Tag Archives: Irish Film

IRISH THEATRE NEWS

September 24The sea remembers everything. It holds in its depths the stories of those who trusted their lives to its mercy, only to discover its terrible power. This November, one such story will surface at London’s Irish Cultural Centre, brought to life through a haunting fusion of music, poetry, and the unmistakable voice of Oscar-nominated actor Stephen Rea. OCEAN CHILD represents something entirely unique in contemporary performance art. Born from the creative vision of Belfast cellist and composer Neil Martin, this extraordinary work transforms a forgotten maritime tragedy into an unforgettable artistic experience that transcends traditional boundaries between classical and folk music, between historical documentation and poetic interpretation. The story at its heart is achingly real. On January 21, 1854, the RMS Tayleur met its fate in the cold waters off Dublin’s Lambay Island. What should have been a triumphant maiden voyage to Australia became instead one of the most devastating shipwrecks in Irish maritime history. The clipper had departed Liverpool just two days earlier, carrying over 650 souls eager for new beginnings in the Australian colonies. Within hours of entering Irish waters, their dreams were swallowed by the sea. Only 280 people survived. It is Stephen Rea’s presence that elevates OCEAN CHILD from historical commemoration to something approaching the mystical. Known internationally for his powerful performances in THE CRYING GAME, MICHAEL COLLINS, and V FOR VENDETTA, Rea brings to this production a voice capable of carrying both intimate sorrow and epic scope. He embodies the titular Ocean Child, described as “a poetic creation evoking themes of memory, exile, and the vast power of the sea.” This is not merely narration; it is channeling, giving voice to the voiceless, speaking for those whose stories were lost beneath the waves. The Irish Cultural Centre in Hammersmith provides the perfect setting for this London premiere, as the venue celebrates its own 30th anniversary. Centre Director William Foote recognizes something special in OCEAN CHILD, describing it as encapsulating “everything the ICC stands for: artistic excellence, cross-cultural dialogue, and a commitment to work that transcends cultural and disciplinary boundaries.” This is precisely what makes the production so compelling—it refuses to be contained within conventional categories. OCEAN CHILD stands as testament to art’s unique power to rescue memory from oblivion. In an age where historical tragedies often become mere statistics, Martin’s composition insists on the human dimension of loss. Every note played by the quartet, every word spoken by Rea, every haunting melody drawn from the Mulcahy sisters’ instruments serves to remind us that behind every shipwreck lie individual stories of hope, fear, love, and desperate courage. The production’s November 8 and 9 performances represent the only opportunity London audiences will have to experience this remarkable work. In choosing to limit the run, the creators ensure that OCEAN CHILD remains what it was always meant to be—not a commercial entertainment, but a sacred act of remembrance, a artistic ritual that honors both the dead and the living’s need to understand their stories. Get your tickets HERE. Instagram Youtube [...]
September 19In the dim light of a rural Irish pub, where the line between this world and the next grows thin with each passing story, something extraordinary is happening at the Harold Pinter Theatre. Conor McPherson’s modern masterpiece THE WEIR has arrived in London, running until 6 December, and for the first time, the playwright himself sits in the director’s chair, guiding his own haunting creation with the intimate knowledge that only a creator can possess. Fresh from its acclaimed Dublin run at the 3Olympia Theatre, this production brings together a formidable ensemble that reads like a dream cast for Irish theatre lovers. Brendan Gleeson makes his long-awaited West End debut, joined by Owen McDonnell, Kate Phillips, Tom Vaughan-Lawlor, and Seán McGinley in what promises to be one of the year’s most talked-about theatrical events. For Seán McGinley, who embodies the quietly observant Jim, returning to McPherson’s text represents both professional privilege and personal pilgrimage. “It’s a young play by any standards,” he reflects, “but I think it’s already a classic in the canon of world theatre.” His assessment feels particularly weighted coming from an actor who has witnessed Irish theatre’s evolution firsthand, understanding that certain works transcend their temporal boundaries to speak across generations. McGinley’s appreciation for the play’s architecture runs deep, recognizing how McPherson constructs his emotional edifice with the precision of a master craftsman. “There’s a beautiful rhythm to the language and the play itself is so well constructed in terms of control, of mood and story, so it’s relatively easy to slide into that world,” he explains. This isn’t mere actor’s praise but genuine recognition of how McPherson’s dialogue carries its own musical logic, each exchange building toward moments of unexpected grace and revelation. The actor’s approach to inhabiting Jim reveals something essential about how THE WEIR operates as theatrical experience. McGinley understands that his character’s power lies not in what he says but in how he listens, how he holds space for others’ stories while carrying the weight of his own unspoken truths. “Whenever I’m not talking, I’m intently listening. It’s as simple as that, really,” he observes. “You have to keep your end of the bargain. You have to deliver your part of the story.” This philosophy of shared storytelling responsibility extends beyond individual performance into the very heart of what makes THE WEIR so compelling. Jim emerges as a man of few words whose quiet presence anchors the evening’s emotional journey, a loyal friend to Jack—Gleeson’s character—and a figure deeply rooted in the rhythms of rural Irish life. “He’s a deep thinker,” McGinley notes, “and he seems content enough with his lot. But there’s a shadow of something else there as well.” This production offers London audiences a rare opportunity to experience modern Irish theatre at its finest, guided by the playwright’s own vision and performed by actors who understand the delicate balance between humor and heartbreak that defines McPherson’s work. In the hush of those careful silences and the music of that beautiful language, THE WEIR creates space for the kind of theatrical magic that reminds us why live performance remains irreplaceable in our digital age. Instagram Youtube [...]
August 11After decades of commanding the screen in films like THE BANSHEES OF INISHERIN, Brendan Gleeson is making a triumphant return to his theatrical roots. The Oscar, BAFTA, Golden Globe-nominated, and Emmy-winning actor is set to make his long-awaited West End debut in Conor McPherson’s haunting masterpiece THE WEIR, marking not just a career milestone but a profound homecoming for one of Ireland’s most celebrated performers. Gleeson’s journey back to the stage represents more than a simple career pivot. While audiences worldwide know him as the formidable Mad-Eye Moody or the gentle Uncle Pastuzo, his theatrical foundation runs deep. His return to live performance feels particularly poignant as he takes on the role of Jack in his native Dublin before transferring to London’s Harold Pinter Theatre, bridging the gap between his Irish heritage and international acclaim. THE WEIR itself is a play that demands the kind of nuanced, lived-in performance that Gleeson has perfected over his career. McPherson’s modern classic unfolds on a stormy night in an isolated Irish pub, where four local men’s routine evening is transformed by the arrival of Valerie, a mysterious woman whose presence unleashes a cascade of increasingly unsettling tales. The stories they tell to impress her become windows into deeper truths about loneliness, connection, and the ghosts that haunt rural Irish life. For Gleeson, the role of Jack offers a perfect synthesis of his screen expertise and stage origins. Jack is both everyman and storyteller, a character who embodies the kind of weathered authenticity that has become Gleeson’s signature. The play’s exploration of human connection through storytelling mirrors Gleeson’s own career journey from the intimate world of theater to the global reach of cinema, and now back again to the raw immediacy of live performance. The production reunites Gleeson with a stellar Irish cast including Owen McDonnell from BAD SISTERS and KILLING EVE as Brendan, veteran actor Seán McGinley as Jim, Kate Phillips from PEAKY BLINDERS as Valerie, and Tom Vaughan-Lawlor, known for his powerful stage work in DANCING AT LUGHNASA, as Finbar. This ensemble brings together screen veterans and accomplished stage actors, creating the kind of theatrical alchemy that THE WEIR demands. Gleeson’s return to the stage after his remarkable film career feels like a natural evolution rather than a departure. The intimate scale of THE WEIR, with its focus on character revelation through dialogue and storytelling, plays to his strengths as an actor who can convey volumes with a glance or inflection. The transition from the 3Olympia Theatre in Dublin to the Harold Pinter Theatre in London will allow audiences on both sides of the Irish Sea to witness this master craftsman at work in his element. Instagram Youtube [...]
August 10When George Moore declared “Ireland is a little Russia” in 1911, he couldn’t have predicted how prophetic those words would prove for contemporary Irish theater. Now, over a century later, that connection finds its most compelling expression in Kabosh’s bold new adaptation of Chekhov’s THREE SISTERS, featuring Saoirse-Monica Jackson in what marks a significant return to her theatrical roots. Jackson, who captured hearts worldwide as the irrepressible Erin Quinn in DERRY GIRLS, brings her considerable talents back to the stage in this world premiere adaptation by Ciara Elizabeth Smyth. It’s a homecoming of sorts for the actress, whose career has flourished across both television and film in recent years, with notable appearances in THE CROWN and her breakout role that made her a household name. Her participation in this production represents more than just another credit—it’s a statement about the enduring power of live theater and the pull of meaningful storytelling. The production, directed by Marc Atkinson Borrull with designs by Molly O’Cathain, transforms Chekhov’s turn-of-the-century Russian provincial house into something distinctly Irish, building on Brian Friel’s 1981 translation that first premiered in Derry’s Guildhall. This isn’t merely cultural translation but artistic transformation, where the emotional entanglements of three sisters and their brother dreaming of Moscow become a meditation on Irish identity, displacement, and the universal human longing for something just out of reach. Jackson joins an impressive ensemble that includes Megan Cusack from CALL THE MIDWIFE, Lorcan Cranitch of THE CROWN, Breffni Holahan from THE NEVERS, Alex Murphy from THE YOUNG OFFENDERS, and Máiréad Tyers from EXTRAORDINARY. This casting demonstrates the current strength of Irish and British television talent willing to embrace the intimacy and immediacy of live theater, bringing their screen-honed skills to bear on Chekhov’s psychologically complex characters. What makes this adaptation particularly compelling is Smyth’s examination of nostalgia and the cyclical nature of history, themes that resonate powerfully in contemporary Ireland. The play’s exploration of characters trapped between past and future, unable to fully inhabit their present, speaks to a generation grappling with rapid social change while maintaining connections to tradition. Jackson’s involvement signals her commitment to projects that matter beyond mere entertainment value, choosing work that engages with serious themes while maintaining the sharp humor that has become her trademark. The rehearsed reading format, featuring fourteen actors including several DERRY GIRLS alumni, creates an intimate theatrical experience that strips away spectacle to focus on pure performance and language. This approach allows Jackson and her fellow performers to explore the nuanced emotional landscape of Chekhov’s characters without the constraints of full production, creating space for the kind of raw, immediate connection between performer and audience that defines great theater. For Jackson, this return to theater represents an artist at a crossroads, using her newfound prominence to champion meaningful work rather than simply capitalizing on her television success. Her choice to participate in this world premiere demonstrates a commitment to artistic growth and cultural contribution that extends beyond career advancement. It’s the kind of decision that marks the difference between a performer and an artist, between someone who acts and someone who uses their platform to engage with the world around them. Instagram Youtube [...]
