Fassbender in HOPE

Michael Fassbender in HOPE

Michael Fassbender

Michael Fassbender in HOPE

Michael Fassbender has spent the last decade proving himself one of sci-fi’s most reliable leading men, from his chilling dual turn as the androids David and Walter in Ridley Scott’s ALIEN prequels, PROMETHEUS and ALIEN: COVENANT, to his long, morally slippery run as Magneto across the X-Men franchise. But his newest genre outing throws all of that out the window. In Na Hong-jin’s HOPE, Fassbender ditches the human-savior archetype entirely, relying on full motion capture to become an extra-terrestrial creature terrorizing a remote South Korean village.

It’s a monster role through and through, and he’s not doing it alone — real-life wife Alicia Vikander joins him as part of the invading alien family whose arrival drags the rest of the ensemble into a fight for survival. The trailers have made the stakes clear, following local police and hunters as they chase a destructive, half-glimpsed presence through a burning forest, only for the situation to flip entirely: the hunters become the hunted the moment they realize what they’ve actually woken up. What starts as a rural emergency spirals into a full cosmic-scale nightmare, with a small town caught at the center of something far bigger than itself.

HOPE is set to open in US theaters on Sept. 9, 2026, and the buzz building ahead of that release is hard to ignore. Reactions out of its Cannes Film Festival premiere were rapturous, with a standing ovation and critics calling it a “spectacularly insane” blockbuster — the kind of raucously entertaining, high-octane spectacle that doesn’t come around often. Much of that praise has landed on director Na Hong-jin himself, singled out for propulsive action filmmaking and for managing to fit a sweeping cosmic conflict inside the claustrophobic dread of a small town without losing either register.

Irish Film

THE AGENCY S2 prems Jun 21

THE AGENCY S2 prems Jun 21

Michael Fassbender

THE AGENCY S2 prems Jun 21

Paramount+ is bringing some serious firepower to screens this week, with three very different titles landing on the platform in the days ahead. Leading the charge is the return of one of television’s most gripping espionage dramas, while a beloved animated favourite and a cinematic classic round out what is shaping up to be a strong week for the streaming service.

Michael Fassbender is back as CIA officer Martian in Season 2 of THE AGENCY, which arrives on Paramount+ on June 21. This time, Martian goes undercover for MI6 and relocates with his partner Sami, played by the always compelling Jodie Turner-Smith, to a black site in Sudan. When Sami’s safety is threatened, Martian must navigate a dangerous web of global intrigue to reach her, all while paranoia and betrayal tighten their grip around him. If the first season set the bar high, the second looks set to raise it further.

Fassbender in KENNEDY

Fassbender in KENNEDY

Fassbender in KENNEDY

Netflix has officially announced “KENNEDY,” an eight-episode drama series that will star Michael Fassbender as Joe Kennedy Sr., marking a significant addition to the actor’s increasingly selective television portfolio. Based on Fredrik Logevall’s acclaimed biography “JFK: Coming of Age in the American Century, 1917-1956,” the series promises to peel back the mythological veneer surrounding America’s most storied political dynasty and reveal the raw human ambition, struggle, and tragedy that defined them.

For Fassbender, this represents a notable shift in his recent career trajectory. After dominating the big screen with intense performances in films like STEVE JOBS, ALIEN: COVENANT, and THE SNOWMAN, the German-Irish actor has been more discerning about his projects in recent years. His appearance in David Fincher’s THE KILLER in 2023 signaled his willingness to embrace streaming platforms for the right material, and “KENNEDY” appears to be another carefully chosen vehicle that allows him to sink his teeth into a complex, morally ambiguous patriarch. The role of Joe Kennedy Sr., the controversial businessman and political operator who orchestrated his family’s rise to power through a combination of wealth, cunning, and ruthless determination, seems tailor-made for Fassbender’s ability to portray charismatic yet deeply flawed men.

