HOUSE OF GUINNESS trailer released

HOUSE OF GUINNESS trailer released

HOUSE OF GUINNESS trailer released

The streets of 19th-century Dublin are about to run dark with more than just porter. Netflix’s HOUSE OF GUINNESS, premiering September 25, promises to pour out the untold story of Ireland’s most famous brewing dynasty in a potent blend of family drama, political intrigue, and blood-soaked ambition that could only come from the mind behind PEAKY BLINDERS.

Steven Knight, the mastermind who gave us the razor-wielding Shelby family and is currently crafting the next James Bond film, has turned his attention to another empire built on vice and violence. But this time, instead of Birmingham’s smoky backstreets, we’re transported to the cobblestones of Dublin and the bustling avenues of New York, where the Guinness legacy was forged in fire and foam.

The saga begins with death, as all great family dramas should. Sir Benjamin Guinness, the architect of the brewery’s extraordinary success, has breathed his last, leaving behind not just barrels of black gold but a powder keg of family tensions ready to explode. His children – Arthur, Edward, Anne, and Ben – suddenly find themselves thrust into a world where business is personal and loyalty is measured in pints and pounds.

James Norton steps into the role of Sean Rafferty, while the Guinness heirs come alive through Anthony Boyle, Louis Partridge, Emily Fairn, and Fionn O’Shea. The supporting cast reads like a who’s who of Irish and British talent, with Derva Kirwan, Jack Gleeson, and Niamh McCormack adding their considerable gravitas to what promises to be an ensemble piece of epic proportions.

The first trailer alone delivers everything Knight’s fans have come to expect: the reading of Benjamin Guinness’ will becomes a catalyst for chaos, with scenes of violence, gore, and romance bleeding into one another like ingredients in a deadly recipe. This isn’t just the story of how a beverage conquered the world – it’s about the cost of empire, the price of power, and the bitter aftertaste left behind when family becomes business and business becomes war.

When HOUSE OF GUINNESS arrives on September 25, viewers won’t just be watching the rise of a brewing empire – they’ll be witnessing the birth of a legend.

Paul Mescal is an Irish God in the new @britishgq interview.

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Irish Television

HOUSE OF GUINNESS prems Sep 25

HOUSE OF GUINNESS prems Sep 25

HOUSE OF GUINNESS prems Sep 25

The foggy streets of Birmingham are behind us now. Steven Knight, the mastermind who gave us PEAKY BLINDERS, is trading razor-blade caps and cigarette smoke for something far more intoxicating: the dark, frothy legacy of Ireland’s most notorious brewing dynasty. When HOUSE OF GUINNESS premieres on Netflix this September 25, audiences won’t just be witnessing another lavish period drama about wealth and power—they’ll be diving headfirst into the shocking true story of a family whose scandals, betrayals, and generational secrets have somehow managed to stay buried beneath centuries of perfectly poured pints.

This is the story that Ireland never wanted told, the one that transforms your casual pub visit into something far more sinister. Set against the backdrop of 1860s Dublin and New York, the eight-part series zeroes in on one of the most explosive moments in brewing history: the death of Sir Benjamin Guinness in 1868 and the catastrophic aftermath of his will reading. Benjamin wasn’t just another wealthy industrialist—he was the grandson of Arthur Guinness himself, the visionary who famously signed that audacious 9,000-year lease on St. James’s Gate Brewery in 1759, essentially betting on eternity. Under Benjamin’s iron grip, the family business had evolved from a local Dublin operation into a global empire, their signature black stout flowing through the veins of the British Empire and beyond.

But empires built on liquid gold are particularly vulnerable to family poison, and Benjamin’s death ignited a feud that would make the Peaky Blinders look like choirboys. The series follows his four adult children—Arthur, Edward, Anne, and Ben—as they navigate the treacherous waters of inheritance, ambition, and sibling rivalry. Anthony Boyle, Louis Partridge, Emily Fairn, and Fionn O’Shea embody these young heirs who suddenly find themselves custodians of “black gold,” facing the terrifying prospect of either expanding their grandfather’s legacy or watching it crumble under the weight of their own desires.

Knight describes his fascination with this “naturally wild” clan, particularly their “zest for life—their lust for life, often literally.” It’s this raw, unapologetic appetite that drives the narrative, transforming what could have been a dry historical chronicle into something visceral and immediate. The recently released photos reveal siblings caught between ecstatic highs and heartbreaking lows, their faces reflecting the intoxicating burden of being born into greatness while simultaneously being capable of destroying it.

What makes HOUSE OF GUINNESS particularly compelling is how it illuminates the human cost of building an empire. These aren’t just wealthy heirs playing with their inheritance—they’re young people grappling with impossible expectations, their every decision capable of toppling a dynasty that took generations to build. Knight’s genius lies in recognizing that the most interesting stories aren’t about the creation of empires, but about their potential destruction from within.

The series promises to explore not just the family dynamics, but the broader ecosystem that sustained the Guinness phenomenon—the workers, the politicians, the hangers-on, and the countless Dublin characters whose lives became intertwined with the brewery’s success. This is Ireland during a period of massive transformation, when old ways were dying and new opportunities were emerging for those bold enough or ruthless enough to seize them.