August 2Nearly three decades after its debut, Marie Jones’ STONES IN HIS POCKETS continues to strike a chord with audiences worldwide, its razor-sharp commentary on Hollywood’s patronizing portrayal of Ireland as relevant today as it was in the 1990s. The latest production, currently running at Cork’s Everyman Theatre, brings this enduring classic full circle in the most unexpected way possible—as a genuine family affair that showcases not just the play’s timeless appeal, but also the remarkable trajectory of one of Northern Ireland’s most respected acting dynasties. At the heart of this production’s unique appeal is the involvement of Ian McElhinney, the veteran actor whose recent years have seen him transition from respected character actor to household name. While many know him as the stern patriarch Grandda Joe McCool in the beloved DERRY GIRLS, McElhinney’s career spans decades of distinguished work across stage and screen. His surprise cameo appearance in *Stones In His Pockets*, alongside his wife Marie Jones herself, adds an unexpected layer of authenticity to a play that has always been about the intersection of performance and reality. McElhinney’s presence in the production feels particularly poignant given his own journey through the entertainment industry. Having built his reputation through meticulous character work in productions ranging from GAME OF THRONES to countless Irish theatre productions, he understands intimately the world Jones created—one where local talent is often reduced to stereotypical roles while outsiders profit from romanticized versions of Irish culture. His cameo, brief though it may be, carries the weight of an actor who has navigated both sides of this equation throughout his career. The production itself, directed by Matthew McElhinney (Jones’ son), attempts to modernize the classic with digital projection backdrops and contemporary references, though these updates create an occasionally jarring disconnect. While the insertion of Amazon Prime references feels forced alongside the play’s otherwise period sensibilities, the core story remains devastatingly effective. Gerard McCabe and Shaun Blaney deliver bravura performances as Charlie and Jake, the two extras whose dreams and disillusionment drive the narrative forward. McCabe’s transformation into the flirtatious leading lady Caroline Giovanni with nothing more than an imaginary hair flick demonstrates the kind of theatrical magic that makes this play endure. Yet it’s the tragic undercurrent that gives STONES IN HIS POCKETS its lasting power. Beneath the comedy lies a story about economic desperation, rural decline, and the human cost of being treated as disposable. The play’s title references a heartbreaking event that serves as the emotional climax, and while this production doesn’t quite nail the tonal shift from comedy to pathos, the underlying themes remain potent. The fictional film-within-a-play, THE QUIET VALLEY, serves as a perfect metaphor for how Irish culture is often packaged and sold back to the world as something quaint and harmless. The production’s most satisfying moment comes in its final flourish—a trailer for Charlie and Jake’s own movie featuring several well-known faces, providing the kind of Hollywood ending that feels both earned and subversive. It’s a reminder that STONES IN HIS POCKETS has always been about more than cultural commentary; it’s about the universal human desire for recognition and the stories we tell ourselves about success. For Ian McElhinney, whose recent career renaissance has included everything from the blood-soaked political machinations of GAME OF THRONES to the gentle humor of DERRY GIRLS, this return to Marie Jones’ work represents a homecoming of sorts. His involvement, however brief, connects the play’s original vision with its contemporary relevance, bridging the gap between the Ireland of thirty years ago and the one audiences see today. As STONES IN HIS POCKETS continues its run at the Everyman Theatre through August 10th, it serves as both entertainment and time capsule, a reminder that some stories transcend their original moment to become permanent fixtures in our cultural landscape. With the McElhinney family’s involvement, this production becomes something more—a testament to the enduring power of Irish storytelling and the artists who continue to shape it across generations. Instagram Youtube [...]
May 6In a momentous theatrical event, acclaimed actor Brendan Gleeson is set to make his triumphant return to the stage after a decade-long absence in Conor McPherson’s haunting masterpiece THE WEIR. This special production marks several significant milestones as McPherson directs his own work for the first time since writing it nearly thirty years ago, while Gleeson, whose recent screen performances in THE BANSHEES OF INISHERIN and IN BRUGES have cemented his status as one of Ireland’s greatest acting talents, will make his West End debut. The announcement from Landmark Productions and Kate Horton Productions has already created tremendous anticipation among theatre enthusiasts. Gleeson, whose last stage appearance was in THE WALWORTH FARCE at Dublin’s 3Olympia Theatre in 2015, will return to that same venue where he began his career, performing from August 8 to September 6 before transferring to London’s Harold Pinter Theatre for a run extending to December 2025. “Conor McPherson’s THE WEIR is one of the rarest plays around,” Gleeson remarked, expressing his excitement about returning to the stage and making his West End debut. McPherson himself shared his disbelief that thirty years have passed since writing the play, calling it “an absolute honour” to bring it to life again with “one of the great titans of Irish acting.” THE WEIR, a profound meditation on human connection, takes place on a stormy night in rural Ireland where four local men gather in an isolated pub. Their usual banter is disrupted by the arrival of a woman named Valerie, leading them to share increasingly unsettling stories to impress her, unaware that she carries a deeply personal tale of her own that will shake them all. The play stands as a testament to our fundamental need for connection, the possibility of finding hope in darkness, and the enduring power of storytelling. Kate Horton described being “spellbound” by the play at its Royal Court premiere and expressed joy at bringing together such titans of Irish and international theatre. Anne Clarke of Landmark Productions recalled the thrill of learning about the project, having previously worked with Gleeson on THE WALWORTH FARCE alongside his sons Brian and Domhnall. This new production promises to be an extraordinary theatrical event, bringing together a legendary actor at the height of his powers with one of contemporary drama’s most moving and profound works, offering audiences in both Dublin and London a rare opportunity to witness theatrical magic in the making. [...]
April 30In a significant theatrical announcement, Aidan Turner will star alongside Lesley Manville and Monica Barbaro in an eagerly anticipated revival of LES LIAISONS DANGEREUSES at London’s National Theatre. This marks the first time Christopher Hampton’s celebrated adaptation of Pierre Choderlos de Laclos’ scandalous novel will grace the National’s stage, with performances expected to begin in spring 2026. The production reunites acclaimed director Marianne Elliott with the venue after a nine-year absence, forming a centerpiece of Indhu Rubasingham’s inaugural season as Artistic Director. For Turner, this role represents another prestigious addition to a career that has evolved dramatically since his breakout in POLDARK. The Irish actor has strategically balanced his screen work with challenging stage performances, including his critically lauded turn in Martin McDonagh’s THE LIEUTENANT OF INISHMORE. Turner will share the stage with BAFTA and Olivier Award-winner Manville, who joins fresh from her triumphant, award-winning performance in OEDIPUS at Wyndham’s Theatre—a production now Broadway-bound. Completing the high-profile casting trio is Barbaro, known for her role in TOP GUN: MAVERICK. The creative team assembling around this production includes set designer Rosanna Vize, costume designer Natalie Roar, movement director Tom Jackson Greaves, lighting designer James Farncombe, and sound designer Ian Dickson. Elliott’s return to the National, where her previous credits include ANGELS IN AMERICA, THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, and co-direction of WAR HORSE, promises to bring fresh perspective to Hampton’s 1985 adaptation, known for its sharp wit, psychological complexity, and themes of manipulation and seduction. While exact dates, further casting details, and ticket information remain forthcoming, the production’s announcement as part of a 16-show season signals Rubasingham’s ambitious artistic vision for one of the world’s leading theatrical institutions. [...]
April 25John Carney’s beloved 2016 film SING STREET continues its artistic journey as it prepares for its UK stage premiere at London’s Lyric Hammersmith Theatre this summer. The musical adaptation, running from July 8 to August 23, 2025, brings the ’80s-infused coming-of-age story to British audiences following successful runs in Boston and New York. In an exciting casting announcement, Adam Hunter will make his musical theatre debut as Brendan, a fitting role considering his history with the production. Hunter featured prominently on the original film soundtrack and served as the featured vocalist on the OST version of “To Find You.” To commemorate this full-circle moment, producers have released a new track titled “Outside,” performed by Hunter, which offers a glimpse into Brendan’s character—a young man afraid to venture beyond his room into the world. “SING STREET has followed me throughout my career,” Hunter reflects. “Now, to be making my live theatre debut with this beautiful stage adaptation, featuring an incredible set of songs from the movie with brand-new music for the stage is a dream.” Set in Dublin in 1982, SING STREET tells the story of sixteen-year-old Conor who forms a band to impress the mysterious aspiring model Raphina. Against the backdrop of family turmoil and the challenges of fitting into a new Catholic school, Conor discovers the transformative power of music and young love. The musical preserves the film’s exploration of these themes while expanding the emotional landscape through new compositions. The stage adaptation boasts an impressive pedigree of Tony Award-winning talent. Enda Walsh, known for his work on ONCE (another John Carney film adaptation), pens the book, while Rebecca Taichman directs. The music comes from Gary Clark (of Danny Wilson fame) and John Carney himself, combining beloved songs from the original film with fresh material crafted specifically for the stage production. Get your tickets at singstreet.com. [...]