The series will launch in the 1930s, chronicling Joe and Rose Kennedy’s improbable journey from ambitious strivers to American royalty, following their nine children including the rebellious Jack Kennedy, who would struggle to emerge from the shadow of his older brother Joe Jr. Showrunner Sam Shaw describes the Kennedy saga as existing somewhere between Shakespeare and THE BOLD AND THE BEAUTIFUL, a deliberately provocative framing that acknowledges both the family’s genuine historical significance and the soap operatic quality of their endless cycles of triumph and disaster. The assassinations of JFK and Robert Kennedy, the tragic death of JFK Jr. alongside his wife and sister-in-law in that 1999 plane crash, and the countless other misfortunes that gave birth to whispers of a Kennedy curse have all contributed to a narrative that feels almost too dramatically perfect to be real.

Shaw’s vision, drawing from Logevall’s nuanced biography, aims to strip away the mythology and expose the human strivings and burdens underneath, using the Kennedy story as a lens through which to examine not just mid-century American ambition but our current moment and how we arrived here. It’s an ambitious undertaking that will need Fassbender’s considerable talents to anchor it, and if his recent choices are any indication, he wouldn’t have signed on unless the material warranted the commitment. The series has no release date yet but stands apart from Ryan Murphy’s upcoming “American Love Story,” which will focus specifically on JFK Jr., suggesting that Netflix is betting heavily on America’s endless fascination with the family that came closest to establishing a modern political dynasty before fate intervened.

Don't miss Liam Neeson with @patrickielty on THE LATE LATE SHOW!

Big Liam joined campaigner Catherine Corless to discuss THE LOST CHILDREN OF TUAM, the most important Irish film of 2026.

Watch now via 🔗︎ in bio!

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In theatres today!

Saoirse Ronan returns to the big screen in BAD APPLES. the dark comedy where she plays a teacher driven to extremes.

Watch Saoirse's interview with @picturehouses via 🔗︎ in bio.

...

Irish eyes were shining in #Toronto this week 🎬

Monaghan's own Caitríona Balfe hit the red carpet at TIFF for the premiere of TENZING — the incredible true story of Tenzing Norgay, the Himalayan climber history almost forgot, and his historic 1953 ascent of Everest alongside Edmund Hillary.

Watch now via 🔗︎ in bio.

...

Tea, reflection, and a very different kind of classroom drama ☕🎬

Saoirse Ronan opens up on A MUG OF LIFE about presence, growth, and calm — then goes full dark comedy in BAD APPLES, in UK cinemas from September 18.

Watch now via 🔗︎ in bio.

...

Meet Liam Neeson, the producer!

Enraged by a 2017 New York Times investigation into the Tuam mother and baby home scandal, Neeson has backed THE LOST CHILDREN OF TUAM, in Irish theatres on Sep 25.

Full details via link in bio 🔗︎

...

Andrew Scott could make Oscar history 🎭

His performance in ELSINORE — as an actor giving everything to one final role while his body fails him — is the kind you don't shake off. 

Watch Andrew's @tiff_net "In Conversation" via 🔗︎ in bio.

...

Domhnall told Taylor "I'll do it for the dance".

THE PAPER star spills the tea on how he ended up starring in Taylor Swift's "Opalite" video — jumpsuits, a talking cactus, zero-star judges, and a night of panicked dance rehearsals with the one and only Mandy.

Watch now via irishfilmtv.com.

...

By order of The Peaky Blinders 🔫🖤

Cillian Murphy is heading back to Birmingham — but this time he's calling the shots from behind the camera. 

Netflix and the BBC have just confirmed a two-season PEAKY BLINDERS sequel, with Murphy stepping in as executive producer alongside creator Steven Knight.

Full details via 🔗︎ in bio.

...

All smiles at the MOBLAND S2 London premiere 😉

Pierce Brosnan, Tom Hardy and Helen Mirren brought serious star power to Leicester Square as the Harrigans turn on each other from the inside while rival gangs circle their north London empire.

Full details via link in bio 🔗︎

...

