STRANGERS joins an absolutely stacked ensemble cast in Lena Dunham’s latest creation, which premieres July 10th on the streaming platform. Fresh off his critically acclaimed performance in ALL OF US STRANGERS, where he delivered a haunting portrayal of a man reconnecting with his deceased parents, Scott shows no signs of slowing down. His inclusion in TOO MUCH represents another smart career move, aligning himself with a project that brings together some of the most exciting talent working today. The series, created by Girls’ Lena Dunham alongside her husband Luis Felber, follows New York workaholic Jessica, played by Megan Stalter, as she flees to the UK after a devastating breakup and discovers an unexpected connection with musician Felix, portrayed by Will Sharpe from THE WHITE LOTUS. The supporting cast reads like a who’s who of contemporary entertainment, with Scott appearing alongside Kit Harington, Jessica Alba, Rita Ora, and Jennifer Saunders. The ensemble doesn’t stop there, featuring Stephen Fry, Richard E Grant, Adèle Exarchopoulos, Emily Ratajkowski, Dean-Charles Chapman, and Daisy Bevan. It’s the kind of cast that signals serious ambition and quality, the type of project that attracts talent of Scott’s caliber. Dunham’s approach to assembling this cast speaks to the collaborative spirit that seems to define Scott’s recent work. “There were so many actors that I respect that I was like, ‘Even if the character is in one episode or four episodes, I want to give them something to grab onto,'” she explained. This philosophy aligns perfectly with Scott’s recent trajectory, where he’s been selective about projects that offer meaningful creative opportunities, regardless of screen time. The series promises to subvert romantic comedy expectations, with Sharpe noting that Dunham has incorporated “rougher edges” into the tested formula. For Scott, this represents another opportunity to work within familiar genres while bringing his distinctive intensity and emotional depth to the material. His recent career has been defined by this ability to elevate projects through his presence, whether in leading roles or memorable supporting turns. TOO MUCH arrives at a pivotal moment in Scott’s career, following his breakout performance in ALL OF US STRANGERS and his iconic turn as the “hot priest” in FLEABAG. The Netflix series represents his continued evolution as an actor willing to take risks and collaborate with visionary creators. With Working Title behind the production, the same company responsible for classic romantic comedies, Scott finds himself part of a project that honors the genre’s legacy while pushing it in new directions. The series debuts July 10th, offering audiences another chance to see Scott bring his unique blend of vulnerability and charisma to a new character. As his star continues to rise, TOO MUCH serves as both a showcase for his talents and a testament to his growing influence in the industry. In an era where streaming platforms are hungry for prestige content, Scott’s involvement signals that TOO MUCH has the star power and creative vision to cut through the noise. Instagram Youtube [...]
June 15BAD SISTERS creator and star Sharon Horgan appeared on Wednesday’s THE TOMMY TIERNAN SHOW on RTÉ One where she spoke about navigating the entertainment industry as a woman, as well as finding a balance between her career and home lives. Horgan’s influence on contemporary comedy is undeniable, a testament to her sharp wit and a writer’s instinct for the painfully funny truths of modern life. From the raw, unflinching honesty of PULLING, which she co-wrote and starred in, to the critically acclaimed CATASTROPHE, a series that redefined the romantic comedy by injecting it with a healthy dose of grim reality alongside co-writer and co-star Rob Delaney, Horgan has consistently crafted narratives that resonate deeply. Her work on MOTHERLAND further cemented her reputation for exploring the unvarnished realities of womanhood, relationships, and parenthood, creating characters that are flawed, relatable, and utterly hilarious. She possesses a unique ability to weave uncomfortable truths into comedic gold, making us laugh while simultaneously wincing in recognition. Her ventures into production with Merman have also empowered other distinct voices, showcasing a commitment to expanding the landscape of intelligent, character-driven comedy beyond her own brilliant output. Meanwhile, Tommy Tiernan has carved out a unique space in the crowded world of television hosting, particularly with THE TOMMY TIERNAN SHOW. What sets him apart is his audacious, and indeed brilliant, decision to interview guests without any prior knowledge of their identity or background. This unconventional approach transforms each episode into an unscripted, often profoundly intimate, and always unpredictable conversation. Tiernan’s innate curiosity, his genuine empathy, and his masterful ability to listen and react in the moment elevate these exchanges beyond typical chat show banter. He creates an atmosphere where vulnerability is encouraged, leading to moments of surprising honesty, profound insight, and often, uproarious laughter. It’s a high-wire act of improvised television, relying entirely on his quick thinking, his vast general knowledge, and his deep well of human understanding. The result is a viewing experience unlike any other, proving that authentic connection, rather than meticulously researched questions, is the bedrock of truly compelling television. Instagram Youtube [...]
May 31Colin Farrell continues his impressive career evolution with his latest project, lending his distinctive voice to narrate FROM THAT SMALL ISLAND – THE STORY OF THE IRISH a groundbreaking four-part documentary series premiering on RTÉ One this June. This ambitious undertaking represents another thoughtful career choice for the Irish actor, who has increasingly gravitated toward meaningful projects that showcase his versatility beyond his early Hollywood blockbuster days. The series, beginning Sunday, June 8th at 6:30pm on RTÉ One and RTÉ Player, tackles an extraordinary scope of Irish history, tracing the journey from the island’s very first inhabitants to the present-day global diaspora of over 80 million people who claim Irish heritage. Shot across 17 countries worldwide, the documentary explores fundamental questions about Irish identity and belonging in our globalized world. Why does the entire world turn green on St. Patrick’s Day? What can the Irish experience of migration teach us about contemporary issues of identity and displacement? The series promises fascinating revelations, including the television debut of ‘Rathlin Man,’ a 4,000-year-old ancestor whose face has been reconstructed using cutting-edge DNA technology. Audiences will discover forgotten Irish explorers who sailed with Columbus in 1492, a Mayo-born general who commanded the Argentinian army, and touching human stories like a baby with Down Syndrome who was lovingly cared for over 5,000 years ago at the ancient Céide Fields. The documentary doesn’t shy away from darker chapters, addressing Irish involvement in the transatlantic slave trade alongside celebrations of cultural achievements. This project represents a natural progression for Farrell, whose recent career has been marked by sophisticated choices following acclaimed performances in THE KILLING OF A SACRED DEER, IN BRUGES, THE BANSHEES OF INISHERIN, and THE BATMAN. For an actor whose own journey from Dublin to Hollywood mirrors the migration patterns explored in the documentary, this offers an opportunity to contribute his voice to telling the story of his own people. Created by writer Bríona Nic Dhiarmada and produced by the award-winning team behind “1916: The Irish Rebellion,” the series spans millennia of Irish history with an original score by Colm Mac Con Iomaire. As global audiences grapple with questions of migration and identity, “From That Small Island” offers the Irish experience as both mirror and lens for understanding these universal human challenges, guided by one of Ireland’s most compelling contemporary voices as Farrell continues to establish himself as one of his generation’s most thoughtful performers. [...]
May 29Michael Fassbender is experiencing a remarkable career renaissance, and his latest triumph proves that reinvention remains his greatest strength. After years of selective project choices following his intense run through the X-Men franchise and acclaimed performances in films like STEVE JOBS and MACBETH, the Irish-German actor has found his perfect vehicle in Paramount+’s THE AGENCY, which has just begun filming its highly anticipated second season in London. The spy thriller, adapted from the critically lauded French series LE BUREAU DES LÉGENDES, represents everything Fassbender does best: complex character work wrapped in high-stakes storytelling. As CIA agent Martian, he inhabits a man living undercover in his own life, walking a knife’s edge between mission, love, and survival. The role allows Fassbender to showcase the psychological depth that made him a standout in films like SHAME and THE LIGHT BETWEEN OCEANS, while operating within the addictive framework of espionage drama. The overwhelming success of THE AGENCY‘s first season speaks to both the quality of the source material and Fassbender’s magnetic screen presence. Paramount+ wasted no time announcing the second season in December 2024, a testament to the show’s immediate impact and Fassbender’s drawing power as both star and executive producer. The series has assembled an impressive ensemble including Jeffrey Wright, Jodie Turner-Smith, Katherine Waterston, and Richard Gere, but it’s Fassbender’s tortured agent at the center that anchors every frame. What makes this project particularly significant in Fassbender’s recent trajectory is how it combines his penchant for challenging material with mainstream appeal. After taking a step back from blockbuster filmmaking, THE AGENCY allows him to work with prestigious collaborators like George Clooney and Grant Heslov’s Smokehouse Pictures while maintaining the artistic integrity that has defined his most memorable performances. The series, with its origins in French television excellence, offers the kind of sophisticated storytelling that Fassbender has always gravitated toward. The second season’s central premise, following Martian’s desperate attempts to save his imprisoned lover Samia played by Jodie Turner-Smith, promises to push Fassbender into even more emotionally fraught territory. His character must navigate treachery and moral compromise, themes that have consistently brought out his best work throughout his career. The actor’s ability to convey internal conflict through subtle physical performance makes him ideally suited for the series’ exploration of identity and deception. As production continues in London with the Butterworth brothers returning as writers and executive producers, THE AGENCY represents more than just another successful series for Fassbender. It’s a career pivot that demonstrates how established actors can find new creative energy by embracing the evolving landscape of premium television. The show’s international co-production model and distribution through both Paramount Global and Federation Studios also positions Fassbender at the center of the kind of globally-minded storytelling that defines contemporary entertainment. With THE AGENCY proving that his instincts for compelling material remain sharp, Michael Fassbender has once again positioned himself as one of the most compelling actors of his generation, proving that sometimes the best way forward is to go deeper into the shadows. [...]
May 23Cameras are rolling once again in Rutshire as RIVALS season 2 officially begins production, and Disney+ has given fans their first tantalizing glimpse behind the scenes with newly released images that showcase the stellar cast diving back into Dame Jilly Cooper’s world of scandal, ambition, and sexual intrigue. The production photos, shared across Disney’s social media channels, capture the energy and anticipation surrounding the show’s return, with Aidan Turner prominently featured alongside Alex Hassell, Nafessa Williams, and newcomer Bella Maclean. Turner’s presence in these behind-the-scenes glimpses signals his continued central role in what promises to be an even more explosive installment of the power-hungry drama that took audiences by storm. The returning ensemble cast reads like a who’s who of British television talent, with Aidan Turner’s return being particularly significant for fans who have followed his career trajectory from BEING HUMAN to POLDARK and now to RIVALS. Turner, who has established himself as one of Britain’s most compelling leading men, brings his trademark intensity and charisma to the morally complex world of 1980s power plays. His presence alongside David Tennant, Katherine Parkinson, Alex Hassell, and Nafessa Williams ensures continuity in the intricate web of relationships that drive the narrative. Turner’s ability to navigate both romantic tension and political intrigue made him a standout in the first season, and his prominent placement in the new behind-the-scenes imagery suggests his character will continue to be at the heart of the show’s most compelling storylines. RIVALS season 1 is available to stream on Disney+. [...]