April 15In a stunning testament to his artistic versatility, Andrew Scott’s groundbreaking one-man adaptation of UNCLE VANYA is extending its Off-Broadway run before even beginning performances, a reflection of the actor’s meteoric rise in recent years. The production, now set to start on March 10 and continue through May 11, 2025, brings Scott’s tour-de-force performance to American audiences at the Lucille Lortel Theatre following its acclaimed West End run and subsequent film capture. The innovative adaptation sees Scott embodying all eight characters in Chekhov’s classic drama, where a professor and his young wife visit their rural estate managed by family members Vanya and Sonya, setting off a chain of romantic entanglements and tensions that culminate when the professor announces plans to sell the property. Scott developed this ambitious theatrical experiment alongside adaptor Simon Stephens, designer Rosanna Vize, and director Sam Yates, with rehearsals recently commencing in London. Scott’s recent career trajectory has been nothing short of extraordinary. While theater aficionados have long appreciated his stage presence in productions like HAMLET, PRESENT LAUGHTER, and SEA WALL, his mainstream popularity has surged through his mesmerizing performances in FLEABAG, RIPLEY, and ALL OF US STRANGERS. This latest venture highlights Scott’s continued commitment to challenging material despite his Hollywood success, returning to the American stage for the first time since his 2006 Broadway debut in THE VERTICAL HOUR alongside Julianne Moore and Bill Nighy. The production features an impressive creative team including lighting design by James Farncombe, sound design by Dan Balfour, video design by Jack Phelan, movement direction by Michela Meazza, music by Kelly Moran, and costume design by Natalie Pryce. Produced by Wessex Grove, Gavin Kalin Productions, and Kater Gordon, with Wagner Johnson Productions serving as executive producers, this extended run offers theatrical audiences a rare opportunity to witness one of today’s most captivating performers at the height of his artistic powers, transforming Chekhov’s ensemble drama into a singular showcase of his remarkable range. [...]
March 18Tennessee Williams’ haunting classic A STREETCAR NAMED DESIRE has returned to New York with fresh wounds and raw nerves, now playing at Brooklyn Academy of Music in a stripped-down London import starring Paul Mescal, the Irish actor whose meteoric rise continues to captivate audiences worldwide. Fresh from commanding the Roman arena in Ridley Scott’s GLADIATOR II, Mescal brings a youthful vitality and magnetic presence to Stanley Kowalski, the role immortalized by Marlon Brando. His performance stands as testament to his remarkable versatility, seamlessly transitioning from epic historical blockbusters to intimate psychological drama with the confidence of an actor far beyond his years. Rebecca Frecknall’s minimalist production—running a brisk three hours—reduces Williams’ humid New Orleans setting to its bare essentials: a square platform suggesting a boxing ring without ropes, surrounded by darkness. A percussionist perched above the stage punctuates moments of tension and violence like audible manifestations of Blanche’s deteriorating psyche. This stark approach, which might have been electrifying in a smaller venue, sometimes struggles to connect across the expansive Harvey Theater, creating a self-conscious distance that works against the play’s inherent intimacy. Patsy Ferran’s Blanche DuBois trembles on the edge of sanity throughout, her jittery portrayal emphasizing the character’s fragility and impending psychological collapse rather than lingering in her faded Southern glamour. Unlike other recent productions—the 2009 Sydney production with Cate Blanchett that sold out BAM but never reached Broadway, or the disappointing 2005 and 2012 Broadway revivals with Natasha Richardson and Nicole Ari Parker respectively—this interpretation refuses to indulge in Blanche’s delusions of gentility or invite the audience to share in her fantasies. Frecknall, who previously divided critics with her Broadway revival of CABARET, opts for stylized movement and percussive punctuation over the dreamy, poetic atmosphere traditionally associated with Williams’ work. The violence feels gratuitous at times, the concept heavy-handed. Yet Mescal’s presence grounds the production, his Stanley representing another impressive credential in a career that has rapidly evolved from indie darling in NORMAL PEOPLE to commanding Hollywood star. As he continues this remarkable trajectory between stage and screen, this STREETCAR ultimately serves as further evidence of Mescal’s extraordinary talent and range, even when the production surrounding him fails to fully realize Williams’ tragic vision of desire and delusion in the American South. More Paul Mescal Mescal: IFTA Best Supporting Actor Paul Mescal in GLADIATOR 2 ALL OF US STRANGERS now streaming Mescal and Scott take The Co-Star Test [...]
March 13Andrew Scott, the Emmy-nominated star of FLEABAG and ALL OF US STRANGERS, has brought his tour-de-force performance to New York as Simon Stephens’s radical adaptation of VANYA begins previews at the Lucille Lortel Theatre. Fresh from his recent cinematic triumphs in ALL OF US STRANGERS and RIPLEY, Scott now reprises the Olivier Award-winning role that London critics declared “a revelation” during its acclaimed run at the Duke of York’s Theatre in late 2023. This isn’t just another revival of Chekhov’s classic—it’s a theatrical high-wire act where Scott inhabits every character in the 105-minute production. While luminaries like Laurence Olivier, Ian McKellen, and Peter O’Toole have grappled with the titular role throughout theatrical history, Scott breaks new ground by embodying the entire dramatis personae. The actor, who first captivated American audiences in the BBC’s SHERLOCK before achieving global recognition as the “Hot Priest” in FLEABAG, brings his remarkable emotional range to this innovative staging. The production, co-created by Scott alongside adapter Simon Stephens, director Sam Yates, and designer Rosanna Vize, “explores the kaleidoscope of human emotions, harnessing the power of the intimate bond between actor and audience to delve deeper into the human psyche.” Scott’s involvement extends beyond mere performance—his creative partnership with the production team reflects his growing artistic influence following his meteoric rise in film and television. Scott’s return to New York theater marks a significant moment for the actor, who made his Broadway debut in 2006 in David Hare’s THE VERTICAL HOUR. Now, with an Olivier Award and a BAFTA already secured, and coming off his critically acclaimed performance in Andrew Haigh’s tender ghost story ALL OF US STRANGERS, Scott confirms his status as one of our most versatile performing artists. The off-Broadway run is scheduled for just eight weeks with an official opening night set for March 18. Theater enthusiasts unable to secure tickets may find solace in knowing the London production is currently streaming on National Theatre at Home, though nothing compares to witnessing Scott’s transformative performance live. This limited engagement, executive produced by Wagner Johnson Productions, features the design talents of James Farncombe (lighting), Dan Balfour (sound), Jack Phelan (video), Michela Meazza (movement), and Natalie Pryce (costumes), with Marianna Gailus serving as Scott’s understudy. More Andrew Scott IFTV-Blog-16-180×180 Scott earns Golden Globes nomination Andrew Scott in PEOPLE WATCHING RIPLEY now on Netflix [...]
February 26DERRY GIRLS sensation Saoirse-Monica Jackson is set to captivate New York audiences in her Off-Broadway debut this spring. The beloved actress, known for portraying Erin Quinn in the hit series, will headline the world premiere of IRISHTOWN at the Irish Repertory Theatre’s Francis J. Greenburger Mainstage, running April 2 to May 25, 2025, with an official opening on April 13. This fresh comedy, penned by Ciara Elizabeth Smyth and directed by Nicola Murphy Dubey, delves into the chaotic world of a Dublin theatre company. As rehearsals progress, the cast grows increasingly concerned that their playwright has created something too experimental and insufficiently Irish. Taking matters into their own hands to restore authentic Irish elements, they inadvertently unleash theatrical mayhem. Jackson won’t be alone on stage – the production boasts an impressive ensemble including Tony nominee Kate Burton of GREY’S ANATOMY fame, Angela Reed from HARRY POTTER AND THE CURSED CHILD, and Purgatory star Kevin Oliver Lynch, with Roger Clark contributing voiceover work. The 31-year-old actress has been steadily building an impressive portfolio beyond her breakout role in Derry Girls. Her film credits include FINDING YOU, THE FLASH, and UPGRADED, while her television work recently expanded to include Netflix’s black comedy series THE DECAMERON alongside Zosia Mamet. This limited Off-Broadway run represents an exciting new chapter for Jackson as she transitions from screen to stage, bringing her distinctive talent to New York’s vibrant theatre scene. [...]
January 7Fresh from two triumphant, sold-out runs in London’s West End, this stunning revival of Tennessee Williams’s A STREETCAR NAMED DESIRE comes to the Brooklyn Academy of Music for an exclusive five-week engagement. The production stars Paul Mescal (GLADIATOR II, AFTERSUN, ALL OF US STRANGERS) as Stanley Kowalski, alongside Patsy Ferran (LIVING, GOD’S OWN COUNTRY) as Blanche DuBois and Anjana Vasan (KILLING EVE, BLACK MIRROR) as Stella Kowalski. At the helm is Olivier Award-winning director Rebecca Frecknall (CABARET, SUMMER AND SMOKE). In the sultry heat of New Orleans, Blanche DuBois arrives at her sister Stella’s apartment, seeking refuge with nowhere else to turn. As the temperature rises, so does the tension within the cramped quarters. Stanley, portrayed by Mescal with what The New York Times calls “swagger and sensitivity,” begins to unravel the carefully woven threads of Blanche’s past. As her meticulously constructed façade begins to crumble, the production reveals the dark undercurrents that pulse beneath the surface of one of America’s greatest plays. Due to exceptional demand, additional matinee performances have been added on Thursday, March 13 at 1:30pm, Wednesday, March 19 at 1:30pm, Wednesday, March 26 at 1:30pm, and Wednesday, April 2 at 1:30pm. Get your tickets here. More Paul Mescal Mescal on THR’s ACTOR’S ROUNDTABLE Paul Mescal in GLADIATOR 2 ALL OF US STRANGERS now streaming Mescal to host SNL tonight [...]
September 30Olivier Award®-winning actor Andrew Scott (RIPLEY) will reprise his wildly acclaimed performance in VANYA, a radical new adaptation of Chekhov’s masterwork, UNCLE VANYA. Anton Chekhov’s timeless masterpiece has captivated audiences and influenced dramatists for more than 125 years, thanks to the emotional depth and subtle humor it brings to the exploration of unfulfilled dreams, existential yearning, and the complexities of human relationships. Learn More More Andrew Scott Scott wraps KNIVES OUT 3 Andrew Scott in PRESSURE Andrew Scott: Actors on Actors RIPLEY now on Netflix Previous Next https://youtu.be/KAkq5c9J43k [...]
February 12Andrew Scott’s VANYA, the solo adaptation of Chekhov’s Uncle Vanya, has won the Best Play Revival award at the 24th Annual WhatsOnStage Awards. The piece saw Scott take on all the four lead roles in the piece across a 105-minute runtime, and was heralded as “a revelation”. The Dublin-born actor is having an incredible year with stand-out performances on both stage and screen, most notably in ALL OF US STRANGERS with FOE‘s Paul Mescal. Learn More [...]
September 23Double Olivier Award winning actor Andrew Scott talks to Graham Norton ahead of returning to London’s glittering West End to star in a new adaption of VANYA. Co-created by Scott, along with Simon Stephens, Sam Yates and Rosanna Vize, the story follows Chekhov’s closely, although Stephen’s adaptation is in modern vernacular with anglicised names and not a samovar in sight. Watch Now [...]
June 8FLEABAG hot priest Andrew Scott is set to play every role in the new production of VANYA on the West End this Autumn. Scott’s name is most renowned for his appearances on Television, with starring roles in FLEABAG and SHERLOCK, as well as an appearance in Netflix’s BLACK MIRROR. Scott has also appeared in movies such as war thriller 1917, and SPECTRE, Daniel Craig’s fourth Bond film, where Scott appeared as a nemesis of the infamous British spy. Full Preview [...]
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A respected curator in the international film festival circuit, Michael has served on programming teams for several prestigious institutions. He has contributed his expertise to Hot Docs Canadian International Film Festival, North America’s largest documentary festival; the Gimli International Film Festival, Manitoba’s premier film event; and co-founded the Toronto Irish Film Festival in 2010, establishing a vital cultural bridge between Canadian and Irish cinema. 

