Farrell & Buckley: ACTORS ON ACTORS
When Colin Farrell and Jessie Buckley sit down together, they’re practically strangers, but something shifts in the air almost immediately—the conversation plunges into depths that feel inevitable, as if the weight of what they’ve been carrying on screen demands to be acknowledged. Both Irish, both navigating the kind of roles that leave marks, they find themselves in that rare space where small talk feels impossible and honesty becomes the only currency worth trading.
Farrell has spent his year inhabiting the unraveling psyche of an addict in Edward Berger’s BALLAD OF A SMALL PLAYER, set against the neon-soaked backdrop of Macau, where his character exists in a perpetual state of financial and emotional freefall, grasping at connection with a credit broker played by Fala Chen even as everything else slips through his fingers.
Buckley, meanwhile, has endured something different but equally devastating in Chloé Zhao’s HAMNET, where she embodies Agnes Shakespeare, an imagined version of William’s wife, and walks through the unbearable aftermath of losing her son—her grief made all the more complex and wrenching when she discovers that her husband has transformed their tragedy into his greatest work, turning their private anguish into public art. It’s this tension between suffering and creation, between living through pain and witnessing it transmuted into something that might outlast them both, that seems to hover between Farrell and Buckley as they talk. Agnes is horrified at first, then slowly moved, forced to reckon with the uncomfortable truth that art can be both an act of theft and an act of preservation, that it can feel like betrayal and tribute at once. And perhaps that’s what draws these two actors together despite their unfamiliarity—they both understand, in their bones, what it means to offer yourself up to a story that asks for everything, to let yourself be emptied out in service of something larger, and to trust that there’s power in that emptying, that art really can reach across time and circumstance to touch something true in whoever encounters it.
When Emerald Fennell texted @alisonjoliver about joining WUTHERING HEIGHTS, the answer was immediate: yes.
"I just love her so much that I would do anything she was doing," Oliver says about reuniting with Fennell after SALTBURN.
The film is now in theatres, more at irishfilmtv.com.
Barry Keoghan has arrived.
The Dublin actor who made us unable to look away in SALTBURN is now going head-to-head with Chris Hemsworth, Mark Ruffalo, and Halle Berry in CRIME 101 — and he`s not just keeping up, he`s stealing scenes.
This isn`t just another role—this is Keoghan proving he belongs among Hollywood`s heaviest hitters, taking his Love/Hate juice straight to LA and reminding everyone that sometimes the hungriest actor in the room is the most dangerous one.
More Barry at irishfilmtv.com.
One man. Eight characters. Pure theatrical magic. ✨
Andrew Scott`s VANYA won Best Play Revival at the WhatsOnStage Awards after its triumphant West End run at the Duke of York`s Theatre and now tops the list of best one-man shows of recent times.
More Andrew at irishfilmtv.com.
HOW TO GET TO HEAVEN FROM BELFAST drops Feb 12 on Netflix.
DERRY GIRLS star Saoirse Monica Jackson has been talking about the new series and her excitement is absolutely contagious.
Landing on Galentine`s Day feels perfect for this kind of ladies-celebrating-ladies energy.
Watch now at irishfilmtv.com.
Jamie Dornan is about to make you forget every role you thought defined him.
THE WORST, a pitch-black British comedy, casts him as Danny, a talent agent so pathologically addicted to self-promotion that he can`t stop name-dropping even as the dinner party around him combusts into spectacular social carnage.
More Jamie at irishfilmtv.com.
The awards season darling you`ve been hearing about is finally streaming.
Chloé Zhao`s HAMNET—the haunting exploration of grief, love, and the creation of Shakespeare`s HAMLET—brings together Paul Mescal and Jessie Buckley in performances that have kept both firmly in the Oscar conversation.
If you missed it theatrically, now`s your chance to see what the buzz is about before Oscar night. This is the kind of film that reminds you why cinema matters.
More HAMNET at irishfilmtv.com.
Taylor Swift just dropped the OPALITE music video and it`s giving major Irish vibes ☘️✨
The nearly 6-minute visual sees Domhnall Gleeson starring as Taylor`s love interest, playing two lonely souls who find each other. But here`s where it gets even better: eagle-eyed Swifties spotted cameos from Cillian Murphy and Graham Norton, making this a full-on Irish affair.
Want the full breakdown of this transatlantic collaboration? Head to our blog for all the details on how this stunning video came together. Link in bio! 🔗
The creator of DERRY GIRLS just dropped a murder mystery set at an Irish wake, and honestly? It`s the genre mashup we didn`t know we needed 🕵️♀️
Lisa McGee is back with HOW TO GET TO HEAVEN FROM BELFAST on Netflix, and if you loved how she found humor in the Troubles (Protestants! Toasters! Cupboards!), you`re going to eat this up.
Three friends reunite for their childhood bestie`s funeral, only to realize her death isn`t what it seems. Cue an eerie adventure across Ireland that`s equal parts creepy and hilarious.
More at irishfilmtv.com.
British Vogue just put Jessie Buckley on their February cover and it`s not just a magazine shoot—it`s a coronation.
Shot by Jack Davison on the windswept Norfolk coast near her home, these images are pure cinema. Sky, sea, and a woman at the exact moment her entire life is about to change.
She`s the frontrunner for Best Actress. HAMNET is destroying audiences. She`s a new mother standing at the edge of the kind of fame that alters everything.
And Vogue captured it all—the grit, the greatness, the quiet mastery that got her here.
More Jessie at irishfilmtv.com.