May 21In a captivating evolution of her already impressive career, Niamh Algar takes center stage in Sky’s new Italian-set thriller, THE IRIS AFFAIR. Following her acclaimed performances in projects like CALM WITH HORSES and RAISED BY WOLVES, Algar now embodies Iris Nixon, a complex genius whose life transforms from mundane to extraordinary in this “unapologetically exciting” adventure created by Luther mastermind Neil Cross. The eight-part series, currently filming in Sardinia, showcases Algar’s remarkable versatility as she portrays a character Cross describes as unlike any we’ve seen before on television. By day, Algar’s Iris flags harmful content for a social media platform, but her nights are spent navigating internet forums and solving intricate puzzles. When her exceptional intelligence leads her to crack a string of complex online riddles, she finds herself in Florence, face-to-face with charismatic entrepreneur Cameron Beck, played by Tom Hollander. Beck recruits her to unlock powerful technology, but upon discovering its dangerous potential, Iris steals crucial information and vanishes. Reinventing herself as Ms. Brooks, a tutor to a wealthy family’s daughter on the Sardinian coast, Algar’s character becomes the focus of a high-stakes pursuit spanning from remote Sardinian cabins to Rome’s bustling streets. This performance marks another significant milestone in Algar’s rising trajectory, as she continues to select challenging, nuanced roles that showcase her exceptional talent. With Terry McDonough’s direction complementing Algar and Hollander’s dynamic performances, this “sun-drenched chase thriller” promises to deliver the perfect escapist viewing experience when it arrives on Sky and NOW streaming service later this year. The burning question that will drive viewers through this Mediterranean adventure: can Iris decipher what the mysterious code could unleash before she’s found? [...]
May 19Domhnall Gleeson’s impressive career trajectory continues its upward climb as the Irish actor steps into the beloved universe of THE OFFICE this fall. After captivating audiences in blockbuster franchises like STAR WARS and HARRY POTTER, Gleeson is now bringing his considerable talents to Peacock’s highly-anticipated series THE PAPER where he’ll portray an optimistic publisher fighting to save a dying Midwestern newspaper. The announcement comes after years of speculation about a potential spinoff from THE OFFICE with NBC finally confirming that the same fictional documentary crew that once chronicled the everyday chaos of Dunder Mifflin will now turn their cameras on The Truth Teller, a struggling newspaper in Toledo, Ohio. Gleeson, whose recent work has showcased his remarkable range across genres, from sci-fi epics to intimate dramas, seems perfectly cast as the determined publisher with “unwavering optimistic belief” that he can restore The Truth Teller to its former glory. At a recent NBCUniversal upfront presentation, Gleeson himself described the series as featuring “a wonderful ensemble cast of underdog characters that are banding together to keep journalism alive.” He’ll be joined by Sabrina Impacciatore of THE WHITE LOTUS fame and, in a delightful callback to the original series, Oscar Nuñez reprising his role as accountant Oscar Martinez. Though Gleeson has consistently demonstrated his dramatic prowess in films like EX MACHINA and THE REVENANT, THE PAPER will give viewers a chance to see his comedic abilities in full force, working under the guidance of THE OFFICE creator Greg Daniels and NATHAN FOR YOU creator Michael Koman. This partnership promises to maintain the mockumentary style and awkward humor that made the original series a cultural phenomenon while exploring entirely new territory. For Gleeson, whose career has been marked by thoughtful role selection and memorable performances across independent and major studio productions alike, THE PAPER represents an exciting venture into episodic comedy. As NBCUniversal Entertainment President Lisa Katz noted, the newspaper setting is “ripe for comedic storytelling” – and with Gleeson at the helm as the idealistic publisher, viewers can expect a fresh yet familiar take on workplace dynamics when the series premieres on Peacock in September 2025. The role seems tailor-made for Gleeson, who has consistently brought depth and humanity to his characters, suggesting his publisher might become as endearing and complex as the beloved personalities from the original Scranton branch. Watch the trailer below. [...]
April 24After carving out an impressive cinematic legacy with two Oscar nominations and starring roles in blockbuster franchises like X-MEN and ALIEN, alongside acclaimed performances in 12 YEARS A SLAVE, STEVE JOBS, INGLOURIOUS BASTERDS, SHAME, and NEXT GOAL WINS, Michael Fassbender has made a surprising career pivot. The actor who once commanded the big screen has returned to television as the lead in Paramount+’s espionage thriller THE AGENCY playing a seasoned spy reintegrating into London headquarters after years in the field. This calculated career move marks a full-circle moment for Fassbender, who began his career in television before Hollywood beckoned. The project’s irresistible appeal becomes clear when examining its pedigree: a stellar ensemble featuring fellow film luminaries Richard Gere, Jeffrey Wright, Jodie Turner-Smith, and John Magaro; the producing might of George Clooney, Grant Heslov, and Yellowstone’s 101 Studios; direction from Joe Wright; and writing from Tony Award winners Jez and John Henry Butterworth. Fassbender’s recent work reveals a particular affinity for the espionage genre. Alongside THE AGENCY which begins filming its second season next month across London and international locations, he stars opposite Cate Blanchett in Steven Soderbergh’s critically acclaimed spy thriller BLACK BAG. When asked about playing James Bond—a role he once discussed with producers before Daniel Craig secured it—Fassbender expressed contentment with his current spy characters, which offer greater complexity than the iconic 007 role. His recent career choices suggest an actor increasingly drawn to nuanced, challenging material rather than mainstream fare. Fassbender has expressed interest in exploring more comedic roles following his experience with Taika Waititi’s NEXT GOAL WINS, revealing a desire to expand his already versatile range. His artistic ambitions extend beyond film—he’s adapted a Quentin Tarantino work for the stage, showcasing his commitment to storytelling across different mediums. This thoughtful evolution of Fassbender’s career demonstrates an actor prioritizing creative fulfillment over traditional Hollywood trajectories—choosing projects that challenge him while collaborating with premier talent, regardless of whether they appear on streaming platforms or in theaters. [...]
April 22Thirty years ago, on April 21st, 1995, FATHER TED first aired, introducing viewers to the misadventures of three Irish priests exiled to the fictional Craggy Island off Ireland’s west coast. By the time the final episode aired on May 1st, 1998, the series had transcended its modest beginnings to become one of the most beloved sitcoms ever created – distinctly Irish in character yet universally appealing. Few could have predicted the cultural phenomenon that would emerge from this unlikely premise. Even Ardal O’Hanlon, who brilliantly portrayed the endearingly dim-witted Father Dougal McGuire, initially harbored doubts. “I thought it was a sh*t idea,” O’Hanlon confessed. “Who in England is going to want to watch a sitcom about Irish priests?” This skepticism seems almost comical in retrospect, as FATHER TED’s memorable lines have since become catchphrases and memes, with the show’s 25 episodes continually rebroadcast and converting new generations of fans. The mid-1990s marked an exciting period in British cultural life – the Blair years brought prosperity, optimism, and what O’Hanlon describes as “a cultural renaissance, Cool Britannia, Britpop.” Comedy was thriving, with stand-up performers regularly transitioning to television. O’Hanlon himself was in such demand that on the very day of his FATHER TED audition, he was also asked to audition for a role on THE BIG BREAKFAST. Despite initially viewing the show as a “distraction” from his stand-up career, O’Hanlon found himself naturally slipping into the character of Dougal. “It sounded so natural in my voice. It matched my sensibility exactly,” he recalled of the audition process. The character embodied “a naivety, one of those south Co Dublin airheads, someone who has no self-awareness.” This intuitive understanding of the material speaks to the regional sensibility shared by O’Hanlon and co-creator Arthur Mathews, both from Ireland’s northeast, characterized by “that same droll, deadpan, dark comedy.” The show’s creative team, writers Graham Linehan and Arthur Mathews, had spotted O’Hanlon’s potential through a combination of his stand-up performances and a small role in Ferdia Mac Anna’s “Hamlet and Her Brothers” for RTÉ. Along with O’Hanlon, the show featured Dermot Morgan as the titular Father Ted Crilly, Frank Kelly as the foul-mouthed alcoholic Father Jack Hackett, and Pauline McLynn as their perpetually tea-offering housekeeper Mrs. Doyle. Critics and scholars have noted how the series masterfully subverts expectations, using seemingly low-brow humor to explore deeper themes of loneliness, agnosticism, existentialism, and purgatory experienced by its title character. This layered approach earned FATHER TED several British Academy Television Awards, including twice for Best Comedy Series. In a 2001 Channel 4 poll, Dougal was ranked fifth on their list of the 100 Greatest TV Characters, and in 2019, the show was named the second-greatest British sitcom (after FAWLTY TOWERS) by a panel of comedy experts for Radio Times. Three decades later, FATHER TED remains a cultural touchstone that proved Irish comedy could resonate far beyond its shores while maintaining its distinctive voice and perspective. The show’s ability to blend absurdist humor with genuine character development created a template for future Irish comedy series, demonstrating that the most parochial settings could, paradoxically, provide the foundation for universally appealing storytelling. [...]
April 11Television icon Graham Norton is trading his familiar red chair for a trip in the TARDIS, bringing his Eurovision expertise to the world of DOCTOR WHO. The beloved host and comedian will appear in the sixth episode of the new season, centered around the “Interstellar Song Contest” – a cosmic version of the Eurovision competition Norton has famously provided commentary for since 2009. This special appearance isn’t just a brief cameo – showrunner Russell T Davies has confirmed Norton will have “a whole plot twist all to himself” in what Davies describes as “the wildest episode of all.” The Eurovision connection makes Norton a perfect fit for this cosmic singing competition where planets from across the universe compete for the grand prize. Norton joins Ncuti Gatwa’s 15th Doctor and new companion Belinda Chandra (played by Varada Sethu) as they find themselves at the 803rd Interstellar Song Contest. The star-studded episode also features guests including Freddie Fox from SLOW HORSES, broadcaster Rylan, FLEABAG’s Kadiff Kirwan, CORONATION STREET’s Charlie Condou, and Miriam Teak-Lee from & JULIET. This guest role represents another interesting career move for Norton, who has evolved from stand-up comedian to Britain’s premier talk show host on THE GRAHAM NORTON SHOW. While maintaining his position as the “King of Eurovision,” Norton has expanded his creative portfolio in recent years, publishing several novels and becoming a fixture of British entertainment culture. In an interview with The Hollywood Reporter, Sethu described how her character Belinda brings a fresh dynamic to the series: “She holds him accountable. She calls him out when his etiquette slips.” Unlike many companions who put the Doctor on a pedestal, “Belinda doesn’t do that. She sees him as a friend, a partner in getting through this,” creating what Sethu calls “a much more balanced and healthy relationship.” The new season of DOCTOR WHO premieres April 12, with Norton’s “Interstellar Song Contest” episode airing May 17 on BBC One and BBC iPlayer in the UK, and globally on Disney+. The series is produced by Bad Wolf with BBC Studios for the BBC and Disney Branded Television, marking a new era for the iconic science fiction franchise with its combination of familiar British talent and global distribution. [...]