Michael’s creative accomplishments extend to filmmaking, where his directorial debut documentary THE WEXFORD garnered critical acclaim, securing the Audience Choice Award at the Scarborough Worldwide Film Festival. The film’s cultural significance has been recognized through its permanent inclusion in the City of Toronto Digital Archives, preserving an important piece of Toronto’s community history. 

In recognition of his outstanding contributions to international cultural exchange, Michael was awarded the City of Belfast Global Ambassador distinction in 2019. This prestigious award acknowledges his decade-plus leadership of the Toronto Irish Film Festival and its instrumental role in creating platforms for emerging Irish filmmakers to reach global audiences, while strengthening the cultural ties between Ireland and North America. 

Michael currently serves as Outreach Manager for the Toronto Film School, Canada’s #1 film school, supporting the creative aspirations of emerging Canadian actors, directors, screenwriters, graphic designers and video game developers.

Connect with Michael on LinkedIn.

Irish Film

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Ronan re-watches filmography

Ronan re-watches filmography

Ronan re-watches filmography

Saoirse Ronan takes a walk down memory lane as she re-watches scenes from her classic works. Between 2020 and 2024, Ronan’s film career continued to demonstrate her versatility as an actor. She appeared in AMMONITE alongside Kate Winslet in 2020, playing Charlotte Murchison in the historical drama. In 2022, she took on a lighter role in SEE HOW THEY RUN as Constable Stalker, starring opposite Sam Rockwell in the 1950s-set murder mystery comedy.

The year 2024 has proved particularly significant for Ronan’s career, featuring in three notable films: THE OUTRUN, FOE (a science fiction thriller with Paul Mescal), and BLITZ, which releases on Apple TV+ on November 22, 2024. Both THE OUTRUN and BLITZ have generated considerable awards buzz.

THE OUTRUN also marked an important milestone as Ronan’s first venture into production, which she undertook alongside her husband Jack Lowden. Speaking to Digital Spy about this new role, she described it as “exactly what I needed,” explaining that it helped her “think about the bigger picture” and allowed her to focus her energy on working with others in a different capacity.

If Ronan receives Oscar nominations for either THE OUTRUN or BLITZ, it would mark her fifth nomination (potentially sixth if nominated for both). This would add to her impressive track record of Academy recognition, which began with her breakthrough role in ATONEMENT, for which she received a Best Supporting Actress nomination.

More Saoirse Ronan

Ronan shines in ELLE magazine feature
Saoirse Ronan in BAD APPLES
FOE on Amazon Prime Jan 5
Saoirse Ronan stars in the new film BLITZ

Irish Film

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Ronan shines in Elle magazine feature

Ronan shines in ELLE magazine feature

Ronan shines in ELLE magazine feature

In a revealing new interview with ELLE magazine, Irish actress Saoirse Ronan shares lots of personal details. Ronan stands at a fascinating turning point in her career, taking on roles that challenge her accessible image. Her latest venture, THE OUTRUN, sees her not only starring but stepping into a producer role alongside her husband, Jack Lowden. The film, based on a memoir, pushed Ronan to explore the complex territory of addiction recovery – a subject that hits close to home.

“Addiction touched my life through people I love,” she reveals, her voice softening. “You start with anger, with this impossible question: ‘Why can’t they just stop?’ But gradually, you learn to see it as the illness it truly is.” She pauses, considering her words carefully. “Taking on this role became my way of processing that journey, of understanding what I couldn’t before.”

