BRING THEM DOWN initially tells its story through the perspective of Michael. Weighed down by internal conflicts, he traverses the Irish countryside almost invisibly. His brooding aggression and minimal dialogue hook you into his world. Michael’s silent fury is far more fascinating and impactful than the noise of his neighboring threats. He has a muted but threatening approach to how events escalate, and his pursuit for revenge lays the foundation for a revelatory second act.
BRING THEM DOWN initially tells its story through the perspective of Michael. Weighed down by internal conflicts, he traverses the Irish countryside almost invisibly. His brooding aggression and minimal dialogue hook you into his world. Michael’s silent fury is far more fascinating and impactful than the noise of his neighboring
FOE star Saoirse Ronan is earning rave reviews for her performance in THE OUTRUN. The film is an adaptation of Amy Liptrot’s autobiographical story, in which a return to one’s origins is synonymous with inner healing. Here, Ronan finds a role tailor-made to explore the intricacies of the human soul, in
After providing the raw fodder for Charlie Kaufman’s characteristically cryptic I’M THINKING OF ENDING THINGS, Canadian novelist Iain Reid serves up more brain-bender material in Garth Davis’ FOE. Anchored by emotionally raw performances from Saoirse Ronan and Paul Mescal, with Aaron Pierre as a stranger bringing equal parts seductive charm
The reviews for BALLYWALTER are in! The Irish Independent says “Patrick Kielty is a revelation and Seána Kerslake exemplary in this moving drama. Together they created something wonderful, something unique, something that deserves to find an audience. Armed with a moving, meaningful screenplay by Stacey Gregg, BALLYWALTER speaks only when
The reviews are in for ONCE director, John Carney’s FLORA AND SON. Single mom, Flora (Eve Hewson), struggles to keep her son Max (Orén Kinlan) out of trouble in Dublin. She gets the idea to give her teenager a guitar, but he quickly refuses it in all his teenage angst.
Straight from it’s World Premiere at Venice Film Festival, THE KILLER is earning highly positive reviews. David Fincher’s horribly addictive samurai procedural, adapted by Andrew Kevin Walker from the graphic novel by Alexis Nolent, stars Michael Fassbender as the un-named titular hitman: an ascetic who in the movie’s sensationally low-key
The debut film from Irish director Andrew Legge is a pacy, thrillingly inventive found-footage mockumentary that purports to show the invention, in 1940, of a machine that can intercept television and radio broadcasts from the future. The device is named Lola in honour of the mother of the machine’s creators:
The reviews are in for WOMEN TALKING, starring Jessie Buckley. This important film tells the story of a community battered by rape and patriarchal ideas, as a mainly female cast debate the repercussions of the brutality meted out to them. Sarah Polley’s sober, sombre ensemble picture stars Rooney Mara, Claire
TOWN OF STRANGERS is set in the town of Gort in County Galway, perhaps best known for being the site of Coole House, the home of Lady Gregory and the Irish literary revival of Yeats, Synge, O’Casey and Shaw. None of that is mentioned, however: director Threasa O’Brien focuses on
The latest movie from Irish writer-director John Carney (ONCE, SING STREET) is picking up some very good reviews following its premiere at the Sundance Film Festival. Discovering an old guitar in a skip, she believes that music may be the answer and winds up seeking the services of an LA-based
Charlotte Wells’ moving debut feature AFTERSUN details a father-daughter vacation at a cheap resort in Turkey. There’s something unknowable about Calum (Paul Mescal), and maybe this is because Sophie (Frankie Corio) is a child, and he’s her dad, and she’s just about coming to the age where she’s separating herself
In the new film version of Emma Donoghue’s richly absorbing novel THE WONDER, we confront what the march of history and colonialism has done to Ireland. The film opens in 1862, ten years after the Great Hunger, in a windswept midlands village where a local girl called Anna O’Donnell is
FOEstar Saoirse Ronan is earning rave reviews for her performance in THE OUTRUN. The film is an adaptation of Amy Liptrot’s autobiographical story, in which a return to one’s origins is synonymous with inner healing. Here, Ronan finds a role tailor-made to explore the intricacies of the human soul, in a setting as sublime as it is unforgiving. THE OUTRUN Lands in theatres Oct 24.
After providing the raw fodder for Charlie Kaufman’s characteristically cryptic I’M THINKING OF ENDING THINGS, Canadian novelist Iain Reid serves up more brain-bender material in Garth Davis’ FOE. Anchored by emotionally raw performances from Saoirse Ronan and Paul Mescal, with Aaron Pierre as a stranger bringing equal parts seductive charm and understated menace, this brooding psychological sci-fi about a dying planet and a floundering marriage.
The reviews for BALLYWALTER are in! The Irish Independent says “Patrick Kielty is a revelation and Seána Kerslake exemplary in this moving drama. Together they created something wonderful, something unique, something that deserves to find an audience. Armed with a moving, meaningful screenplay by Stacey Gregg, BALLYWALTER speaks only when it needs to. It is, at its core, a refreshingly honest tale about depression, about what happens when the light begins to fade”.
The reviews are in for ONCE director, John Carney’s FLORA AND SON. Single mom, Flora (Eve Hewson), struggles to keep her son Max (Orén Kinlan) out of trouble in Dublin. She gets the idea to give her teenager a guitar, but he quickly refuses it in all his teenage angst. Hewson does an impeccable job as Flora, the movie’s heart and soul. The film will be available in theaters on September 22nd and on Apple TV+ on September 29th.
Straight from it’s World Premiere at Venice Film Festival, THE KILLER is earning highly positive reviews. David Fincher’s horribly addictive samurai procedural, adapted by Andrew Kevin Walker from the graphic novel by Alexis Nolent, stars Michael Fassbender as the un-named titular hitman: an ascetic who in the movie’s sensationally low-key opening sequence tells us about dealing with the job’s biggest challenge: boredom. THE KILLER will be released in October in US and UK cinemas and is released on 10 November on Netflix.
The debut film from Irish director Andrew Legge is a pacy, thrillingly inventive found-footage mockumentary that purports to show the invention, in 1940, of a machine that can intercept television and radio broadcasts from the future. The device is named Lola in honour of the mother of the machine’s creators: two sisters, Thomasina (Emma Appleton) and Mars (Stefanie Martini). And at first, Lola is a portal to new artistic and cultural frontiers. But then, as the second world war escalates, the machine becomes part of the war effort, at considerable cost to future generations: an alternative fascist reality swallows the future that the women had glimpsed.