April 4Pierce Brosnan has traded his suave spy persona for something far grittier in Paramount+’s record-breaking crime drama MOBLAND. The series, which debuted on March 30, 2025, garnered an impressive 2.2 million global viewers on its premiere day, making it the streaming service’s most successful original series launch ever. At the center of this gritty narrative stands Brosnan as Conrad Harrigan, the ruthless patriarch of one of London’s most feared crime families. The Irish actor embraces this complex character with evident relish. “He’s thuggish, brutal, instinctive. He’s an animal,” Brosnan reveals about his role, describing Conrad as “a psychopath in some regards.” This darker character represents a significant departure from his more polished screen personas, allowing Brosnan to reclaim his Irish accent and dive into unexplored dramatic territory. He practiced the accent at home, amusing those around him with his “cod Irish character.” MOBLAND revolves around the Harrigan family’s power struggles within a global crime syndicate, with Helen Mirren starring as Conrad’s wife, Maeve. Their on-screen partnership evokes Shakespearean dynamics. “Well, yes, she certainly has that Lady Macbeth quality to her—and we did discuss that,” Brosnan notes. While he portrays the overt crime boss, Maeve is constantly there, whispering in his ear, creating a fascinating power dynamic at the heart of the series. The production marks a significant reunion for Brosnan and Mirren, who first worked together in the 1980 film THE LONG GOOD FRIDAY, which was Brosnan’s first movie role playing “Killer Number 1.” Their collaboration on MOBLAND came about naturally after they previously worked together on THE THURSDAY MURDER CLUB. When the opportunity arose to return to London and work with acclaimed director Guy Ritchie, both actors jumped at the chance. The impressive ensemble cast extends beyond these two veterans, featuring Tom Hardy as the family’s new “fixer,” alongside Paddy Considine, Joanne Froggatt, and Anson Boon as Brosnan’s grandson. Under Guy Ritchie’s direction, who helmed the pilot and serves as executive producer, the series benefits from the sharp writing of Ronan Bennett and Jez Butterworth, who “really enhanced the drama,” according to Brosnan. When asked about the enduring appeal of morally ambiguous characters like the Harrigans, Brosnan offers a thoughtful reflection: “It’s a good question. I’m not sure if it’s easily answered. But look at any dramas from Shakespeare or Jacobean tragedies, you have these devious families. They’re sexy. They’re dangerous. And people like sex, violence, and good drama. And when it’s wrapped up by Guy and his team, it’s watchable. People want to be turned on by it! And this is a show that really moves fast.” At the MOBLAND premiere, Brosnan appeared effortlessly elegant in a navy suit, his presence underscoring his status as a seasoned performer taking on new artistic challenges. In a playful moment during press interviews, he addressed speculation about potentially returning to the James Bond franchise—not as 007, but as a villain. His response was characteristically charming: “Could be. I mean, why not? It’s entertainment. People would love it.” His MOBLAND co-star Anson Boon enthusiastically supported the idea: “I’d watch it!” As Brosnan continues to embrace increasingly complex roles, he remains a beloved figure both in Hollywood and among fans worldwide. With MOBLAND now available for streaming on Paramount+, audiences can witness the actor’s latest transformation into a character that is as captivating as it is chilling—further cementing his status as one of the industry’s most versatile and enduring talents. [...]
March 29Disney+’s sultry period drama RIVALS has captivated audiences with its delicious blend of 1980s nostalgia and steamy storytelling, with confirmation of a second season sending fans into a frenzy. The adaptation of Dame Jilly Cooper’s beloved 1988 novel has proven to be the “bonkbuster” of the year, aching with old-fashioned small screen sex appeal that viewers simply can’t get enough of. At the heart of the series stands Aidan Turner as the dishy Irish TV presenter Declan O’Hara, who found himself entangled in the cutthroat world of independent television during the Thatcher era when recruited by the scheming Lord Baddingham, portrayed with delightful menace by David Tennant. Turner’s career renaissance continues with this role, following his critically acclaimed performances in POLDARK and LEONARDO, cementing his status as television’s go-to leading man for period dramas that combine substance with smoldering intensity. The excitement for RIVALS‘ return recently amplified when series star Danny Dyer, who plays self-made businessman Freddie Jones, shared a promising production update during the Royal Television Society Programme Awards. “We’re on the eve of starting the second series,” Dyer revealed on March 25, humorously adding details about improvements to his character’s appearance: “The old ‘tache is on its way back. I’ve got a better wig which I’m excited about.” His co-star Katherine Parkinson echoed this enthusiasm, noting that with the second series, ” had some more money spent on him.” This production update follows executive producer Dominic Treadwell-Collins’ January confirmation that writing for the new season was officially underway, sharing a photo of himself with fellow producers posing alongside a cardboard cutout of Turner. While specific plot details remain scarce, fans can anticipate resolution to Tony’s fate—the only character whose storyline was left dangling at the first season’s conclusion. Turner is expected to return alongside the impressive ensemble cast including Dyer, Parkinson, Tennant, Victoria Smurfit, Nafessa Williams, Bella Maclean, Claire Rushbrook, Emily Atack, Catriona Chandler, Oliver Chris, Rufus Jones, Lisa McGrillis, and Luke Pasqualino. Williams’ character, the glamorous American TV producer Cameron Cook, provided an intriguing foil to Turner’s O’Hara in the first season, with their initial antagonism developing into a more complex dynamic. Dame Jilly Cooper herself, serving as executive producer, expressed unbridled enthusiasm about the renewal: “I’m orgasmic with excitement and cannot wait for the return of my superhero Rupert Campbell-Black and the rest of the characters in season two.” While no premiere date has been announced, production appears to be moving forward with momentum that mirrors the show’s passionate fanbase. For Turner, RIVALS represents another triumph in a career trajectory that has skillfully balanced commercial appeal with artistic integrity. His portrayal of O’Hara—passionate, principled, yet flawed—has added another memorable character to his increasingly impressive portfolio, further establishing him as one of the most compelling actors of his generation. As cameras prepare to roll on season two, all eyes will be on Turner to see how he further develops this character within Cooper’s deliciously decadent world of ambition, revenge, and desire. [...]
March 28The Irish entertainment scene is setting the stage ablaze with an extraordinary sweep of nominations at the upcoming BAFTA TV Awards. This year’s ceremony promises to be a celebration of exceptional Irish talent, with stars from across the Emerald Isle making their mark on the prestigious event. Leading the charge is DERRY GIRLS alum Nicola Coughlan, who has scored her first BAFTA TV Awards nomination in the Female Performance In A Comedy category for her compelling role in the acclaimed Channel 4 series BIG MOOD. Her nomination is a testament to her growing versatility as an actress and her ability to captivate audiences with nuanced performances. Belfast native Lola Petticrew is also making waves, securing a nomination in the Leading Actress category for their powerful portrayal of Dolours Price in the Troubles-set series SAY NOTHING. The show itself has further cemented Irish representation by being nominated in the International award category, showcasing the global appeal of Irish storytelling. The Belfast-based cop show BLUE LIGHTS has added to the Irish triumph, earning a well-deserved nomination in the Drama Series category. Meanwhile, the beloved Graham Norton continues his remarkable run with another nomination in the Entertainment Performance category for THE GRAHAM NORTON SHOW – marking an impressive 18th BAFTA nomination with eight previous wins. Adding another layer of artistic brilliance, Siobhán McSweeney from DERRY GIRLS has stepped behind the camera with her directorial debut, SPUD, which has been nominated in the Short Form category. This achievement highlights the multifaceted talents of Irish performers who continue to push creative boundaries. The success isn’t limited to television. The unstoppable Colin Farrell has been collecting awards left, right, and centre, while the music and film group Kneecap are dominating their respective fields. This nomination spree is more than just a moment – it’s a powerful statement about the extraordinary depth of Irish talent in the entertainment industry. As the BAFTA TV Awards approach on Sunday, May 11th, the Irish flag is poised to fly high. These nominations are a celebration of storytelling, performance, and the unique creative spirit that continues to emerge from Ireland, proving once again that talent knows no boundaries. [...]
March 26Pierce Brosnan is making a thunderous return to the crime genre with MOBLAND, Guy Ritchie’s highly anticipated Paramount+ series that promises to deliver a gritty, pulse-pounding exploration of London’s criminal underworld. Set to premiere on March 30, the show reunites Brosnan with the kind of razor-sharp narrative that made his James Bond era so memorable, this time trading international espionage for the brutal landscape of warring crime families. In MOBLAND, Brosnan portrays Conrad Harrigan, a crime boss whose character drips with menace and charisma. Alongside a stellar cast including Tom Hardy and Helen Mirren, Brosnan seems to have found a role that perfectly captures his evolving on-screen persona – a far cry from his polished James Bond days, but equally magnetic. The trailer teases a performance that’s equal parts charming and terrifying, with Brosnan delivering lines like “Power is a hungry thing, and there’s always a rat bastard looking to take what’s mine” with a gravitas that suggests he’s fully embracing this darker chapter of his career. The series represents an exciting evolution for Brosnan, who has consistently reinvented himself since hanging up Bond’s tailored tuxedo. From romantic comedies like MAMMA MIA! to serious dramatic roles in films like THE LAST RIFLEMAN, Brosnan has proven himself to be an actor of remarkable range. MobLand appears to be another bold step in a career defined by unexpected choices and nuanced performances. Originally conceived as a British spinoff of RAY DONOVAN, the series has transformed into a standalone narrative that promises the kind of stylized violence and dark humor typically associated with Guy Ritchie’s distinctive filmmaking. With an ensemble cast that includes Paddy Considine, Joanne Froggatt, and Lara Pulver, MOBLAND seems poised to be more than just another crime drama – it’s a complex study of family, power, and survival in London’s most dangerous circles. As Brosnan continues to demonstrate his ability to captivate audiences across genres, MOBLAND looks set to be another compelling chapter in a career that has consistently defied expectations. Whether playing a suave secret agent, a charming thief, or now a ruthless crime boss, Pierce Brosnan remains a true master of reinvention. [...]