Michael Fassbender in HOPE

Michael Fassbender in HOPE

Michael Fassbender in HOPE

After a decade-long silence that left cinema enthusiasts worldwide yearning for his return, acclaimed director Na Hong-jin is finally breaking his creative hiatus with HOPE, a mysterious thriller set to captivate audiences next summer. The announcement from distributor Plus M Entertainment marks the end of an agonizing wait that began after his 2016 masterpiece THE WAILING left viewers haunted and critics in unanimous praise.

Set against the eerie backdrop of a port village nestled within the demilitarized zone, HOPE promises to deliver the psychological complexity and atmospheric dread that have become Na Hong-jin’s signature. The story unfolds when an unknown entity materializes in this isolated community, transforming the quiet coastal settlement into a stage for supernatural terror. This premise alone suggests a return to the director’s expertise in blending visceral horror with profound existential questions that made THE CHASER, THE YELLOW SEA, and THE WAILING essential viewing for serious film lovers.

The casting choices reveal Na Hong-jin’s commitment to assembling a truly international ensemble that reflects the film’s ambitious scope. Hwang Jung-min returns to collaborate with the director once again, taking on the role of Beom-seok, the village’s branch office chief. Their previous partnership in THE WAILING demonstrated an almost telepathic understanding between actor and director, making this reunion one of the most anticipated aspects of the project. Jo In-sung brings his considerable screen presence to the role of Sung-ki, a young hunter who ventures into treacherous mountain terrain to track down the creature terrorizing the village, while Jung Ho-yeon, riding high on her global breakthrough, portrays Sung-ae, a principled police officer whose unwavering moral compass will likely be tested by the unfolding chaos.

The international dimension of HOPE becomes even more intriguing with the inclusion of Hollywood powerhouses Michael Fassbender and Alicia Vikander, both taking on the enigmatic challenge of portraying an unknown life form. Fassbender, whose intense performances in the X-MEN series, 12 YEARS A SLAVE, and ALIEN: COVENANT have established him as one of cinema’s most compelling actors, joins forces with Vikander, whose versatility spans from her Oscar-winning turn in THE DANISH GIRL to action-packed roles in JASON BOURNE and TOMB RAIDER. Their casting as otherworldly entities suggests a film that will push the boundaries of conventional narrative structure and challenge audiences’ preconceptions about identity and humanity.

The ensemble grows even more impressive with the addition of Taylor Russell, whose Venice International Film Festival recognition for BONES AND ALL demonstrates her ability to handle complex, emotionally demanding material, and Cameron Britton, whose chilling portrayal of a serial killer in Netflix’s MINDHUNTER proved his capacity for inhabiting deeply unsettling characters. This carefully curated cast represents not just star power but a collection of performers known for their fearless approach to challenging material.

Na Hong-jin’s enthusiasm for his assembled cast is palpable in his statement that they have “expressed all the elements that the work aims to convey with the best talent and focus,” describing their combination as “tremendous.” This confidence from a director known for his meticulous attention to detail and uncompromising artistic vision suggests that HOPE will be worth every moment of the decade-long wait. The film promises to blend the director’s mastery of psychological horror with contemporary global tensions, creating a cinematic experience that could redefine the thriller genre for a new generation of viewers.

Don't miss Liam Neeson with @patrickielty on THE LATE LATE SHOW!

Big Liam joined campaigner Catherine Corless to discuss THE LOST CHILDREN OF TUAM, the most important Irish film of 2026.

Watch now via 🔗︎ in bio!

...

In theatres today!

Saoirse Ronan returns to the big screen in BAD APPLES. the dark comedy where she plays a teacher driven to extremes.

Watch Saoirse's interview with @picturehouses via 🔗︎ in bio.

...

Irish eyes were shining in #Toronto this week 🎬

Monaghan's own Caitríona Balfe hit the red carpet at TIFF for the premiere of TENZING — the incredible true story of Tenzing Norgay, the Himalayan climber history almost forgot, and his historic 1953 ascent of Everest alongside Edmund Hillary.

Watch now via 🔗︎ in bio.

...