This introspective project runs parallel to her work in Steve McQueen’s BLITZ, a World War II drama that strips away the polished veneer of historical cinema. As a mother to a biracial child in war-torn London, Ronan confronts the uglier truths of British society during the Blitz – the racism that persisted even as bombs fell. The role marked several firsts: her debut as an on-screen mother and her first time performing musical numbers, for which she underwent intensive vocal training.

There’s a newfound boldness in how Ronan approaches her craft these days. “I used to worry about looking pretty, about staying within the lines,” she admits, deliberately contorting her face to make a point. “Now? I’m more interested in the mess, in the uncomfortable moments that make characters real.”

The conversation shifts to her upcoming directorial debut, a short film she’s writing. Her eyes light up when discussing how Greta Gerwig’s evolution from actor to filmmaker has inspired her own ambitions behind the camera. Yet there’s a touch of playful regret when she mentions missing out on BARBIE, alongside her frequent co-star Timothée Chalamet, due to scheduling conflicts. She laughs about it now: “We’re like jealous siblings, watching our favorite director make magic without us.”

At 29, Ronan has already spent two decades in front of the camera, but she’s clearly just getting started. Her trajectory suggests an artist increasingly willing to push boundaries, whether through producing, directing, or taking on roles that scrape away at her comfortable image as cinema’s approachable ingenue.

More Saoirse Ronan

Saoirse Ronan in BLITZ
Saoirse Ronan in BAD APPLES
FOE on Amazon Prime Jan 5
Saoirse Ronan stars in the new film BLITZ

Irish Film

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How well do HAMNET co-stars Paul Mescal & Jessie Buckley know each other?
Daniel Day-Lewis and Ronan Day-Lewis interviewed by Mark Kermode
Domhnall Gleeson on HARRY POTTER, STAR WARS, ABOUT TIME and THE PAPER

How well do HAMNET co-stars Paul Mescal & Jessie Buckley know each other?

Daniel Day-Lewis and Ronan Day-Lewis interviewed by Mark Kermode

Domhnall Gleeson on HARRY POTTER, STAR WARS, ABOUT TIME and THE PAPER

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** NEW TRAILER ALERT **

Roadside Attractions has unveiled the first trailer for H IS FOR HAWK, and it`s breathtaking. Brendan Gleeson appears as the father whose absence shapes everything, bringing his signature depth to a role that haunts the entire film.

Watch now at irishfilmtv.com.

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** NEW TRAILER ALERT ** Roadside Attractions has unveiled the first trailer for H IS FOR HAWK, and it's breathtaking. Brendan Gleeson appears as the father whose absence shapes everything, bringing his signature depth to a role that haunts the entire film. Watch now at irishfilmtv.com.

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Kerry Condon`s brief but powerful performance in TRAIN DREAMS is pitch perfect.

She inhabits her character with quiet competence, moving through a male-dominated world with both caution and grace.

Watch now on @netflix!

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Kerry Condon's brief but powerful performance in TRAIN DREAMS is pitch perfect. She inhabits her character with quiet competence, moving through a male-dominated world with both caution and grace. Watch now on @netflix!

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🏆 RIVALS just scooped the International Emmy for Best Drama Series!

The Disney+ hit starring Irish talents Aidan Turner and Victoria Smurfit brought home the gold for this deliciously scandalous 1980s romp through the world of wealthy media types.

More at irishfilmtv.com.

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🏆 RIVALS just scooped the International Emmy for Best Drama Series! The Disney+ hit starring Irish talents Aidan Turner and Victoria Smurfit brought home the gold for this deliciously scandalous 1980s romp through the world of wealthy media types. More at irishfilmtv.com.

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Daniel Day-Lewis is BACK and we`re not ready for how devastating ANEMONE is 😭

After 7 years away from the screen, Day-Lewis returns in this quiet Irish masterpiece directed by his son Ronan. It`s not a flashy comeback—it`s something far more powerful. A meditation on isolation, guilt, and the human connections we can`t outrun, no matter how far we go.

ANEMONE is now on Prime!

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Daniel Day-Lewis is BACK and we're not ready for how devastating ANEMONE is 😭 After 7 years away from the screen, Day-Lewis returns in this quiet Irish masterpiece directed by his son Ronan. It's not a flashy comeback—it's something far more powerful. A meditation on isolation, guilt, and the human connections we can't outrun, no matter how far we go. ANEMONE is now on Prime!

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Cillian Murphy just confirmed THE IMMORTAL MAN drops in 2026 and Tommy Shelby is coming back with a vengeance. 🔥

Fresh off STEVE hitting Netflix, Murphy spilled the tea on The Graham Norton Show that the Peaky Blinders film has wrapped.

Watch now at irishfilmtv.com.

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Cillian Murphy just confirmed THE IMMORTAL MAN drops in 2026 and Tommy Shelby is coming back with a vengeance. 🔥 Fresh off STEVE hitting Netflix, Murphy spilled the tea on The Graham Norton Show that the Peaky Blinders film has wrapped. Watch now at irishfilmtv.com.

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Andrew Scott is about to steal another movie and we`re absolutely here for it! 🔍

The trailer for WAKE UP DEAD MAN: A KNIVES OUT MYSTERY has dropped, and our beloved Irish actor is joining Daniel Craig`s Benoit Blanc for what looks like the most deliciously twisted instalment yet.

Scott plays bestselling author Lee Ross, one of several suspects in a seemingly impossible murder that rocks a small town`s religious community.

More at irishfilmtv.com.

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Andrew Scott is about to steal another movie and we're absolutely here for it! 🔍 The trailer for WAKE UP DEAD MAN: A KNIVES OUT MYSTERY has dropped, and our beloved Irish actor is joining Daniel Craig's Benoit Blanc for what looks like the most deliciously twisted instalment yet. Scott plays bestselling author Lee Ross, one of several suspects in a seemingly impossible murder that rocks a small town's religious community. More at irishfilmtv.com.

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Saoirse Ronan is heading back to the `60s! 🎸

The four-time Oscar nominee is reportedly set to play Linda McCartney in Sam Mendes` wildly ambitious THE BEATLES project—four separate films, each following a different Beatle.

She`ll star opposite Paul Mescal (her FOE co-star) as Paul McCartney, with Barry Keoghan as Ringo, Joseph Quinn as George, and Harris Dickinson as John.

More at irishfilmtv.com.

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Saoirse Ronan is heading back to the '60s! 🎸 The four-time Oscar nominee is reportedly set to play Linda McCartney in Sam Mendes' wildly ambitious THE BEATLES project—four separate films, each following a different Beatle. She'll star opposite Paul Mescal (her FOE co-star) as Paul McCartney, with Barry Keoghan as Ringo, Joseph Quinn as George, and Harris Dickinson as John. More at irishfilmtv.com.

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Graham Norton isn`t going anywhere!

The BBC has locked in three more series of THE GRAHAM NORTON SHOW - with 2.9 million viewers tuning in and clips going viral weekly, Norton continues to prove why he`s the gold standard for celebrity interviews.

More at irishfilmtv.com.

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Graham Norton isn't going anywhere! The BBC has locked in three more series of THE GRAHAM NORTON SHOW - with 2.9 million viewers tuning in and clips going viral weekly, Norton continues to prove why he's the gold standard for celebrity interviews. More at irishfilmtv.com.

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🏰 From Sister Michael to puppet master!

BAFTA winner Siobhán McSweeney trades her nun`s habit for the ultimate game of deception at Slane Castle ✨

24 strangers. €50k prize. Hidden betrayers among the faithful. Let the psychological warfare begin! 🔥

Catch THE TRAITORS IRELAND on RTÉ One & RTÉ Player 📺

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🏰 From Sister Michael to puppet master! BAFTA winner Siobhán McSweeney trades her nun's habit for the ultimate game of deception at Slane Castle ✨ 24 strangers. €50k prize. Hidden betrayers among the faithful. Let the psychological warfare begin! 🔥 Catch THE TRAITORS IRELAND on RTÉ One & RTÉ Player 📺

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📺 NEW TRAILER ALERT 📺

Premiering Aug 28, THE THURSDAY MURDER CLUB follows four retirees who spend their time solving cold case murders for fun - based on @misterosman’s bestselling novel.

Visit irishfilmtv.com for more!

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📺 NEW TRAILER ALERT 📺 Premiering Aug 28, THE THURSDAY MURDER CLUB follows four retirees who spend their time solving cold case murders for fun - based on @misterosman’s bestselling novel. Visit irishfilmtv.com for more!

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DERRY GIRLS and GAME OF THRONES star Ian McElhinney hits the stage at @theeverymancork!

Running until Aug 10th - STONES IN HIS POCKETS has heart, humor, and a Hollywood ending that`ll leave you grinning! 🎭

More at irishfilmtv.com.