March 19Fresh off her triumph with IFTA Best Drama winner BAD SISTERS, Sharon Horgan is making a triumphant return to HBO with a bold new comedy series that mines the rich territory of midlife crisis. The celebrated Irish writer-actress has inked a two-year first-look television deal between her production company Merman and HBO, cementing their creative partnership that previously yielded the acclaimed comedy drama DIVORCE starring Sarah Jessica Parker and Thomas Haden Church. This new untitled project finds Horgan not only writing and executive producing, but also stepping in front of the camera to portray a 50-year-old divorcee navigating the complexities of dating and sexuality while sandwiched between caring for aging parents and a son who refuses to fully launch into adulthood. The series promises to deliver Horgan’s signature blend of unflinching honesty and razor-sharp wit that has made shows like CATASTROPHE and PULLING cult favorites among viewers craving authentic storytelling. HBO executive Amy Gravitt praised Horgan’s distinctive voice, noting that “her willingness to offer up her own experiences through the characters she creates makes us all feel a little less lonely,” adding that the network looks forward to the fresh talent Horgan will bring to HBO through this partnership. Horgan herself expressed excitement about continuing her relationship with HBO, acknowledging the network’s legacy of iconic television. With this new deal, Horgan firmly establishes herself as one of television’s most vital creative forces, seamlessly blending her roles as writer, producer, and performer while consistently delivering stories that resonate with uncomfortable truth and redemptive humor. As her star continues to rise following BAD SISTERS‘ critical acclaim, this HBO partnership signals an exciting new chapter in a career defined by fearless authenticity and brilliant comedic insight. [...]
March 3Irish charm meets culinary conversation in the world of Chris O’Dowd, whose path from County Roscommon to Hollywood stardom reveals a man as complex as the characters he portrays. The Emmy-winning actor, who first captured audiences as Roy Trenneman in Channel 4’s beloved series THE IT CROWD, has since crafted a career that seamlessly blends his Irish roots with international acclaim. After studying politics at University College Dublin and honing his craft at the London Academy of Music and Dramatic Art, O’Dowd’s Hollywood breakthrough came with his scene-stealing performance in BRIDESMAIDS, where his natural warmth and comedic timing endeared him to global audiences. O’Dowd’s creative vision truly came to life when he created and starred in the semi-autobiographical series Moone Boy, drawing inspiration from his childhood in Boyle. The series not only won an Emmy but established O’Dowd as a multifaceted storyteller capable of transforming personal experience into universal narratives. Now, his latest venture, SMALL TOWN, BIG STORY, continues this tradition of authentic storytelling, featuring an impressive cast including Christina Hendricks and Paddy Considine. Between sips of whisky and bites of Keogh’s crisps—a nod to his Irish heritage—O’Dowd recently shared stories about his creative process while Angela prepared sticky pulled pork complemented by a quick-pickled shredded salad. The meal, expertly paired with a Calmel & Joseph organic pinot noir by Waitrose specialists, provided the perfect backdrop for O’Dowd’s entertaining tales about his pet tortoise and reflections on his family’s time in Los Angeles. His conversation naturally flowed to the inspirations behind SMALL TOWN, BIG STORY, revealing how his cultural background continues to influence his work. Throughout the evening, the discussion turned to the importance of involving children in cooking traditions, though with the gentle reminder that younger kitchen enthusiasts should always have adult supervision when using equipment like air fryers. This conversation highlighted not just O’Dowd’s connection to Irish food culture but his understanding of how culinary traditions shape family dynamics—themes that often resurface in his storytelling. As his career evolves, O’Dowd continues to bring the warmth and complexity of his Irish heritage to audiences worldwide, seasoning his work with the same authenticity that makes his on-screen presence so compelling. [...]
February 25In a candid conversation on THE LATE LATE SHOW, acclaimed actor Fiona Shaw offered rare insights into her collaborative process with some of television’s most innovative creators while reflecting on her connection to her Cork roots. Fresh from the Dublin premiere of PARK AVENUE at the Dublin International Film Festival, Shaw painted a vivid picture of working alongside Sharon Horgan on the hit Apple TV+ series BAD SISTERS. Shaw, who portrays Angelica, an old acquaintance of Grace (played by Anne-Marie Duff) in the show’s second season, described Horgan as “a superwoman” whose creative process is as dynamic as it is effective. “What was really unusual about it is that Sharon turns up every morning with her laptop and she just types and fixes,” Shaw told host Patrick Kielty. “She’s probably writing ten other shows as well.” The actor revealed how scenes would continuously evolve through collaboration between herself, Horgan, and director Dearbhla Walsh, creating an environment where the written material served as just a starting point for further creative development. The Cork native recalled Horgan’s energetic pitch for the show with amusement. “They asked me for coffee and I’d read one episode, and I said to Sharon: ‘What’s the rest of the story about?’ and she took off like a Harley-Davidson: ‘And then this happens, and then this happens’ and I didn’t know what she was saying half the time!” Despite the “garbled” explanation, Shaw was already hooked. Her admiration extends to Phoebe Waller-Bridge, creator of FLEABAG and KILLING EVE, whom Shaw described as “the most astonishing talent” with “so many gifts” and “a very kind heart.” These collaborations have clearly shaped Shaw’s recent career renaissance, building upon her already impressive portfolio that includes beloved roles in the HARRY POTTER franchise and MY LEFT FOOT. Despite her international success, Shaw maintains strong ties to her hometown of Cobh, where she frequently returns to visit her 99-year-old mother. “I’m there a lot because my mother is very old now,” she explained, adding that her busy career often made her feel “like a tourist” when visiting Ireland. “I was away, I was often in the theatre and therefore away or on tour so often. I mean, I was always back for Christmas, but I’m getting to know Cork and West Cork and if ever I can escape up west.” Shaw even revealed how local influences shaped her performances, including basing her character in THREE MEN AND A BABY on her Cork headmistress who was “always rummaging down her chest.” She noted with amusement that “generations of schoolchildren at Scoil Mhuire knew I had based it on that particular woman,” calling it “quite a local performance—don’t sweat the big stuff, just do what you know.” This interweaving of international stardom with deeply personal connections to home exemplifies Shaw’s approach to her craft—drawing from authentic experiences while collaborating with contemporary storytelling visionaries, continuing to captivate audiences across generations and genres. [...]
February 24In a heartwarming and memorable moment at this year’s Screen Actors Guild Awards, Colin Farrell clinched his first-ever SAG award, though the victory came with an unexpected twist. The Irish actor, recognized for his transformative role in Max’s Batman spinoff THE PENGUIN, received his award for best actor in a limited series from Jamie Lee Curtis, star of THE LAST SHOWGIRL, who playfully called him out for a previous viral moment. “And the Actor goes to… the man who gave me COVID at the Golden Globes: Colin Farrell,” Curtis announced to a laughing audience. Farrell, ever the charmer, accepted the accusation with good humor, though he was quick to pass the blame to his THE BANSHEES OF INISHERIN co-star Brendan Gleeson. The acceptance speech that followed revealed the depth of emotion and gratitude that has marked Farrell’s remarkable career. Speaking with genuine wonder about his fellow actors, Farrell reflected on the ethereal nature of their craft: “It’s just unquantifiable; it’s playtime. You don’t get to fully grow up, you get to keep the dream of a child alive as you try and figure out what it is to be human.” The 48-year-old actor’s words resonated deeply with the audience as he acknowledged both the successes and failures that come with the artistic journey. In a particularly touching moment, Farrell took time to recognize his family’s crucial role in his success. He gave special recognition to his sister Claudine, his partner of 22 years in the industry, emphasizing her role as a producer rather than merely his assistant. He also celebrated his sister Catherine, the family’s pioneer in acting, and his pajama-clad brother Eamon, who stayed up to watch the ceremony on Netflix. Most movingly, he praised his sons James and Henry, aged 21 and 15, for bringing unprecedented joy and meaning to his life. Farrell’s winning performance in THE PENGUIN required an extraordinary physical transformation, one that profoundly impacted his sense of self. Reflecting on the experience at the HBO series premiere in September, he shared how the dramatic makeup and costumes altered his self-perception: “It’s not like I ever fully lost sense of myself, but it was a very powerful thing to know yourself a certain way for 45 years and to see a reflection.” This transformation proved to be more than skin-deep, offering him a unique creative freedom that he described as both hypnotic and powerful, allowing him to approach his character with a truly blank slate. More Colin Farrell Colin Farrell on SUGAR Farrell wins Critics Choice Award Farrell’s Golden Globe glory Farrell’s indie film round-up [...]
February 18In a delightful convergence of Irish and international talent, County Roscommon’s own Chris O’Dowd is set to grace RTÉ’s THE LATE LATE SHOW alongside an impressive lineup of guests, bringing with him a treasure trove of stories that perfectly capture his journey from small-town Ireland to global stardom. The Boyle native, known for his role in MOONE BOY, will be joined by Hollywood star Christina Hendricks to discuss their latest collaboration, SMALL TOWN, BIG STORY, a series that brings O’Dowd back to his roots in rural Ireland. The timing of this appearance feels particularly poignant, as O’Dowd recently shared an extraordinary tale from his first-ever Late Late Show experience. Back in 1998, as a UCD student plucked from the campus bar to fill the audience, he received an unexpected gift from then-host Gay Byrne – ferry tickets to Cherbourg. What started as a simple “booze cruise” turned into a four-month French adventure for the former Roscommon minor goalkeeper, who found himself seduced by French bread and the excitement of the 1998 World Cup while his friends returned home. This full-circle moment showcases O’Dowd’s enduring connection to his hometown of Boyle, where he and his wife Dawn O’Porter recently returned to open the town’s beloved Arts Festival. The show’s stellar lineup also includes Steve Coogan, O’Dowd’s MOONE BOY co-star, who will discuss bringing DR. STRANGELOVE to Dublin’s Bord Gáis Energy Theatre and reflect on his iconic Alan Partridge character, along with his recent acquisition of an Irish passport. Adding to the evening’s entertainment, comedian Katherine Ryan will share her own Irish heritage story and the romantic tale of marrying her high school sweetheart after a twenty-year intermission. The night will culminate with a performance by 90s icon Gabrielle, known for hits like “Dreams” and “Rise,” ahead of her anticipated 3Arena concert. The gathering of these diverse talents on THE LATE LATE SHOW represents a beautiful blend of local charm and international appeal, proving that even as Irish talent conquers the global stage, the pull of home remains irresistible. For O’Dowd, it’s a reminder that sometimes the most extraordinary journeys begin in the most ordinary places – be it a college bar in Dublin or a small town in Roscommon. [...]