Tea, reflection, and a very different kind of classroom drama ☕🎬

Saoirse Ronan opens up on A MUG OF LIFE about presence, growth, and calm — then goes full dark comedy in BAD APPLES, in UK cinemas from September 18.

Watch now via 🔗︎ in bio.

...

Meet Liam Neeson, the producer!

Enraged by a 2017 New York Times investigation into the Tuam mother and baby home scandal, Neeson has backed THE LOST CHILDREN OF TUAM, in Irish theatres on Sep 25.

Full details via link in bio 🔗︎

...

Andrew Scott could make Oscar history 🎭

His performance in ELSINORE — as an actor giving everything to one final role while his body fails him — is the kind you don't shake off. 

Watch Andrew's @tiff_net "In Conversation" via 🔗︎ in bio.

...

Domhnall told Taylor "I'll do it for the dance".

THE PAPER star spills the tea on how he ended up starring in Taylor Swift's "Opalite" video — jumpsuits, a talking cactus, zero-star judges, and a night of panicked dance rehearsals with the one and only Mandy.

Watch now via irishfilmtv.com.

...

By order of The Peaky Blinders 🔫🖤

Cillian Murphy is heading back to Birmingham — but this time he's calling the shots from behind the camera. 

Netflix and the BBC have just confirmed a two-season PEAKY BLINDERS sequel, with Murphy stepping in as executive producer alongside creator Steven Knight.

Full details via 🔗︎ in bio.

...

All smiles at the MOBLAND S2 London premiere 😉

Pierce Brosnan, Tom Hardy and Helen Mirren brought serious star power to Leicester Square as the Harrigans turn on each other from the inside while rival gangs circle their north London empire.

Full details via link in bio 🔗︎

...

Fassbender in THE AGENCY Season Two

Fassbender in THE AGENCY Season Two

Fassbender in THE AGENCY Season Two

Michael Fassbender is experiencing a remarkable career renaissance, and his latest triumph proves that reinvention remains his greatest strength. After years of selective project choices following his intense run through the X-Men franchise and acclaimed performances in films like STEVE JOBS and MACBETH, the Irish-German actor has found his perfect vehicle in Paramount+’s THE AGENCY, which has just begun filming its highly anticipated second season in London.

The spy thriller, adapted from the critically lauded French series LE BUREAU DES LÉGENDES, represents everything Fassbender does best: complex character work wrapped in high-stakes storytelling. As CIA agent Martian, he inhabits a man living undercover in his own life, walking a knife’s edge between mission, love, and survival. The role allows Fassbender to showcase the psychological depth that made him a standout in films like SHAME and THE LIGHT BETWEEN OCEANS, while operating within the addictive framework of espionage drama.

The overwhelming success of THE AGENCY‘s first season speaks to both the quality of the source material and Fassbender’s magnetic screen presence. Paramount+ wasted no time announcing the second season in December 2024, a testament to the show’s immediate impact and Fassbender’s drawing power as both star and executive producer. The series has assembled an impressive ensemble including Jeffrey Wright, Jodie Turner-Smith, Katherine Waterston, and Richard Gere, but it’s Fassbender’s tortured agent at the center that anchors every frame.

What makes this project particularly significant in Fassbender’s recent trajectory is how it combines his penchant for challenging material with mainstream appeal. After taking a step back from blockbuster filmmaking, THE AGENCY allows him to work with prestigious collaborators like George Clooney and Grant Heslov’s Smokehouse Pictures while maintaining the artistic integrity that has defined his most memorable performances. The series, with its origins in French television excellence, offers the kind of sophisticated storytelling that Fassbender has always gravitated toward.

The second season’s central premise, following Martian’s desperate attempts to save his imprisoned lover Samia played by Jodie Turner-Smith, promises to push Fassbender into even more emotionally fraught territory. His character must navigate treachery and moral compromise, themes that have consistently brought out his best work throughout his career. The actor’s ability to convey internal conflict through subtle physical performance makes him ideally suited for the series’ exploration of identity and deception.