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DERRY GIRLS and GAME OF THRONES star Ian McElhinney hits the stage at @theeverymancork! Running until Aug 10th - STONES IN HIS POCKETS has heart, humor, and a Hollywood ending that'll leave you grinning! 🎭 More at irishfilmtv.com.

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From strolling London`s Highbury Fields to stepping into Paul McCartney`s shoes 🎸✨

Paul Mescal is living proof that staying grounded while reaching for the stars isn`t just possible—it`s the secret sauce. Fresh off HAMNET and deep in rehearsals for Sam Mendes` Beatles biopics, this Irish charmer is redefining what it means to be a modern movie star.

More at irishfilmtv.com.

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From strolling London's Highbury Fields to stepping into Paul McCartney's shoes 🎸✨ Paul Mescal is living proof that staying grounded while reaching for the stars isn't just possible—it's the secret sauce. Fresh off HAMNET and deep in rehearsals for Sam Mendes' Beatles biopics, this Irish charmer is redefining what it means to be a modern movie star. More at irishfilmtv.com.

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🎬 HAMNET has officially overtaken Paul Thomas Anderson`s ONE BATTLE AFTER ANOTHER as the Oscar frontrunner!

Chloé Zhao`s Shakespeare-inspired drama now leads with a 96.8% chance of nomination, fueled by its Telluride buzz and Toronto People`s Choice win.

More at irishfilmtv.com.

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🎬 HAMNET has officially overtaken Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER as the Oscar frontrunner! Chloé Zhao's Shakespeare-inspired drama now leads with a 96.8% chance of nomination, fueled by its Telluride buzz and Toronto People's Choice win. More at irishfilmtv.com.

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The DERRY GIRLS creator is back with HOW TO GET TO HEAVEN FROM BELFAST — and it`s the show Lisa McGee says she`s always wanted to make. 🍀

Three childhood friends. One mysterious death. A wake that goes sideways. Eight episodes of chaos, secrets, and arguments about eyelash extensions.

More at irishfilmtv.com.

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The DERRY GIRLS creator is back with HOW TO GET TO HEAVEN FROM BELFAST — and it's the show Lisa McGee says she's always wanted to make. 🍀 Three childhood friends. One mysterious death. A wake that goes sideways. Eight episodes of chaos, secrets, and arguments about eyelash extensions. More at irishfilmtv.com.

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🖤⚡️ JESSIE BUCKLEY IS COMING BACK TO LIFE! ⚡️🖤

Ireland`s Irish powerhouse transforms into a Gaga-esque flapper brought back to life as the companion of Christian Bale`s creature in Maggie Gyllenhaal`s electrifying new take on THE BRIDE!

New trailer at irishfilmtv.com.

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🖤⚡️ JESSIE BUCKLEY IS COMING BACK TO LIFE! ⚡️🖤 Ireland's Irish powerhouse transforms into a Gaga-esque flapper brought back to life as the companion of Christian Bale's creature in Maggie Gyllenhaal's electrifying new take on THE BRIDE! New trailer at irishfilmtv.com.

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🎰 Colin Farrell`s career glow-up continues!

From Oscar-nominations to the unrecognizable Penguin in THE BATMAN, and now as an obsessive gambler in Edward Berger`s BALLAD OF A SMALL PLAYER.

Mark your calendars: @tiff_net premiere Sept 9, limited release Oct 15, Netflix Oct 29. 🔥

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🎰 Colin Farrell's career glow-up continues! From Oscar-nominations to the unrecognizable Penguin in THE BATMAN, and now as an obsessive gambler in Edward Berger's BALLAD OF A SMALL PLAYER. Mark your calendars: @tiff_net premiere Sept 9, limited release Oct 15, Netflix Oct 29. 🔥

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Michael Fassbender is trading the big screen for Netflix royalty!

The Irish-German powerhouse is set to play Joe Kennedy Sr. in KENNEDY, an 8-episode drama diving deep into America`s most mythologized family. No release date yet, but with Fassbender leading, this one`s already on our watchlist. 👑

More at irishfilmtv.com.

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Michael Fassbender is trading the big screen for Netflix royalty! The Irish-German powerhouse is set to play Joe Kennedy Sr. in KENNEDY, an 8-episode drama diving deep into America's most mythologized family. No release date yet, but with Fassbender leading, this one's already on our watchlist. 👑 More at irishfilmtv.com.

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🔥 @sarahbolger is bringing Irish fire to Hell`s Kitchen! 🔥

The MAYANS MC star just landed a killer role in MGM+`s THE WESTIES - a gritty crime series about NYC`s most notorious Irish gang.

More at irishfilmtv.com.

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🔥 @sarahbolger is bringing Irish fire to Hell's Kitchen! 🔥 The MAYANS MC star just landed a killer role in MGM+'s THE WESTIES - a gritty crime series about NYC's most notorious Irish gang. More at irishfilmtv.com.

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🎩✨ Daryl McCormack is trading modern drama for Regency romance! The GOOD LUCK TO YOU, LEO GRANDE star has officially joined Netflix`s PRIDE AND PREJUDICE adaptation as the charming Mr. Bingley 💕

From intimate character studies to Jane Austen`s ballrooms - this Irish talent continues to prove his incredible range! He`ll be swooning alongside Emma Corrin, Jack Lowden, and Olivia Colman in what promises to be THE period drama event of 2025 👑

More at irishfilmtv.com.

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🎩✨ Daryl McCormack is trading modern drama for Regency romance! The GOOD LUCK TO YOU, LEO GRANDE star has officially joined Netflix's PRIDE AND PREJUDICE adaptation as the charming Mr. Bingley 💕 From intimate character studies to Jane Austen's ballrooms - this Irish talent continues to prove his incredible range! He'll be swooning alongside Emma Corrin, Jack Lowden, and Olivia Colman in what promises to be THE period drama event of 2025 👑 More at irishfilmtv.com.

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Andrew Scott`s hot streak continues 🔥

From the Hot Priest in FLEABAG to his heartbreaking turn in ALL OF US STRANGERS, he`s now bringing that signature intensity to BLUE MOON as composer Richard Rodgers.

The film hits theaters Friday, more at irishfilmtv.com.

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Andrew Scott's hot streak continues 🔥 From the Hot Priest in FLEABAG to his heartbreaking turn in ALL OF US STRANGERS, he's now bringing that signature intensity to BLUE MOON as composer Richard Rodgers. The film hits theaters Friday, more at irishfilmtv.com.

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🎬 From "I will find you" to "I will make you laugh" - Liam Neeson is trading his particular set of skills for punchlines in THE NAKED GUN!

Is this Neeson`s Leslie Nielsen moment? Could we be witnessing the birth of comedy`s newest unlikely hero?

More at irishfilmtv.com.

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🎬 From "I will find you" to "I will make you laugh" - Liam Neeson is trading his particular set of skills for punchlines in THE NAKED GUN! Is this Neeson's Leslie Nielsen moment? Could we be witnessing the birth of comedy's newest unlikely hero? More at irishfilmtv.com.

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🔥 The feud that stopped a nation.

SAIPAN brings the explosive 2002 World Cup confrontation between Roy Keane and Mick McCarthy to the big screen—and it`s not about football glory, it`s about ego, standards, and two men whose rivalry became bigger than the game itself.

Watch the new trailer at irishfilmtv.com.

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🔥 The feud that stopped a nation. SAIPAN brings the explosive 2002 World Cup confrontation between Roy Keane and Mick McCarthy to the big screen—and it's not about football glory, it's about ego, standards, and two men whose rivalry became bigger than the game itself. Watch the new trailer at irishfilmtv.com.

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Pierce Brosnan is trading martinis for mountains.

The legendary Irish actor stars in the CLIFFHANGER reboot as Ray Cooper, a seasoned mountaineer running a luxury chalet in the Dolomites with his daughter.

More at irishfilmtv.com.

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Pierce Brosnan is trading martinis for mountains. The legendary Irish actor stars in the CLIFFHANGER reboot as Ray Cooper, a seasoned mountaineer running a luxury chalet in the Dolomites with his daughter. More at irishfilmtv.com.

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🎬 Domhnall Gleeson is back and he`s trading time travel for newspaper headlines!

The EX MACHINA and ABOUT TIME star leads THE PAPER, a new mockumentary series from THE OFFICE creators that drops ALL 10 episodes September 4th on Peacock!

Watch the new sneak peek at irishfilmtv.com.

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🎬 Domhnall Gleeson is back and he's trading time travel for newspaper headlines! The EX MACHINA and ABOUT TIME star leads THE PAPER, a new mockumentary series from THE OFFICE creators that drops ALL 10 episodes September 4th on Peacock! Watch the new sneak peek at irishfilmtv.com.

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🎭 LEGEND RETURNS TO THE STAGE 🎭

From Mad-Eye Moody to Uncle Pastuzo, Brendan Gleeson has captivated us on screen for decades. Now he`s making his WEST END DEBUT in THE WEIR! Dublin first (Aug 8-Sep 6) then London`s Harold Pinter Theatre (Sep 12-Dec 6).