February 17Netflix has set hearts aflutter with the first glimpse of BRIDGERTON‘s fourth season, treating fans to an intimate behind-the-scenes look at what promises to be another enchanting chapter in the beloved series. The newly released sneak peek, which dropped on Valentine’s Day 2025, offers tantalizing glimpses of the show’s next romantic adventure, centered around the free-spirited Benedict Bridgerton, portrayed by Luke Thompson. Taking its cues from Julia Quinn’s AN OFFER FROM A GENTLEMAN, the season weaves a spellbinding romance that Thompson describes as a “twist on Cinderella,” following Benedict’s unexpected encounter with a mysterious Lady in Silver at his mother’s masquerade ball. The fresh footage reveals returning fan favorites, including Nicola Coughlan‘s Penelope Featherington, who appears in two pivotal scenes – one intimate moment with her husband Colin Bridgerton, and another alongside the formidable Queen Charlotte at the masquerade ball. Adding to the excitement, showrunner Jess Brownell confirmed at the BRIDGERTON: SEASON OF LOVE 2025 Fan Event that season two’s beloved couple, Kate and Anthony Bridgerton, will return, with Johnny Bailey and Simone Ashley reprising their roles, promising glimpses of their marital bliss and new journey into parenthood. Perhaps most intriguingly, the season introduces newcomer Yerin Ha as Sophie Baek, who steps into the glittering world of the ton as Benedict’s love interest. The production, which began rolling cameras in September 2024, is set to conclude filming in April 2025, though eager fans will need to exercise patience – Netflix isn’t expected to premiere this latest installment until 2026. This continuation of the BRIDGERTON saga promises to maintain the series’ signature blend of romance, drama, and societal intrigue, while exploring new territories through Benedict’s artistic soul and his reluctance to follow his brothers into matrimonial bliss. With its stellar cast and creative team hard at work, including veteran stunt professional Mark Vanselow at the helm, and the addition of acclaimed actors like Academy Award winner Marisa Tomei, Ving Rhames, and Michael Chiklis, the fourth season appears poised to captivate audiences once again with its unique blend of period romance and modern sensibilities. [...]
February 16The 2025 Irish Film and Television Awards transformed Dublin into a constellation of stars on Friday evening, with SMALL THINGS LIKE THESE emerging as the night’s biggest winner. The intimate drama secured both Best Film and Best Actor for Cillian Murphy, who delivered a memorable acceptance speech apologizing to his fellow nominees from hip-hop group Kneecap: “Sorry Kneecap. You had me outnumbered.” The evening proved particularly triumphant for Saoirse Ronan, who demonstrated her versatility by claiming two major awards. She won Best Actress for her compelling performance in THE OUTRUN, where she portrayed a young woman grappling with alcoholism – a project she created alongside her husband Jack Lowden. “I got to make this film with the love of my life,” Ronan shared emotionally from the stage. She also secured Best Supporting Actress for her role in the World War II drama BLITZ, during which she graciously acknowledged the team from ATONEMENT, the film that launched her Oscar-nominated career. The ceremony highlighted the growing international appeal of Irish cinema, with Colin Farrell winning Best Lead Actor in a TV Drama for his transformation in THE PENGUIN. The gritty drama SAY NOTHING garnered multiple honors, including Lead Actress in a Drama Series for Lola Petticrew’s powerful portrayal of Dolours Price. The series also earned Anthony Boyle the Rising Star award for his depiction of Brendan Hughes, while Tom Vaughan-Lawlor and Hazel Doupe secured supporting actor awards. In a particularly poignant moment, director Rich Peppiatt accepted his Best Director award for KNEECAP with news that carried special weight: he had become an Irish citizen just hours before the ceremony. Holding up an Irish flag badge, he declared, “I became an Irish citizen earlier today, only about two hours ago, just in time.” The film itself, predominantly in Irish, represents a bold celebration of language and culture, with its creators insisting on authenticity in their storytelling. BAD SISTERS continued its successful run with Sharon Horgan taking home the award for Script Writing. Horgan tantalized fans with hints about a potential third season, expressing interest in casting Sebastian Stan or Andrew Scott as the show’s next antagonist. The series’ acclaim underscores the growing global appetite for Irish storytelling. Industry veteran Colm Meaney received the Lifetime Achievement Award, approaching the honor with characteristic humor: “It means a thing about yay size, very heavy. It’s a wonderful award, it’s very special, and to get it from my home town and from my peers too.” The evening served as a powerful reminder of Ireland’s flourishing film industry, with Andrew Scott capturing the sentiment perfectly: “We have incredible crews here, and the standard of our work is going from strength to strength. I just hope that we continue making films that are authentically Irish and what it means to be Irish. There is a real international audience for not just the actors who are doing well at the moment, but all types of filmmakers. It’s a really incredibly exciting time.” Indeed, as the credits rolled on another spectacular IFTA ceremony, it was clear that Irish cinema isn’t just finding its voice – it’s commanding the global stage with stories that resonate far beyond its shores. More Cillian Murphy Cillian Murphy: Oscar 2025 presenter 28 YEARS LATER begins filming Murphy in BLOOD RUNS COAL Murphy on SMALL THINGS LIKE THESE [...]
February 14The glittering heart of Ireland’s entertainment industry is set to pulse through Dublin this Valentine’s Day as a constellation of stars descends upon the Royal Convention Centre for the prestigious Irish Film and Television Academy (IFTA) Awards. Hosted by the charismatic Kevin McGahern, this year’s ceremony promises to be an extraordinary celebration of Irish creative talent, with veteran actor Colm Meaney taking center stage to receive the coveted IFTA Lifetime Achievement Award. The guest list reads like a who’s who of Irish entertainment, featuring Oscar nominee Cillian Murphy, fresh from his role in SMALL THINGS LIKE THESE, alongside fellow luminaries Saoirse Ronan of THE OUTRUN and BLITZ, Andrew Scott of RIPLEY, and Ruth Negga, starring in PRESUMED INNOCENT. The ceremony will also welcome BRIDGERTON star Nicola Coughlan, BAD SISTERS creator Sharon Horgan, and the dynamic trio from KNEECAP: J.J. Ó Dochartaigh, Liam Óg Ó hAnnaidh, and Naoise Ó Cairealláin. The star power continues with appearances from Liam Cunningham of 3 BODY PROBLEM, Eva Birthistle from KATHLEEN IS HERE, and rising star Alisha Weir of ABIGAIL. Adding to the glamour are HOUSE OF THE DRAGON’s Clinton Liberty, Chris O’Dowd showcasing his new series SMALL TOWN, BIG STORY, and OUTLANDER sensation Caitriona Balfe. SALTBURN and CONVERSATIONS WITH FRIENDS star Alison Oliver will join DEXTER: ORIGINAL SIN’s Patrick Gibson among the distinguished attendees. Meaney, the man of the hour, expressed genuine surprise at his selection for the Lifetime Achievement Award. “To say I was surprised when I got the news that IFTA wanted to give me this award would be an understatement,” he remarked with characteristic humility. “I was truly shocked. To be asked to join this long list of very illustrious previous recipients is a huge honour.” For those unable to attend, TikTok star Eric Roberts will be bringing the red carpet glamour directly to fans through IFTA’s Official TikTok Account, with coverage beginning at 5pm. The entire ceremony will be broadcast on RTE One at 10.55pm on Saturday, February 15, allowing viewers nationwide to share in this celebration of Irish creative excellence. The event, supported by Screen Ireland and Coimisiún na Meán, with key sponsors including RTE, Don Julio, IFTN, TikTok, Canon, and Sculpted by Aimee, stands as a testament to the flourishing Irish entertainment industry and its growing influence on the global stage. [...]
February 9THE TOMMY TIERNAN SHOW continues to captivate audiences with its unique format and intimate conversations, offering viewers a refreshing departure from traditional chat show interviews. The show’s distinctive approach – where the host meets his guests without any prior knowledge of their identity – has led to some remarkably authentic moments in recent episodes. In a particularly engaging segment, fellow comedian Jimmy Carr brought his characteristic wit to the show, sharing candid insights into his life as a new parent. After his stand-up shows in England, Carr revealed, he often drives home, and in one touching moment, he described returning late only to spend an hour discussing Transformers with his young child through the baby monitor, still buzzing from his performance energy. The show recently welcomed Hollywood actor Paul Giamatti, in what viewers described as a “gentle” conversation that went far deeper than typical promotional interviews. Social media lit up with observations about the uncanny similarities between host and guest, with one viewer noting, “I thought we were finally getting an interview between quiet Tommy Tiernan and loud Tommy Tiernan!” The interview stood in stark contrast to traditional chat show formats, with one viewer pointing out that while Giamatti might discuss his latest film on THE GRAHAM NORTON SHOW, here he opened up about his personal life in a more meaningful way. The show’s ability to elicit powerful emotional responses was particularly evident in an episode featuring writer and actor Seamus O’Rourke. His moving reading from his book “Leaning on Gates,” exploring the complex relationship between fathers and sons, left viewers “bawling their eyes out.” O’Rourke’s honest reflection on never having hugged his late father resonated deeply with the audience, with many sharing their own experiences of similar parent-child dynamics. The show’s diverse guest list has also included mixed media artist Aaron Sunderland Carey, whose socially engaged projects earned him praise as an “inspiring” and “incredible” young man, and Irish musician Doireann Ní Ghlacáin, known for her fiddle playing and TG4 presenting work. These episodes, alongside appearances by Emma Doran and Fern Brady, showcase the show’s commitment to featuring voices from various walks of life, from A-list celebrities to local artists and academics. Through its unconventional format and Tiernan’s skillful interviewing style, the show continues to deliver what viewers have come to describe as “pure, raw and naturally funny” conversations that go beyond surface-level celebrity chat to explore the deeper aspects of human experience. WATCH NOW ON RTE PLAYER. [...]