As production continues in London with the Butterworth brothers returning as writers and executive producers, THE AGENCY represents more than just another successful series for Fassbender. It’s a career pivot that demonstrates how established actors can find new creative energy by embracing the evolving landscape of premium television. The show’s international co-production model and distribution through both Paramount Global and Federation Studios also positions Fassbender at the center of the kind of globally-minded storytelling that defines contemporary entertainment.

With THE AGENCY proving that his instincts for compelling material remain sharp, Michael Fassbender has once again positioned himself as one of the most compelling actors of his generation, proving that sometimes the best way forward is to go deeper into the shadows.

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Fassbender on THE AGENCY and BLACK BAG

Fassbender on THE AGENCY and BLACK BAG

Fassbender on THE AGENCY and BLACK BAG

After carving out an impressive cinematic legacy with two Oscar nominations and starring roles in blockbuster franchises like X-MEN and ALIEN, alongside acclaimed performances in 12 YEARS A SLAVE, STEVE JOBS, INGLOURIOUS BASTERDS, SHAME, and NEXT GOAL WINS, Michael Fassbender has made a surprising career pivot. The actor who once commanded the big screen has returned to television as the lead in Paramount+’s espionage thriller THE AGENCY playing a seasoned spy reintegrating into London headquarters after years in the field.

This calculated career move marks a full-circle moment for Fassbender, who began his career in television before Hollywood beckoned. The project’s irresistible appeal becomes clear when examining its pedigree: a stellar ensemble featuring fellow film luminaries Richard Gere, Jeffrey Wright, Jodie Turner-Smith, and John Magaro; the producing might of George Clooney, Grant Heslov, and Yellowstone’s 101 Studios; direction from Joe Wright; and writing from Tony Award winners Jez and John Henry Butterworth.

Fassbender’s recent work reveals a particular affinity for the espionage genre. Alongside THE AGENCY which begins filming its second season next month across London and international locations, he stars opposite Cate Blanchett in Steven Soderbergh’s critically acclaimed spy thriller BLACK BAG. When asked about playing James Bond—a role he once discussed with producers before Daniel Craig secured it—Fassbender expressed contentment with his current spy characters, which offer greater complexity than the iconic 007 role.

His recent career choices suggest an actor increasingly drawn to nuanced, challenging material rather than mainstream fare. Fassbender has expressed interest in exploring more comedic roles following his experience with Taika Waititi’s NEXT GOAL WINS, revealing a desire to expand his already versatile range. His artistic ambitions extend beyond film—he’s adapted a Quentin Tarantino work for the stage, showcasing his commitment to storytelling across different mediums.

This thoughtful evolution of Fassbender’s career demonstrates an actor prioritizing creative fulfillment over traditional Hollywood trajectories—choosing projects that challenge him while collaborating with premier talent, regardless of whether they appear on streaming platforms or in theaters.

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Fassbender names HUNGER his best work

Fassbender cites HUNGER as best work

Fassbender cites HUNGER as best work

Michael Fassbender’s cinematic journey is a testament to artistic resilience and transformative performances. While his recent filmography includes both critical disappointments like the video game adaptation ASSASSIN’S CREED and the thriller THE SNOWMAN, Fassbender continues to captivate audiences with his nuanced approach to acting. His latest film, BLACK BAG, directed by Steven Soderbergh, represents a triumphant return to form, garnering a remarkable 97% on Rotten Tomatoes and earning praise from critics like ScreenRant’s Mae Abdulbaki, who awarded the film an impressive 8 out of 10 stars.

Yet the roots of Fassbender’s remarkable career can be traced back to a pivotal moment in 2008 with HUNGER, a film that fundamentally altered his trajectory. Directed by Steve McQueen, the movie saw Fassbender portraying Bobby Sands, an Irish republican leading a prison hunger strike. This role was more than just a performance; it was a transformative experience that Fassbender himself describes as a career-defining turning point. In his own words, it was “probably my favorite film that I’ve done,” a sentiment that speaks to the profound impact of the project.

