A KNIGHT OF THE SEVEN KINGDOMS trailer released
When the opening scene of the latest GAME OF THRONES spinoff shows a lumbering oaf taking a dump behind a tree, you know something has shifted in Westeros. This isn’t the bloody intrigue of the original series or the dragon-heavy courtly drama of HOUSE OF THE DRAGON. A KNIGHT OF THE SEVEN KINGDOMS occupies its own strange territory, chronologically sandwiched between those two juggernauts but tonally adrift in uncharted waters where comedy and bleakness converge in ways this franchise has never quite attempted before.
That oaf eventually gets a name: Dunk. He’s a knight, technically, though of the hedge variety, a lower-status category whose members cannot afford proper lodging and sleep under trees like vagrants. The show wastes no time reminding us that any knight can make a knight simply by dubbing them, a lack of gatekeeping that has created a rigid class system where highborn warriors scorn their ignoble brethren as knights in name only, and only just. There’s nothing just about any of it, of course, but the show trusts us to see the cruelty embedded in these hierarchies without underlining it.
The plot is deceptively simple on the surface. Dunk journeys to a tourney, a jousting competition where he hopes to prove himself worthy, and we follow his fumbling attempts to get on the ballot given his nondescript lineage. He falls for a girl, participates in a tug-of-war, muddles through various humiliations. He’s both hampered and assisted by his new squire, Egg, a bald pubescent boy who latches onto him at an inn and refuses to leave. Their dynamic carries the show, two misfits stumbling through a world that has no clear place for either of them, trying to manufacture dignity from the scraps they’ve been handed.
What makes A KNIGHT OF THE SEVEN KINGDOMS glorious is precisely what makes it a risk. This is GAME OF THRONES as grossout comedy, embracing bodily functions and base humor while maintaining the franchise’s visual splendor and attention to detail. It’s the series at its best because it remembers that even in a world of dragons and prophecies, most people are just trying to survive with some shred of honor intact, however that word gets defined by those with nothing else to their names. The show finds its heart in that struggle, in the gap between what Dunk aspires to be and what the world keeps telling him he is, and it plays that gap for both pathos and laughs without ever losing sight of the fundamental human dignity at stake.
Caitríona Balfe graces @tatlermagazine `s October cover!
From modelling for @chanelofficial to OUTLANDER`s Claire Fraser, and now two major literary adaptations on the way: SENSE AND SENSIBILITY and REBECCA. A career built on reinvention, one deliberate step at a time.✨
Full interview via link in bio 🔗︎
Forget everything you know about Fassbender!
In HOPE, he goes full motion-capture as an extraterrestrial invading a remote Korean village, starring alongside real-life wife Alicia Vikander as part of the alien family unleashing chaos.
HOPE hits US theaters Sep 9 🎬
🥊Who`s watching Saturday?
Barry Keoghan just gave Katie Taylor the send-off she deserves ahead of her final fight this Saturday at a sold-out Croke Park.
Watch now via 🔗︎ in bio.
In ELSINORE, Andrew Scott steps into the shoes of Ian Charleson — a gay actor preparing for the role of a lifetime while quietly living with AIDS, at a time when simply being himself could have ended his career.
Scott, who came out publicly in 2013, doesn`t treat this as just another role. It`s personal. It`s full circle. And it`s a tribute to an artist who never got to tell his own story on his own terms.
"I wanted people to understand he was trying to live — it`s not about fetishizing his death."
First look trailer via 🔗︎ in bio.
Aisling Bea is going home. 🇮🇪✨
The beloved Irish comedian steps in front of WHO DO YOU THINK YOU ARE? cameras to trace her roots back through Laois, Limerick and Kerry.
No forced tears. No manufactured melodrama. Just Bea being Bea — sharp, funny, and quietly moved as she digs into her family`s ties to the Easter Rising and the revival of the Irish language.
Watch now via irishfilmtv.com.
Netflix is expanding the TOP BOY universe 🎬
Oscar nominee Barry Keoghan steps into the role of Irish gangster Jonny McGee in JONNY BOY, a five-episode prequel.
Both begin filming in 2027 - Irish talent leading the charge in one of TV`s most gripping crime sagas 🔥
Full details via link in bio 🔗︎
Galway`s own @nicolacoughlan is trading Derry classrooms for something darker 👀
She`s joining Naomi Scott, Dominic West and Imelda Staunton in Netflix`s new drama pulling from the short stories Roald Dahl wrote for ADULTS — think conmen, adulterers, murderous mothers and a couple trying to outrun their own fate in a faded seaside town 🌊🔪
Full details via link in bio 🔗︎
Two Northern Irish friends. One ceasefire summer.
SKINTOWN just won the £50,000 Sean Connery Prize at Edinburgh International Film Festival 🏆 — beating nine other world premieres to take the top feature prize, voted by festival audiences themselves.
Directed by @kieron3016, this is 1994 Northern Ireland like you haven`t seen it on screen: hopeful, restless, and searching for a way out.
Full details via link in bio 🔗︎
Saoirse Ronan, the Bond girl?
The Irish actress says her dream role is a Bond villain, now husband Jack Lowden is reportedly in the running to be the next 007 - could 2026 give us Bond`s first husband-and-wife pairing?
We`re here for it. 🎬🖤