February 8In a moving display of gratitude and humility, Irish actor Colin Farrell captured hearts at the 2025 Critics Choice Awards, taking home the prestigious Best Actor award for his remarkable performance in THE PENGUIN, the gripping spin-off series from THE BATMAN universe. The Friday night ceremony at The Barker Hangar in Santa Monica became a platform for more than just artistic recognition, as Farrell used his moment in the spotlight to shine a light on true heroism. “Well, thank you, critics – and I haven’t always felt that!” Farrell quipped with his characteristic charm, before the tone of his acceptance speech shifted to something more profound. In a year marked by devastating fires in Los Angeles, the Dublin native seized the opportunity to pay tribute to the city’s first responders and fire department, some of whom were present as honored guests at the ceremony. With genuine emotion, Farrell reflected on the often-overlooked sacrifices of emergency services: “It’s so easy to forget what first responders and the fire department do every day, every week, every month, every year, until these fires come and lives are in jeopardy.” His words carried particular weight as he acknowledged the lives and property lost, while praising the tireless, selfless efforts of these everyday heroes who, in his words, demonstrate true civic duty in an increasingly divided world. The victory adds to Farrell’s growing collection of accolades, including a Golden Globe for the same role. His win came alongside that of his THE PENGUIN co-star Cristin Milioti, who secured Best Actress in a Limited Series for her portrayal of Sofia Falcone. The actor made sure to acknowledge the creative forces behind the series, praising the directors who “took the tone of this show and brought it forward and did it in a seamless way.” The night also highlighted Irish talent beyond Farrell, with fellow countrymen Andrew Scott (RIPLEY), Caitríona Balfe (OUTLANDER), and young Alisha Weir (ABIGAIL) among the nominees. In a lighthearted moment concluding his speech, Farrell playfully searched the room for fellow winner Kathy Bates, promising to “be over there in a minute!” The ceremony, hosted by Chelsea Handler, represented the collective voice of over 525 media critics and entertainment journalists from the Critics’ Choice Association, celebrating excellence across film and television. Yet it was Farrell’s heartfelt tribute to real-life heroes that transformed a typical awards show moment into a powerful reminder of the true meaning of service and community. More Colin Farrell Colin Farrell on SUGAR Farrell in THE BALLAD OF A SMALL PLAYER Farrell’s Golden Globe glory Farrell’s indie film round-up [...]
February 3In a delightful twist of art imitating life, SALTBURN star Barry Keoghan has teamed up with Squarespace for their latest Super Bowl campaign, bringing a touch of Irish charm and Hollywood aspiration to the world of website building. The heartwarming short film follows Keoghan as he mentors an ambitious donkey named Don Mosley, who dreams of making it big in Tinseltown – a narrative that playfully echoes Keoghan’s own experience with his four-legged co-star in THE BANSHEES OF INISHERIN. Set in the picturesque Irish countryside, the campaign captures the intimate moment of two artists – one established, one aspiring – navigating the modern demands of showbusiness. As they huddle over a laptop, Keoghan guides Mosley through the process of creating his professional website, complete with the perfectly personalized domain name “donmosley.com.” The Dublin native’s authentic charm shines through as he playfully struggles with pronouncing “theatre” while helping his companion craft an impressive acting résumé. The short film masterfully balances humor with subtle commentary on the entertainment industry’s challenges, particularly for Irish talents seeking to break into the American market. While poking fun at Don’s limited acting range, the advertisement cleverly draws parallels to Keoghan’s own journey from Dublin to Hollywood stardom. Created in-house by Squarespace, the campaign showcases how even the most unlikely of performers – be they Irish actors or ambitious donkeys – can establish their digital presence and pursue their dreams. As this teaser builds anticipation for Squarespace’s Super Bowl LIX commercial, it’s clear that Don Mosley has already secured his first big break. With a professional website now featuring his talents, booking information, and headshots, this determined donkey seems poised to follow in the hoofsteps of Jenny from THE BANSHEES OF INISHERIN – though perhaps with a more strategic approach to career management. Through this charming collaboration, Squarespace not only highlights their user-friendly platform but also captures the universal story of dreamers taking their first steps toward stardom, one website at a time. More Barry Keoghan Barry Keoghan PEAKY BLINDERS update CALM WITH HORSES on Netflix Barry Keoghan in BIRD MASTERS OF THE AIR on Apple TV+ [...]
January 30The Irish film industry’s next generation of talent takes center stage as the Irish Film & Television Academy (IFTA) unveils its prestigious Rising Star nominees for 2025, spotlighting four remarkable talents who exemplify the nation’s thriving creative spirit. Among the nominees is Alisha Weir, who captured hearts worldwide in ROALD DAHL’S MATILDA THE MUSICAL and has since impressed audiences in ABIGAIL and WICKED LITTLE LETTERS. Joining Weir in this distinguished cohort is Anthony Boyle, whose versatility shines through performances in SAY NOTHING, MASTERS OF THE AIR, HOUSE OF GUINNESS, and MANHUNT. The nominations also recognize writer-director Aislinn Clarke, known for FREWAKA, THE DEVIL’S DOORWAY, and EYE EXAM, alongside actor Clinton Liberty, whose powerful performances in HOUSE OF THE DRAGON, HOLDING, RED ELECTION, and NORMAL PEOPLE have marked him as one to watch. This unique award, sponsored by Fís Éireann/Screen Ireland and selected by a special jury, has historically identified Ireland’s most promising creative talents, with past recipients including luminaries such as Saoirse Ronan, Michael Fassbender, Nicola Coughlan, Domhnall Gleeson, Siobhán Cullen, and Jamie Dornan, all of whom have gone on to achieve international acclaim. IFTA Chief Executive Áine Moriarty emphasizes the significance of these nominations, noting that these four artists represent the vanguard of Ireland’s homegrown industry making waves on the global stage. The winner will be revealed at the 2025 IFTA Awards Ceremony, set to take place at the Dublin Royal Convention Centre on February 14, marking another milestone in Ireland’s remarkable year of world-class film and television production. This prestigious recognition not only celebrates individual talent but also underscores Ireland’s continuing prominence in the global entertainment landscape, as these rising stars carry forward the torch of Irish storytelling excellence. As social media buzzes with excitement over this unexpected collaboration, fans have been expressing their enthusiasm for what promises to be a remarkable fusion of musical and theatrical talent. The partnership between Fender’s emotionally charged songwriting and Scott’s renowned ability to convey complex emotions suggests that the upcoming music video will be nothing short of extraordinary, offering viewers a unique artistic experience that bridges the worlds of music and cinema.   [...]
January 29In an electrifying announcement that has sent fans into a frenzy, acclaimed Irish actor Andrew Scott has been revealed as the star of Sam Fender’s upcoming music video for PEOPLE WATCHING. The Geordie musician, who made his triumphant return to the music scene last November, took to Instagram this week to share a tantalizing glimpse of the BAFTA-winning actor running down a street, confirming the unexpected yet thrilling collaboration. The teaser for PEOPLE WATCHING, the title track from Fender’s highly anticipated third album, marks a significant moment for both artists. While fans have been eagerly awaiting new content since the song’s initial release, which was accompanied only by a lyric video, the addition of Scott to the project has elevated expectations to new heights. The Dublin native, widely recognized for his versatile acting career, brings his profound emotional depth to what promises to be a compelling visual narrative. Scott’s involvement comes on the heels of his critically acclaimed performance in ALL OF US STRANGERS alongside fellow Irishman Paul Mescal, adding another fascinating chapter to his already impressive career. His portfolio boasts numerous prestigious accolades, including a BAFTA, two Olivier Awards, and nominations from both the Emmys and Golden Globes, making his participation in Fender’s music video an artistic coup that has captivated audiences across both the music and film industries. As social media buzzes with excitement over this unexpected collaboration, fans have been expressing their enthusiasm for what promises to be a remarkable fusion of musical and theatrical talent. The partnership between Fender’s emotionally charged songwriting and Scott’s renowned ability to convey complex emotions suggests that the upcoming music video will be nothing short of extraordinary, offering viewers a unique artistic experience that bridges the worlds of music and cinema.   More Andrew Scott IFTV-Blog-16-180×180 Scott earns Golden Globes nomination Andrew Scott in BACK IN ACTION RIPLEY now on Netflix [...]
January 23Rising Irish actor Éanna Hardwicke is set to receive the prestigious “Wilde Card” Award at the 19th annual Oscar Wilde Awards, continuing a legacy of recognition for emerging Irish talent. At 28, Hardwicke has already carved an impressive path in the entertainment industry, with a career that began in youth theatre and has rapidly blossomed into a series of compelling performances across film and television. His journey into acting started early, participating in youth programs at the Gaiety School of Acting and National Association of Youth Drama. Hardwicke’s breakthrough came with a child actor role in Conor McPherson’s horror film THE ECLIPSE, and he later graduated from The Lír, Ireland’s National Academy of Dramatic Art at Trinity College Dublin. Just before graduating, he landed a significant role in the critically acclaimed film VIVARIUM, which premiered at Cannes in 2019, sharing the screen with Imogen Poots and Jesse Eisenberg. Since then, Hardwicke has become a versatile performer, appearing in notable productions like NORMAL PEOPLE, FATE: THE WINX SAGA, and THE SIXTH COMMANDMENT, for which he received several awards. His recent projects showcase his range, from A VERY ROYAL SCANDAL to the upcoming SAIPAN, where he portrays Irish football legend Roy Keane opposite Steve Coogan. Currently, he’s filming NO ORDINARY HEIST with Eddie Marsan, further solidifying his reputation as a rising star. Hardwicke’s creativity extends beyond acting. His short film AT ARM’S LENGTH, co-written with Tom Monahan, was funded through Screen Ireland’s Actor as Creator scheme and premiered at the Galway Film Fleadh in 2022. His selection as one of Screen International’s inaugural Rising Stars Ireland highlights the industry’s recognition of his potential. The Oscar Wilde Awards, to be held on February 27th, 2025, at the Ebell of Los Angeles, will honor Hardwicke alongside actor John C. Reilly. Sponsored by Fís Éireann/Screen Ireland and Northern Ireland Screen, the event celebrates the vibrant connection between Irish and American entertainment, with Hardwicke representing the exciting new generation of Irish acting talent.   [...]
January 17Fresh off his acclaimed performance as Tom Ripley in Netflix’s psychological thriller RIPLEY, Andrew Scott continues his streaming success with the upcoming action-comedy BACK IN ACTION, set to premiere on Netflix on January 17, 2025. Scott’s recent filmography showcases his remarkable range. In 2023, he received widespread praise for his transformative lead role in Andrew Haigh’s ghost story ALL OF US STRANGERS, where he starred opposite Paul Mescal. His emotionally charged performance in RIPLEY (2024) further solidified his status as one of today’s most versatile actors, following his earlier successes in CATHERINE CALLED BIRDY (2022) and the war drama 1917 (2019). In BACK IN ACTION, Scott joins Hollywood veterans Cameron Diaz and Jamie Foxx in what marks Diaz’s first film role since 2014’s ANNIE. The plot centers around a seemingly ordinary couple (Diaz and Foxx) whose quiet suburban life masks their former careers as elite secret agents. When their past catches up with them, they’re thrust back into the high-stakes world of international espionage. This action-packed comeback vehicle for Diaz represents another significant addition to Scott’s increasingly diverse portfolio, bridging his acclaimed dramatic work with more commercial fare.  Watch BACK IN ACTION on Netflix.   More Andrew Scott IFTV-Blog-16-180×180 Scott earns Golden Globes nomination Andrew Scott: Actors on Actors RIPLEY now on Netflix [...]