Working closely with McQueen and co-star Liam Cunningham, Fassbender immersed himself in the role with an intensity that would become his trademark. The actors lived together, meticulously rehearsing scenes, consuming porridge, and diving deep into the emotional landscape of their characters. This dedication paid off, with HUNGER not only launching Fassbender’s career but also earning McQueen a BAFTA for Most Promising Newcomer.

Before HUNGER, Fassbender was largely confined to supporting roles, a promising talent waiting for his breakthrough. The film changed everything, proving his capacity for dramatic depth and positioning him as a serious actor capable of carrying complex, challenging narratives. From this point forward, Fassbender’s career trajectory shifted dramatically, transforming him from a promising character actor to a genuine A-list performer who could command both critical acclaim and audience attention.

His recent work, including the well-received BLACK BAG, demonstrates that the promise shown in HUNGER was no mere coincidence. Fassbender continues to choose roles that challenge, provoke, and showcase his remarkable range, solidifying his reputation as one of the most versatile actors of his generation.

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Michael Fassbender talks BLACK BAG

Fassbender talks BLACK BAG

Fassbender talks BLACK BAG

From the rolling hills of Ireland to international spy thrillers, Michael Fassbender follows in the footsteps of his Irish predecessor Pierce Brosnan, bringing a distinctive Celtic intensity to the world of cinematic espionage. Fassbender’s latest venture, BLACK BAG, echoes Brosnan’s legendary tenure as 007, though with a decidedly more intimate and psychologically complex approach.

In Steven Soderbergh’s BLACK BAG, Fassbender embodies George Woodhouse, an intelligence operative facing the ultimate loyalty test when his wife Kathryn (played by Cate Blanchett) becomes a suspected double agent. This exploration of matrimonial trust against national security draws fascinating parallels to Brosnan’s Irish-infused interpretation of Bond, which always carried undertones of personal conflict beneath the suave exterior.

Both Irish actors bring a certain melancholic depth to their spy roles, perhaps drawing from their cultural heritage where storytelling often weaves together personal tragedy and duty. Fassbender, born in Germany but raised in Killarney, County Kerry from age two, carries that quintessential Irish ability to convey complex emotions beneath a controlled surface—a quality Brosnan mastered throughout his four-film run as Britain’s most famous fictional spy.

The connective tissue between these two Irish actors extends beyond their shared homeland. Both navigated Hollywood as outsiders, bringing European sensibilities to distinctly American film paradigms. Where Brosnan’s Bond often wrestled with personal demons while maintaining the requisite charm, Fassbender’s George Woodhouse in BLACK BAG dives deeper into the psychological toll of espionage work, particularly when the lines between personal and professional lives blur beyond recognition.

BLACK BAG represents the culmination of Soderbergh’s recent creative surge, marking his third collaboration with screenwriter David Koepp in just two years, following KIMI and PRESENCE. This tightly constructed 93-minute thriller showcases Fassbender’s remarkable ability to convey internal conflict through minimal external expression—a talent Brosnan similarly wielded throughout his career, especially in his post-Bond work.

Beyond BLACK BAG, Fassbender’s upcoming film HOPE will see him starring alongside his real-life wife Alicia Vikander, adding another layer to his exploration of relationships under pressure. This art-imitating-life approach creates an intriguing contrast with his espionage role, where marriage becomes the ultimate battlefield of trust.

Fassbender’s off-screen passion for motorsports—having participated in a grueling 24-hour race—further connects him to Brosnan’s Bond, who similarly found release in high-stakes adrenaline pursuits. This shared appreciation for precision, timing, and controlled risk seems perfectly aligned with their on-screen personas as calculated intelligence operatives.

As Fassbender carries forward the Irish tradition of bringing psychological depth to action-oriented roles, BLACK BAG stands as a testament to how far the espionage genre has evolved since Brosnan reinvigorated Bond for the post-Cold War era. Both actors, separated by a generation but united by heritage, demonstrate how the Irish storytelling tradition continues to enrich Hollywood’s portrayal of complicated heroes navigating murky moral waters in service to their countries.

Visit the official BLACK BAG website here.