For Knight, who earned an Oscar nomination for his previous work, this represents a natural evolution from the grimy streets of post-war Birmingham to the equally complex but more opulent world of Victorian Dublin. The themes remain consistent—family loyalty, the corruption of power, the price of ambition—but the stakes feel even higher when your family name is literally synonymous with Ireland itself.

HOUSE OF GUINNESS arrives at a moment when audiences are hungry for stories that blend historical authenticity with contemporary relevance. This isn’t just about understanding how a brewery became a global brand; it’s about examining how families navigate the impossible pressure of living up to legendary legacies while dealing with very human flaws and desires. The Guinness name may be on every pub wall across the world, but the family behind it has remained mysteriously private—until now.

Paul Mescal is an Irish God in the new @britishgq interview.

In just a few years, he's become more than an actor—he's a mirror we all project onto, filling him with our ideas about masculinity, vulnerability, and what a leading man can be in 2025.

More Mescal at irishfilmtv.com.

...

A priest. A pool. A Spanish island. And one very dead body. 🏊‍♂️☠️

THESE SACRED VOWS hits RTÉ One on February 1st, and this wedding weekend mystery is about to become your next obsession.

Newly released trailer now at irishfilmtv.com.

...

Killarney's own Jessie Buckley just took home the Critics Choice Award for Best Actress for HAMNET, and her acceptance speech was pure gold 🏆✨

In HAMNET, Buckley delivers a devastating performance as Agnes, William Shakespeare's wife, navigating the grief of losing their 11-year-old son. Critics are calling it unforgettable, and now she has the trophy to prove it 🎬💚

More Jessie at irishfilmtv.com.

...

HAMNET star Jessie Buckley shines in BEAST, now on #Netflix.

A troubled woman living in an isolated community finds herself pulled between the control of her oppressive family and the allure of a secretive outsider suspected of a series of brutal murders.

More at irishfilmtv.com.

...

🕺✨ DANCING WITH THE STARS IRELAND is back for S9 tonight!

Get ready for spray tans, sequins, and Sunday night sparkle because Ireland's favourite winter escape is almost here. Who's ready to vote their faves to victory? 💃

More at irishfilmtv.com.

...

** Now on Netflix **

RUN AWAY brings Harlan Coben back to form with James Nesbitt doing what he does best—playing a tormented father searching for his missing daughter against all advice.

More at irishfilmtv.com.

...

By order of the Peaky Blinders, Merry Christmas!

A teaser for the new film PEAKY BLINDERS: THE IMMORTAL MAN just dropped, and it features Cillian Murphy’s gangster Tommy Shelby returning to his old ways despite leaving them all behind at the end of the TV series.

Watch now at irishfilmtv.com.

...

Domhnall Gleeson heads to a remote Scottish isle for THE INCOMER!

He plays an awkward council worker tasked with relocating two siblings who survive by hunting seabirds, talking to mythical beings, and fiercely defending their homeland from outsiders.

More Domhnall at irishfilmtv.com.

...

Andrew Scott is bringing one of theater's most powerful true stories to life. 

The ALL OF US STRANGERS star will portray Scottish actor Ian Charleson in ELSINORE, chronicling Charleson's breathtaking final performance as Hamlet at London's National Theatre before his death in 1990 at age 40.

More via irishfilmtv.com.

...

Belfast-born Ciaran Hinds shines in Bradley Copper's IS THIS THING ON?

With Hinds, you're not just getting an actor. You're getting decades of gravitas, warmth, and that rare ability to make every scene feel like it matters. From prestige drama to fantasy epics, he's built a career on understated brilliance. And now? He's ready to find the humor in heartbreak.

More Ciaran at irishfilmtv.com.

...

Gothic drama LIES WE TELL is now on Netflix.

With powerful performances by Agnes O'Casey and David Wilmot, the Irish drama takes Sheridan Le Fanu's classic novel UNCLE SILAS and transforms it into something urgent and vital for our moment.

More at irishfilmtv.com.

...

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Both Irish actors are carrying the weight of devastating roles this year: Farrell as a gambling addict spiraling in Macau in BALLAD OF A SMALL PLAYER, Buckley as Agnes Shakespeare grieving her son in HAMNET.

Watch now at irishfilmtv.com.

...

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McCormack just wrapped Netflix's PRIDE AND PREJUDICE opposite Jack Lowden, Emma Corrin, and Olivia Colman. Talk about range: trading viral grift for Jane Austen elegance. Same actor, different century, wildly different moral compass.

More Daryl at irishfilmtv.com.

...

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From her breakout in THIS MUST BE THE PLACE to BAD SISTERS and beyond, she's now haunting George Clooney as Daphne—a face from the past that forces a movie star to confront who he became while chasing fame.

More Eve at irishfilmtv.com.

...

Irish Television

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Andrew Scott in BACK IN ACTION

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This action-packed comeback vehicle for Diaz represents another significant addition to Scott’s increasingly diverse portfolio, bridging his acclaimed dramatic work with more commercial fare. 

Watch BACK IN ACTION on Netflix.

 

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Watch Trailer

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HOW TO TELL A SECRET on Netflix

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Irish Film

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