More at irishfilmtv.com.

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🎭 LEGEND RETURNS TO THE STAGE 🎭 From Mad-Eye Moody to Uncle Pastuzo, Brendan Gleeson has captivated us on screen for decades. Now he's making his WEST END DEBUT in THE WEIR! Dublin first (Aug 8-Sep 6) then London's Harold Pinter Theatre (Sep 12-Dec 6). More at irishfilmtv.com.

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Netflix just quietly dropped a crime thriller you`ve been sleeping on, and Brendan Gleeson`s performance alone makes it mandatory viewing.

MR MERCEDES, Stephen King`s dark detective series that somehow flew under the radar, is finally streaming – and it`s everything fans of slow-burn psychological thrillers have been craving.

More at irishfilmtv.com.

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Netflix just quietly dropped a crime thriller you've been sleeping on, and Brendan Gleeson's performance alone makes it mandatory viewing. MR MERCEDES, Stephen King's dark detective series that somehow flew under the radar, is finally streaming – and it's everything fans of slow-burn psychological thrillers have been craving. More at irishfilmtv.com.

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🌊 WOKEN: When you wake up on a remote Irish island with no memory, surrounded by "loved ones" you don`t recognize... and that`s just the beginning 😱

@mr_friel `s atmospheric thriller serves up classic ingredients: windswept Irish cliffs, flickering candlelight, and Maxine Peake being suspiciously kind.

Stream now on @mubi.

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🌊 WOKEN: When you wake up on a remote Irish island with no memory, surrounded by "loved ones" you don't recognize... and that's just the beginning 😱 @mr_friel 's atmospheric thriller serves up classic ingredients: windswept Irish cliffs, flickering candlelight, and Maxine Peake being suspiciously kind. Stream now on @mubi.

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Pierce Brosnan is UNRECOGNIZABLE 🥊

From Bond`s tuxedos to tracksuit trainer – the Irish legend has completely transformed for GIANT, playing real-life boxing coach Brendan Ingle. Thinning white hair, glasses, and zero glamour... this is acting at its finest! 🎭

Watch trailer via link in bio!

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Pierce Brosnan is UNRECOGNIZABLE 🥊 From Bond's tuxedos to tracksuit trainer – the Irish legend has completely transformed for GIANT, playing real-life boxing coach Brendan Ingle. Thinning white hair, glasses, and zero glamour... this is acting at its finest! 🎭 Watch trailer via link in bio!

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📢 #u2 frontman Bono and Zane Lowe just dropped a conversation that goes WAY beyond your average interview.

We`re talking deep dives into the soul of #SONGSOFSURRENDER, artistic vulnerability, and why even U2`s most iconic tracks needed a fresh look.

Watch now at irishfilmtv.com.

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📢 #u2 frontman Bono and Zane Lowe just dropped a conversation that goes WAY beyond your average interview. We're talking deep dives into the soul of #SONGSOFSURRENDER, artistic vulnerability, and why even U2's most iconic tracks needed a fresh look. Watch now at irishfilmtv.com.

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Hollywood heavyweights Michael Fassbender and Alicia Vikander as... otherworldly beings? 👀

Na Hong-jin is BACK! After 10 years since THE WAILING left us speechless, the master of psychological horror returns with HOPE - hitting theaters next summer!

More at irishfilmtv.com.

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Hollywood heavyweights Michael Fassbender and Alicia Vikander as... otherworldly beings? 👀 Na Hong-jin is BACK! After 10 years since THE WAILING left us speechless, the master of psychological horror returns with HOPE - hitting theaters next summer! More at irishfilmtv.com.

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Pierce Brosnan trades his 007 tuxedo for raw, devastating drama in CURTAIN CALL—arriving on digital November 10.

Starring opposite Jessica Lange, Brosnan continues his brilliant pivot from action hero to serious character actor, exploring the heartbreaking reality of dementia in the theatre world.

Watch trailer on irishfilmtv.com.

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Pierce Brosnan trades his 007 tuxedo for raw, devastating drama in CURTAIN CALL—arriving on digital November 10. Starring opposite Jessica Lange, Brosnan continues his brilliant pivot from action hero to serious character actor, exploring the heartbreaking reality of dementia in the theatre world. Watch trailer on irishfilmtv.com.

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🎬 HE`S BACK. After 8 years in "retirement," Daniel Day-Lewis returns to the screen in ANEMONE - and it`s personal.

The three-time Oscar winner emerges from his artistic sabbatical for his most intimate project yet: a family drama he co-wrote with his son Ronan, who`s making his directorial debut.

World premiere at NYC Film Festival. October 3rd limited release. The legend continues. 🔥

More at irishfilmtv.com.

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🎬 HE'S BACK. After 8 years in "retirement," Daniel Day-Lewis returns to the screen in ANEMONE - and it's personal. The three-time Oscar winner emerges from his artistic sabbatical for his most intimate project yet: a family drama he co-wrote with his son Ronan, who's making his directorial debut. World premiere at NYC Film Festival. October 3rd limited release. The legend continues. 🔥 More at irishfilmtv.com.

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🌊 When Oscar-nominated Stephen Rea (THE CRYING GAME, MICHAEL COLLINS, V FOR VENDETTA) lends his legendary voice to a haunting tale of shipwreck and survival, you know something magical is about to happen.

📍 @irishculturalcentre, Hammersmith
🗓️ November 8-9 ONLY
🎭 Don`t miss this exclusive London run!

More at irishfilmtv.com.

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🌊 When Oscar-nominated Stephen Rea (THE CRYING GAME, MICHAEL COLLINS, V FOR VENDETTA) lends his legendary voice to a haunting tale of shipwreck and survival, you know something magical is about to happen. 📍 @irishculturalcentre, Hammersmith 🗓️ November 8-9 ONLY 🎭 Don't miss this exclusive London run! More at irishfilmtv.com.

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* NEW TRAILER ALERT *

From Oscar nominee for THE BANSHEES OF INISHERIN to scene-stealer in THE PENGUIN, Colin Farrel is now teaming up with visionary director Kogonada again for A BIG BOLD BEAUTIFUL JOURNEY alongside Margot Robbie.

Watch now at irishfilmtv.com.

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* NEW TRAILER ALERT * From Oscar nominee for THE BANSHEES OF INISHERIN to scene-stealer in THE PENGUIN, Colin Farrel is now teaming up with visionary director Kogonada again for A BIG BOLD BEAUTIFUL JOURNEY alongside Margot Robbie. Watch now at irishfilmtv.com.

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🎭 From LOVE/HATE to the West End!

IFTA winner Tom Vaughan-Lawlor is taking on Conor McPherson`s haunting masterpiece THE WEIR alongside Brendan Gleeson, Owen McDonnell, and Kate Phillips.

Dublin`s 3Olympia Theatre (Aug 8-Sep 6) ➡️ London`s Harold Pinter Theatre (Sep 12-Dec 6)

More at irishfilmtv.com.

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🎭 From LOVE/HATE to the West End! IFTA winner Tom Vaughan-Lawlor is taking on Conor McPherson's haunting masterpiece THE WEIR alongside Brendan Gleeson, Owen McDonnell, and Kate Phillips. Dublin's 3Olympia Theatre (Aug 8-Sep 6) ➡️ London's Harold Pinter Theatre (Sep 12-Dec 6) More at irishfilmtv.com.

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NEW trailer alert! 🎬 From STAR WARS galaxies to Ohio newsrooms!

Domhnall Gleeson is trading his General Hux uniform for editor-in-chief duties in THE PAPER - @peacock!`s brilliant new spin on THE OFFICE universe.

Premiering Sep 4, watch trailer at irishfilmtv.com.

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NEW trailer alert! 🎬 From STAR WARS galaxies to Ohio newsrooms! Domhnall Gleeson is trading his General Hux uniform for editor-in-chief duties in THE PAPER - @peacock!'s brilliant new spin on THE OFFICE universe. Premiering Sep 4, watch trailer at irishfilmtv.com.

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🔥 When Margot Robbie had a "suspicion" her chemistry with Colin Farrell would work in A BIG BOLD BEAUTIFUL JOURNEY... she was absolutely right! ✨

These two icons dive into Kogonada`s A BIG BOLD BEAUTIFUL JOURNEY where strangers Sarah and David rent mysterious cars that transport them through doorways to their childhood memories. Talk about a wild ride! 🚗💫

More at irishfilmtv.com.

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🔥 When Margot Robbie had a "suspicion" her chemistry with Colin Farrell would work in A BIG BOLD BEAUTIFUL JOURNEY... she was absolutely right! ✨ These two icons dive into Kogonada's A BIG BOLD BEAUTIFUL JOURNEY where strangers Sarah and David rent mysterious cars that transport them through doorways to their childhood memories. Talk about a wild ride! 🚗💫 More at irishfilmtv.com.