January 13ITV has announced a third and final series of the BAFTA-nominated comedy-drama THE DRY. The series stars Belfast actress Roisin Gallagher as Shiv, a recovering alcoholic who returned to Dublin after spending a decade in London. The show’s previous seasons featured an accomplished cast including GAME OF THRONES veterans Ciarán Hinds and Michael McElhatton, alongside Siobhán Cullen (THE LIMEHOUSE GOLEM), Moe Dunford (VIKINGS), and Sam Keeley (IN THE HEART OF THE SEA). In the upcoming final series, the Sheridan family will confront their greatest challenge yet when a significant family secret comes to light. As they grapple with inevitable change and the betrayals of the past, destructive patterns begin to surface. Shiv, who has typically blamed others for her problems – her family, her ex, and alcohol – must finally confront a difficult question: could she be the real source of her own troubles? The series will conclude with a family gathering where these tensions come to a head, forcing Shiv to face some uncomfortable truths about herself. Watch THE DRY on Apple TV here. More THE DRY IFTV-Blog-20-180×180 IFTV-Blog-14-180×180 MD1-180×180 D1-180×180 [...]
January 9Three Irish stars have earned nominations for the 2025 Screen Actors Guild Awards, building on their recent awards season momentum. Nicola Coughlan received recognition in the Outstanding Performance by a Female Actor in a Drama Series category for her role in BRIDGERTON. The actress shared her reaction on Instagram, expressing shock and gratitude for the nomination. In the Outstanding Performance by a Male Actor in a Television Movie or Limited Series category, both Colin Farrell and Andrew Scott secured nominations for their respective performances in THE PENGUIN and RIPLEY. Farrell’s nomination comes fresh off his Golden Globe win for the DC Comics series, while Scott was also a contender in the same Golden Globes category. The 31st annual SAG Awards ceremony will stream live on Netflix from The Shrine Auditorium & Expo Hall in Los Angeles on February 23, with Kristen Bell serving as host. [...]
January 6Colin Farrell claimed his third Golden Globe victory at the 2025 awards ceremony on Sunday night, winning Best Male Actor in a Limited or Anthology Series for his portrayal of Oswald Cobblepot in THE PENGUIN. The Max series features Farrell reprising his role as the notorious Gotham gangster, a character he first brought to life in Matt Reeves’s 2022 film THE BATMAN. His transformation into the iconic villain required an extensive three-hour daily makeup process. During his acceptance speech, Farrell playfully quipped, “No one to thank on this one. I did it all by myself… Just a raw, paired away performance.” He then acknowledged makeup artist Michael Marino, who designed the Penguin’s distinctive look, and praised his “extraordinary” team. Describing his morning routine in the makeup chair, Farrell shared, “I drank black coffee, listened to ’80s music, and I became a canvas for that team’s brilliance.” He concluded his speech with a humorous observation about his future career path: “I guess it’s prosthetics for here on out.” More Colin Farrell Colin Farrell on SUGAR Farrell in THE BALLAD OF A SMALL PLAYER Farrell in A BIG BOLD BEAUTIFUL JOURNEY Farrell’s indie film round-up [...]
January 2BELFAST star Caitríona Balfe rose to international fame through her starring role in the STARZ historical drama series OUTLANDER, which premiered in 2014. In the series, Balfe portrays Claire Randall, a World War II nurse who mysteriously travels back in time to 1743 Scotland. Her character becomes romantically involved with Highland warrior Jamie Fraser (Sam Heughan), and together they navigate the historical turmoil of the Jacobite risings. Based on Diana Gabaldon’s novel series, OUTLANDER has become Balfe’s defining television role. The series’ seventh season, adapted from AN ECHO IN THE BONE, is currently airing on STARZ, having premiered in June 2023. The second half of Season 7 began airing on November 22, 2024, with the final episode scheduled for January 17, 2025. As OUTLANDER approaches its conclusion, Balfe has been open about the emotional impact of filming the eighth and final season. In an interview with COLLIDER, she described the intensity of shooting the series’ final moments: “The leading up to it was the hardest part,” she revealed, adding that the anticipation led to significant anxiety and “a lot of ugly crying on my behalf.” The series finale, which recently completed filming, adapts material from WRITTEN IN MY OWN HEART’S BLOOD and GO TELL THE BEES THAT I AM GONE, the final books in Gabaldon’s series. While the release date for Season 8 remains unannounced, Balfe’s portrayal of Claire Randall Fraser has spanned nearly a decade of television, establishing her as one of the most recognizable faces in historical drama. [...]
December 29PLAYING NICE stars Niamh Algar alongside James Norton in a gripping new psychological drama from ITV, STUDIOCANAL, and Rabbit Track Pictures. Algar portrays Maddie, a mother whose life is shattered when she discovers her toddler was switched at birth with another child. The four-part series follows Maddie and her partner Pete (Norton) as they confront this devastating revelation, leading them into the lives of Miles (James McArdle) and Lucy (Jessica Brown Findlay) – the parents raising their biological child. While an initial agreement seems promising, sinister undercurrents begin to surface. Adapted from JP Delaney’s novel for television by Grace Ofori-Attah, PLAYING NICE represents a major acquisition for STUDIOCANAL at MIPCOM. The series comes from Norton and Kitty Kaletsky’s Banijay-backed Rabbit Track Pictures, with Norton himself describing it as “a psychological thriller, and more psychological than thriller.” The Irish actress Algar, known for her powerful performances in HAPPY VALLEY and RAISED BY WOLVES, takes on this complex maternal role in what promises to be an intense exploration of parental bonds and moral dilemmas. PLAYING NICE premieres on ITV on Sunday, January 5th at 9pm.   [...]
December 13On December 29th at 20:30, TG4 will premiere BRENDAN GLEESON’S FAREWELL TO HUGHES’S, a deeply personal documentary celebrating the iconic Dublin pub that profoundly shaped traditional Irish music. Hughes’s was more than just a neighborhood establishment—it was a cultural landmark. For over 35 years, the pub served as a vibrant hub for musicians, dancers, and music enthusiasts, creating an unparalleled sanctuary for traditional Irish musical expression. Oscar-nominated actor Brendan Gleeson, who frequently performed at Hughes’s, brings an intimate perspective to this tribute. After the pub’s closure in 2021 following the passing of its beloved owner, Gleeson embarked on a heartfelt project to preserve its legacy. The documentary weaves together a rich tapestry of personal stories, capturing the essence of Hughes’s through interviews with musicians, dancers, and loyal patrons. It offers a profound exploration of the pub’s significant contribution to Ireland’s musical heritage. The film is a collaborative labor of love, directed and produced by acclaimed filmmaker and fiddle player Ciarán Ó Maonaigh. Gleeson serves as executive producer alongside Liam O’Connor, with exceptional cinematography by Ray Mac Donnacha and a compelling sound mix by Brendan Rehill. Following successful screenings at the Dublin International Film Festival and select cinemas in Dublin and Galway, BRENDAN GLEESON’S FAREWELL TO HUGHES’S will now reach a nationwide audience through TG4, ensuring the pub’s remarkable story continues to inspire and resonate with viewers.   [...]
December 10In a testament to his remarkable acting prowess, Andrew Scott has secured a Golden Globes nomination for his captivating performance in Netflix’s psychological thriller RIPLEY, solidifying his reputation as one of the most versatile actors of his generation. Scott’s portrayal of Tom Ripley in the critically acclaimed series has earned him a well-deserved nomination in the Best Actor in a Limited Series or Television Film category. Based on Patricia Highsmith’s classic novel “The Talented Mr. Ripley,” the series offers a darker, more nuanced interpretation of the iconic character that Scott brings to life with extraordinary depth and complexity. Unlike previous adaptations, Scott’s Ripley is a study in psychological manipulation and quiet intensity. His performance strips away the charismatic veneer often associated with the character, instead revealing a more calculating and internally tormented individual. The nomination recognizes Scott’s ability to navigate the intricate psychological landscape of Tom Ripley, presenting a version of the character that is both chilling and uncomfortably human. The Golden Globes nomination is just one of many accolades for Scott’s performance. Critics have praised his ability to make Ripley simultaneously repulsive and magnetic, a challenging feat that requires immense acting skill. His nuanced portrayal transforms the character from a simple con artist into a complex psychological study of desire, class, and identity. For Andrew Scott, known for his memorable roles in ALL OF US STRANGERS, FLEABAG and BLACK MIRROR, this nomination represents a significant milestone. It underscores his range as an actor and his capacity to take on challenging, morally ambiguous characters with remarkable insight and subtlety. RIPLEY, directed by Steven Zaillian, has been lauded for its atmospheric black-and-white cinematography and Scott’s mesmerizing central performance. The series reimagines Highsmith’s narrative with a fresh, contemporary psychological depth that has resonated with both critics and audiences.   More Andrew Scott Scott wraps KNIVES OUT 3 Andrew Scott in PRESSURE Andrew Scott: Actors on Actors RIPLEY now on Netflix Previous Next https://youtu.be/AUWkVn1tIt4 [...]
December 7Paul Mescal continues his rising Hollywood trajectory with a hosting gig on SATURDAY NIGHT LIVE this weekend, capping off a breakthrough year that has seen him make significant strides in film and television. Most recently, Mescal starred in GLADIATOR II, Ridley Scott’s highly anticipated sequel released on November 22nd. The film marks a major milestone in the actor’s career, following his critically acclaimed performances in projects like AFTERSUN and NORMAL PEOPLE that first brought him international recognition. On December 7th, he’ll take the stage as host of SATURDAY NIGHT LIVE for the show’s eighth episode of Season 50. This hosting debut comes on the heels of his prominent role in the epic action sequel, showcasing his growing versatility as an entertainer. The upcoming SNL episode will feature Shaboozey as the musical guest, adding another layer of excitement to the night. The show is part of NBC’s final three episodes of 2024, with subsequent hosts including Chris Rock (December 14th) and Martin Short (December 21st). Mescal’s recent filmography demonstrates his rapid ascent in Hollywood, transitioning from indie darling to mainstream action star. His role in GLADIATOR II represents a significant pivot, placing him alongside established actors in a major historical epic directed by legendary filmmaker Ridley Scott. More Paul Mescal Mescal: IFTA Best Supporting Actor Paul Mescal in GLADIATOR 2 ALL OF US STRANGERS now streaming Mescal and Scott take The Co-Star Test Previous Next https://youtu.be/oBiQB68cGzs [...]