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Andrew Scott`s BLUE MOON trailer released!

Shot in Ireland, this Richard Linklater gem pairs Scott with Ethan Hawke for a 1943 Broadway drama that`s already being called a masterpiece. Scott plays composer Richard Rodgers in what critics are calling his most nuanced performance yet 🎵

Watch trailer at irishfilmtv.com.

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Andrew Scott's BLUE MOON trailer released! Shot in Ireland, this Richard Linklater gem pairs Scott with Ethan Hawke for a 1943 Broadway drama that's already being called a masterpiece. Scott plays composer Richard Rodgers in what critics are calling his most nuanced performance yet 🎵 Watch trailer at irishfilmtv.com.

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🍪 Watch as Domhnall Gleeson spills the tea (literally) about his Penguin biscuit childhood trauma and prepping for his role as Ned Sampson in THE PAPER!

From biscuit confessions to character deep dives - this chat had us hanging on every word.

Watch now at irishfilmtv.com.

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🍪 Watch as Domhnall Gleeson spills the tea (literally) about his Penguin biscuit childhood trauma and prepping for his role as Ned Sampson in THE PAPER! From biscuit confessions to character deep dives - this chat had us hanging on every word. Watch now at irishfilmtv.com.

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🎬🔥 When Irish rap meets global politics - @kneecap32 isn`t backing down!

From Coachella controversy to terror charges, this Irish-language trio has had one hell of a year...and a lot to say about it.

More via link in bio.

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🎬🔥 When Irish rap meets global politics - @kneecap32 isn't backing down! From Coachella controversy to terror charges, this Irish-language trio has had one hell of a year...and a lot to say about it. More via link in bio.

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Fresh off his OPPENHEIMER triumph, Murphy`s back with STEVE, a powerful drama about a headteacher fighting to save his reform school while battling his own demons.

We can`t wait to see Murphy disappear into another unforgettable role 🔥

More at irishfilmtv.com.

September theaters ➡️ October Netflix

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Fresh off his OPPENHEIMER triumph, Murphy's back with STEVE, a powerful drama about a headteacher fighting to save his reform school while battling his own demons. We can't wait to see Murphy disappear into another unforgettable role 🔥 More at irishfilmtv.com. September theaters ➡️ October Netflix

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Adapted from Louise Kennedy`s bestselling novel, TRESPASSES stars Gillian Anderson as executive producer and cast member.

Kennedy praises the "ear-perfect, sexy script" and "gorgeously melancholic aesthetic vision" that brings her Women`s Prize-shortlisted novel to life.

Premieres Sunday 9pm on Channel 4, more at irishfilmtv.com.

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Adapted from Louise Kennedy's bestselling novel, TRESPASSES stars Gillian Anderson as executive producer and cast member. Kennedy praises the "ear-perfect, sexy script" and "gorgeously melancholic aesthetic vision" that brings her Women's Prize-shortlisted novel to life. Premieres Sunday 9pm on Channel 4, more at irishfilmtv.com.

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* NEW TRAILER ALERT *

🍺 From the creator of PEAKY BLINDERS comes Netflix`s most intoxicating drama yet!

HOUSE OF GUINNESS drops September 25th, serving up the dark secrets behind Ireland`s most famous brewing dynasty.

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* NEW TRAILER ALERT * 🍺 From the creator of PEAKY BLINDERS comes Netflix's most intoxicating drama yet! HOUSE OF GUINNESS drops September 25th, serving up the dark secrets behind Ireland's most famous brewing dynasty.

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🎬 From STAR WARS to THE OFFICE spin-off magic!

Domhnall Gleeson is absolutely crushing it as Ned Sampson in THE PAPER - proving he`s evolved from beloved supporting player to commanding leading man 🌟

Catch him chatting with Seth Meyers about the series - THE PAPER is streaming NOW on Peacock! 📺✨

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🎬 From STAR WARS to THE OFFICE spin-off magic! Domhnall Gleeson is absolutely crushing it as Ned Sampson in THE PAPER - proving he's evolved from beloved supporting player to commanding leading man 🌟 Catch him chatting with Seth Meyers about the series - THE PAPER is streaming NOW on Peacock! 📺✨

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From THE COMMITMENTS to THE TUDORS to KIN, @mariadoylekennedy has built a career that defies categories.

In a brand new interview with The Irish Examiner, Maria opens up about the artists and art that shaped her creative journey—from her Dublin roots to international screens and stages.

Watch now at irishfilmtv.com.

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From THE COMMITMENTS to THE TUDORS to KIN, @mariadoylekennedy has built a career that defies categories. In a brand new interview with The Irish Examiner, Maria opens up about the artists and art that shaped her creative journey—from her Dublin roots to international screens and stages. Watch now at irishfilmtv.com.

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Irish Film, Irish Television

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Daniel Day-Lewis returns in ANEMONE

Daniel Day-Lewis returns to acting

Daniel Day-Lewis returns to acting

Daniel Day-Lewis is returning to acting in ANEMONE from Ronan Day-Lewis. The feature is from first time director Ronan Day-Lewis, the son of the 3x Oscar winning actor. Father and son wrote the screenplay which explores the intricate relationships between fathers, sons and brothers and the dynamics of familial bonds. The last time Day-Lewis was on the big screen was Focus Features’ Paul Thomas Anderson movie PHANTOM THREAD in 2017. Daniel Day-Lewis will star with Sean Bean, Samantha Morton, Samuel Bottomley and Safia Oakley-Green.

Day-Lewis is widely regarded as one of the greatest actors of his generation, known for his intense method acting and selective approach to roles. He began his career in the 1980s with notable performances in films like MY BEAUTIFUL LAUNDRETTE (1985) and A ROOM WITH A VIEW (1985). His breakthrough came with MY LEFT FOOT (1989), for which he won his first Academy Award for Best Actor, portraying writer and artist Christy Brown.

Throughout the 1990s and 2000s, Day-Lewis continued to showcase his versatility and commitment to his craft. He delivered powerful performances in films such as THE LAST OF THE MOHICANS (1992), IN THE NAME OF THE FATHER (1993), and GANGS OF NEW YORK (2002). His portrayal of oil tycoon Daniel Plainview in THERE WILL BE BLOOD (2007) earned him his second Oscar and is considered one of the greatest acting performances in cinema history.

Day-Lewis’ later career was marked by his continued excellence and increasing selectivity. He won a third Oscar for his portrayal of Abraham Lincoln in Steven Spielberg’s LINCOLN (2012). His final film before retiring was PHANTOM THREAD (2017), for which he received his sixth Oscar nomination. Throughout his career, Day-Lewis was known for fully immersing himself in his roles, often staying in character even when not filming, and for the long breaks he took between projects.

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Irish Film

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SWING BOUT extends run in Irish theatres

SWING BOUT now in Irish theatres

SWING BOUT now in Irish theatres

By popular demand, a new Cork film is enjoying an extended theatre run in Ireland.

SWING BOUT is an intense crime/thriller set backstage at a major boxing event, tracing Tony Gale’s, played by Ciara Berkeley (THE DECEIVED, NORMAL PEOPLE), tumultuous journey from the dressing room to her ring walk in a night of deceit, betrayal, and life-altering decisions. Toni, like most boxers at the beginning of their fight career, has dreams of being a world champion, but, here on fight night, amid the bright lights and the chance to box in front of a huge TV audience on a major fight card, reality strikes hard and Toni finds herself low on confidence and even lower on cash. She becomes entangled in a web of corruption spun by her promoters, The Casey Brothers. They and her conniving coach tempt her into taking a dive against a hot prospect with connections to the underworld in exchange for a lucrative payoff.

As tensions mount in the dressing room, Toni wrestles with her conscience; a betting scandal brews within the underworld; illicit affairs are exposed involving her coach; The Casey Brothers face a potential murder inquiry; and Toni’s only real friend fights for her life due to inadequate medical attention after collapsing post-fight. Pushed to her physical and emotional limits, Toni confronts the brutal truths of the underworld and the sacrifices demanded by her dreams. With its gripping narrative and bold characters, SWING BOUT is an independent Irish made film that keeps the audience on edge.

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Irish Film

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Scott to reprise VANYA role

Andrew Scott to reprise VANYA role

Andrew Scott to reprise VANYA role

Olivier Award®-winning actor Andrew Scott (RIPLEY) will reprise his wildly acclaimed performance in VANYA, a radical new adaptation of Chekhov’s masterwork, UNCLE VANYA. Anton Chekhov’s timeless masterpiece has captivated audiences and influenced dramatists for more than 125 years, thanks to the emotional depth and subtle humor it brings to the exploration of unfulfilled dreams, existential yearning, and the complexities of human relationships.

Learn More

More Andrew Scott

Scott wraps KNIVES OUT 3
Andrew Scott in PRESSURE
Andrew Scott: Actors on Actors
RIPLEY now on Netflix

Irish Theatre

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