December 6Amid rumors of a potential HARRY POTTER TV adaptation, Cillian Murphy finds himself at the center of speculation about playing Voldemort – while simultaneously juggling an impressive lineup of high-profile projects. Ralph Fiennes, the original Voldemort in the HARRY POTTER film series, has enthusiastically endorsed Murphy for the role. “Cillian is a fantastic actor,” Fiennes told Watch What Happens Live, calling the potential casting “a wonderful suggestion.” Murphy’s packed schedule includes an upcoming zombie sequel, 28 YEARS LATER, Danny Boyle’s return to his iconic zombie franchise. The film, scheduled for release on June 20, 2025, will also feature Aaron Taylor-Johnson and Jodie Comer, reuniting Murphy with Fiennes. He’s also preparing for the PEAKY BLINDERS film, continuing his journey as Thomas Shelby in the acclaimed crime series that made him a household name. While negotiations are still early for the potential HARRY POTTER villain role, Murphy’s experience playing antagonists – including Scarecrow in the BATMAN films and a terrorist in RED EYE – makes him an intriguing potential choice for Voldemort. The proposed HBO series is expected to be a fresh adaptation of the beloved books, with no plans to include the original film’s cast members like Daniel Radcliffe, Emma Watson, or Rupert Grint. With his versatility and proven track record of compelling performances, Murphy continues to be one of Hollywood’s most sought-after actors, seamlessly moving between intense dramatic roles and potential franchise entries. More Cillian Murphy Cillian Murphy for PEAKY BLINDERS movie 28 YEARS LATER begins filming Murphy in BLOOD RUNS COAL Murphy on SMALL THINGS LIKE THESE Previous Next https://youtu.be/u4CNZrnlsPQ?si=p9IJBbNxYkgu-pAi [...]
December 2Two groundbreaking television series set in Northern Ireland have captured critical acclaim, making the New York Times Best TV Shows of 2024 list and offering powerful narratives that explore the region’s complex historical and contemporary landscape. Disney’s SAY NOTHING, adapted from Patrick Radden Keefe’s bestselling book, delivers a gripping narrative deeply rooted in the historical context of the Troubles. The show provides an unflinching look at a dark period of Northern Irish history, examining the human cost of prolonged conflict. TV Critic James Poniewozik praised the series as a “tough but enthralling work that traces old scars, revives bitter memories and measures a generational account of multiplying injustice.” The show stands out for its nuanced approach to storytelling, bringing the intricate layers of Northern Ireland’s painful past into sharp focus. Equally compelling is BLUE LIGHTS, a Belfast-based drama that offers a modern perspective on the ongoing reverberations of the Troubles. Created by Adam Patterson and Declan Lawn, the series follows PSNI (Police Service of Northern Ireland) officers navigating the complex social and political landscape of contemporary Belfast. New York Times TV Critic Mike Hale highlighted the show’s profound exploration of historical trauma, noting that “The Troubles are alive in this Northern Irish crime drama, a legacy of damage, suspicion and hatred that threatens cops every time they step out of their cars.” The series distinguishes itself through its authentic portrayal of police work, blending familiar procedural elements with deep emotional nuance. Sian Brooke’s performance as a middle-aged rookie officer with social worker instincts has been particularly praised, bringing depth and humanity to the ensemble cast. Both SAY NOTHING and BLUE LIGHTS demonstrate the continued artistic vitality of Northern Irish storytelling, offering viewers sophisticated, layered narratives that go beyond simplistic representations of conflict and instead explore the human experiences that persist in its wake. More Irish TV Shows Saoirse-Monica Jackson in THE DECAMERON Eve Hewson in THE PERFECT COUPLE Nicola Coughlan in BRIDGERTON Season 3 Once Upon a Time in Northern Ireland Previous Next [...]
November 29Michael Fassbender stars in Paramount+’s new spy drama THE AGENCY, playing Martian, a CIA operative returning from an extended assignment in Ethiopia. The series explores the psychological complexities of a long-time intelligence operative struggling to reintegrate into his previous life. Fassbender’s character is defined by profound emotional compartmentalization. Having been estranged from his daughter for six years and separated from a romantic relationship in Ethiopia, Martian represents a spy whose professional life has profoundly altered his personal identity. The actor delves into his character’s moral ambiguity, questioning how two decades in intelligence work have transformed Martian’s ethical boundaries. “What has the journey and the road done to him, and how has his moral compass been shifted?” Fassbender reflects, highlighting the character’s nuanced psychological landscape. Central to Fassbender’s portrayal is the blurred line between truth and deception. “Lies and truth have become so merged that it’s blurry,” he explains. “You can’t tell the difference… because everything is a lie and the truth.” THE AGENCY premieres Friday Nov 29 on Paramount+ with two episodes, followed by a linear network debut on Sunday at 9/8c. [...]
November 28Barry Keoghan is set to take on one of his most high-profile roles yet, cast as Ringo Starr in Sam Mendes’ ambitious four-part BEATLES biopic series. The project marks a significant milestone in Keoghan’s rapidly expanding career, which has seen him transition from indie darling to mainstream Hollywood sensation. Keoghan has been making waves in the music world beyond acting. He recently appeared in Sabrina Carpenter’s PLEASE PLEASE PLEASE music video and was featured in Fontaines D.C.’s music video for BUG, which used footage from Andrea Arnold’s film BIRD. Reflecting on these appearances, Keoghan told IndieWire, “I seem to be in music videos everywhere.” In what could be his most transformative role to date, Keoghan will portray Ringo Starr in Sam Mendes’ innovative film series. The project has already garnered significant attention, with Starr himself endorsing the casting. “I think it’s great,” Starr told Entertainment Tonight, adding a playful note about Keoghan potentially taking drum lessons. The ambitious film project will consist of four separate movies, each focusing on a different Beatles member. Mendes will direct all four films, which are set to “intersect” and tell the band’s story from multiple perspectives. The first installment is scheduled for a 2027 theatrical release. The casting comes with full life-story and music rights granted by Starr, Paul McCartney, and the families of John Lennon and George Harrison, highlighting the project’s significance. This role continues Keoghan’s impressive trajectory, following standout performances in critically acclaimed films like BANSHEES OF INISHERIN and SALTBURN. The BEATLES biopic represents another bold step for an actor known for taking on challenging and transformative roles. While details about the film are still emerging, with other potential castings like Paul Mescal still rumored, Keoghan’s involvement has already generated significant excitement. As Mendes stated, the project aims to “challenge the notion of what constitutes a trip to the movies.” More Barry Keoghan Barry Keoghan PEAKY BLINDERS update CALM WITH HORSES on Netflix Barry Keoghan in BIRD MASTERS OF THE AIR on Apple TV+ Previous Next https://youtu.be/9N1QHUePOZg?si=XRi1X-W_hH3epciw [...]
November 25Sharon Horgan, who created and stars in the BAFTA-winning black comedy BAD SISTERS, recently discussed her career evolution on THE LATE LATE SHOW with Patrick Kielty. The show’s second season is currently airing, with Horgan admitting to some nervousness about the Irish audience’s reaction despite the first season’s success. As both creator and star, Horgan faces unique challenges with BAD SISTERS’ second season. While writing entirely original material proved demanding compared to the first season’s adaptation from the Flemish series CLAN, she found herself deeply connected to the characters she had developed. The new season takes a darker turn, particularly in its second episode, as Horgan aimed to explore the realistic aftermath of abusive relationships. This focus on complex, challenging narratives has become a hallmark of Horgan’s work. The Co Meath-raised creative force has built an impressive portfolio over the past decade, including acclaimed series like PULLING, CATASTROPHE, DIVORCE, and MOTHERLAND. Her on-screen presence has also grown, with notable appearances in films such as GAME NIGHT and DATING AMBER. Despite her late start in the industry at age 36 with PULLING, which she co-wrote with Dennis Kelly, Horgan has established herself as a powerhouse in television creation and performance. Initially attributing her success to “lucky breaks” – including her collaboration with Rob Delaney on CATASTROPHE – she now acknowledges her achievements while maintaining her characteristic humility, shaped by her upbringing on a turkey farm. Her current success, she notes, comes from years of “constantly hustling” in the industry. Season 2 of BAD SISTERS is now streaming on Apple TV+.   [...]
November 15THE AGENCY puts its spotlight on Martian (Michael Fassbender), a covert CIA agent. As the story unfolds, Martian is ordered to abandon his undercover life and return to London station. when the love he left behind reappears, romance reignites. playing Fassbender’s love interest is Jodie turner-smith. It is through this romance that Martian’s career, real identity, and mission are pitted against his heart, hurling them both into a deadly game of international intrigue and espionage. As executive producer George Clooney says, “a guy makes one mistake: falling in love. and a lot of people get in a lot of trouble because of it.” Featured alongside Fassbender, Clooney, and turner-smith are stars Jeffrey wright, Richard Gere, John Magaro, and Katherine Waterston.  THE AGENCY premieres Nov 29 on Paramount+. https://youtu.be/GvEOJ-zZnhw?si=ITwd-pn8j01s3kdw [...]
November 13FX’s limited series SAY NOTHING is a gripping story of murder and memory in Northern Ireland during The Troubles. The 9-episode series is based on the book by Patrick Radden Keefe. Spanning four decades, the series opens with the shocking disappearance of Jean McConville, a single mother of ten who was abducted from her home in 1972 and never seen alive again. Telling the story of various Irish Republican Army (IRA) members, SAY NOTHING explores the extremes some people will go to in the name of their beliefs, the way a deeply divided society can suddenly tip over into armed conflict, the long shadow of radical violence for all affected, and the emotional and psychological costs of a code of silence. The series stars rising Irish actress Lola Pettigrew as Dolours Price. Pettigrew has garnered attention for her powerful performances in films like DATING AMBER (2020), where she played the lead role of Amber, and HERE ARE THE YOUNG MEN (2020). She earned critical acclaim for her role in the BBC drama THREE FAMILIES (2021) and has demonstrated her range in theatrical productions across Ireland and the UK. Her casting as Dolours Price follows her notable turn in ROGUE AGENT (2022) alongside James Norton and Gemma Arterton. Alongside Pettigrew, Hazel Doupe stars as Marian Price, Anthony Boyle as Brendan Hughes, a charismatic but conflicted military strategist, and Josh Finan as Gerry Adams, a leading political operator who would go on to negotiate peace and has always denied having any involvement with the IRA. Maxine Peake stars as Older Dolours Price. SAY NOTHING is executive produced by Nina Jacobson and Brad Simpson of Color Force, creator Joshua Zetumer, Patrick Radden Keefe, Edward McDonnell, Monica Levinson and Northern Ireland native Michael Lennox. The series is produced by FX Productions. More Irish TV Shows Saoirse-Monica Jackson in THE DECAMERON Eve Hewson in THE PERFECT COUPLE Nicola Coughlan in BRIDGERTON Season 3 Once Upon a Time in Northern Ireland Previous Next [...]
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